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 # German translations for Digikam Manual package.
 # Copyright (C) licensed under the  <a href="https://spdx.org/licenses/GFDL-1.2-or-later.html">licensed under the terms of the GNU Free Documentation License 1.2+</a> unless stated otherwise
 # This file is distributed under the same license as the Digikam Manual package.
 # Automatically generated, 2023.
 #
 msgid ""
 msgstr ""
 "Project-Id-Version: Digikam Manual 8.0.0\n"
 "Report-Msgid-Bugs-To: \n"
 "POT-Creation-Date: 2023-12-02 00:35+0000\n"
 "PO-Revision-Date: 2023-01-21 10:41+0100\n"
 "Last-Translator: Automatically generated\n"
 "Language-Team: none\n"
 "Language: de\n"
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 "Content-Transfer-Encoding: 8bit\n"
 "Plural-Forms: nplurals=2; plural=(n != 1);\n"
 
 #: ../../color_management/monitor_profiles.rst:1
 msgid "Color Management and Monitor Profiles"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:1
 msgid ""
 "digiKam, documentation, user manual, photo management, open source, free, "
 "learn, easy, image editor, color management, icc, profile, srgb, monitor"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:14
 msgid "The Monitor Profiles"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:17
 msgid "sRGB Color space"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:19
 msgid ""
 "sRGB is widely accepted as a standard color profile by virtually everyone "
 "involved with consumer-oriented imaging. sRGB was proposed in 1996 by "
 "Hewlett Packard and Microsoft as a standardized color space for consumer-"
 "oriented applications. As stated in the initial proposal:"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:21
 msgid ""
 "Hewlett-Packard and Microsoft propose the addition of support for a standard "
 "color space, sRGB, within the Microsoft operating systems, HP products, the "
 "Internet, and all other interested vendors. The aim of this color space is "
 "to complement the current color management strategies by enabling a third "
 "method of handling color in the operating systems, device drivers and the "
 "Internet that utilizes a simple and robust device independent color "
 "definition. This will provide good quality and backward compatibility with "
 "minimum transmission and system overhead. Based on a calibrated colorimetric "
 "RGB color space well suited to Cathode Ray Tube (CRT) monitors, television, "
 "scanners, digital cameras, and printing systems, such a space can be "
 "supported with minimum cost to software and hardware vendors."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:23
 msgid ""
 "Currently, the ICC (International Color Consortium) tracks and ensures that "
 "a color is correctly mapped from the input to the output color space. By "
 "attaching a profile for the input color space to the image in question. This "
 "is appropriate for high end users. However, there are a broad range of users "
 "that do not require this level of flexibility and control. Additionally, "
 "most existing file formats do not, and may never support color profile "
 "embedding, and finally, there are a broad range of uses [that] actually "
 "discourage people from appending any extra data to their files. A common "
 "standard RGB color space addresses these issues by merging the many standard "
 "and non-standard RGB monitor spaces into a single standard RGB color space. "
 "Such a standard could dramatically improve the color fidelity in the desktop "
 "environment. For example, if operating system vendors provide support for a "
 "standard RGB color space, the input and output device vendors that support "
 "this standard color space could easily and confidently communicate color "
 "without further color management overhead in the most common situations."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:25
 msgid ""
 "To summarize, the point of the by-now almost universally adopted sRGB color "
 "space was and is to make life easier for consumers (no need to worry about "
 "color management), less expensive for manufacturers (no need to worry about "
 "compatibility between consumer-level digital cameras or scanners, monitors, "
 "printers, and so forth), and more convenient for displaying images on the "
 "Internet (don't worry about embedding and reading ICC profiles - just assume "
 "sRGB)."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:27
 msgid ""
 "So if sRGB works so well and makes life so easy for everyone, why use any "
 "other color space and thus be forced to worry about color management issues?"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:29
 msgid ""
 "sRGB was designed to contain colors easily displayed on consumer-oriented "
 "monitors and printed by consumer-oriented printers manufactured since 1996. "
 "This least-common-denominator set of viewable and printable colors - the "
 "technical term is **color gamut** - is much smaller than the set of colors "
 "we can see in the real world, much smaller than the set of colors today's "
 "digital cameras can capture, much smaller than the set of colors today's "
 "printers can print, and much smaller than the color gamut of the new wide "
 "gamut monitors that are beginning to enter the consumer market. For anyone "
 "who wants to make use of the wider color gamuts available today even at the "
 "consumer level, the gamut of sRGB is too small. Conversely, if you don't "
 "intend to make use of an expanded gamut of colors at any point in your "
 "digital imaging workflow, then you don't need to worry about non-sRGB color "
 "spaces and all the attending intricacies of color management."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:32
 msgid "sRGB Limitations"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:34
 msgid ""
 "A visual representation of the limitations of sRGB compared to the colors we "
 "actually see in the real world is presented here after. It shows a two-"
 "dimensional representation of all the colors we can see (the horseshoe-"
 "shaped region) and the colors contained in the sRGB space (the smaller "
 "triangular region)."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:40
 msgid ""
 "The Gamut of D65 sRGB Color Profile Used by Default with Standard LCD Monitor"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:43
 msgid "Profiling Your Monitor"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:45
 msgid ""
 "If you choose to work exclusively in the sRGB color space, do you need to "
 "calibrate your monitor? Whether you stay within the color gamut provided by "
 "sRGB or not, you need a properly calibrated monitor because sRGB assumes "
 "that your monitor is calibrated to sRGB. Your monitor calibration closes the "
 "loop. If you work within the color gamut provided by sRGB then you need to "
 "calibrate your monitor to the sRGB standard (or produce and use an accurate "
 "monitor profile, or both). What are the consequences of working with an "
 "uncalibrated monitor?"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:47
 msgid ""
 "There are several possible consequences, none of them good. Every monitor, "
 "calibrated or otherwise, has a native (uncalibrated) white point, expressed "
 "as a temperature in degrees Kelvin. The white point of a monitor (calibrated "
 "or not) is the color you see when you are looking at a patch of pure white "
 "on your screen. Pure white is when the RGB values in your image all equal "
 "255 (as expressed in 8-bits), such as the plain white background of a web "
 "page or an office document. You are thinking, *white is white* but if you "
 "were able to line up several monitors calibrated to different white points, "
 "you would see that the higher the temperature of the monitor's white point, "
 "the bluer the screen looks in comparison with monitors with lower white "
 "points."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:49
 msgid ""
 "If you can find the controls of your own monitor, change the temperature up "
 "and down (remembering to put it back to its initial setting when you are "
 "done, unless you decide you want a different white point). Your eyes, which "
 "adapt quickly to a constant white point, will easily discern the screen "
 "getting bluer and yellower as you move the white point higher and lower. If "
 "your uncalibrated monitor is too blue (native CRT color temperature is "
 "typically 9300K and sRGB assumes 6500K), as you edit your image you will "
 "overcompensate and produce images that will look yellowish and too warm on a "
 "properly calibrated monitor. Conversely, if your monitor is too yellow "
 "because the color temperature is set too low (LCD native color temperature "
 "is around 5500K), your images will look blueish/too cool on a properly "
 "calibrated monitor."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:51
 msgid ""
 "Setting a proper white point is only part of monitor calibration. You also "
 "need a proper black point, brightness (luminance), and gamma (transfer) "
 "function. If your monitor is too dark because the black point is set too "
 "low, you will overcompensate and produce images that look washed out on a "
 "properly calibrated monitor. Conversely, if your monitor black point is set "
 "too high, your images will look took dark and overly saturated on a properly "
 "calibrated monitor."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:53
 msgid ""
 "If the brightness/contrast is set too high, you will assume your images have "
 "a lot more *pop* than they really have when viewed on a properly calibrated "
 "monitor, plus your eyes will hurt and your LCD screen will burn out faster."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:59
 msgid ""
 ":kbd:`F12` Shortcut Allows to Turn On/Off the Color Management in Image "
 "Editor and all digiKam Thumbnail Views"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:61
 msgid ""
 "If your monitor gamma is improperly set, your tonal variations from dark to "
 "light will be off. That is, the shadows or highlights might be overly "
 "compressed or expanded, leading you to compensate in the opposite direction. "
 "So when viewed on a properly calibrated monitor, the shadows might be too "
 "bright or dark (or the highlights too dark or bright), with the rest of the "
 "image suffering from tonal over-compression. And heaven help you if the "
 "internal R, G, and B guns (or LCD equivalent) of your monitor are improperly "
 "set (each gun has its own black point and gain), because the resulting color "
 "casts - too green, too magenta, too orange, etc. that you will inevitably "
 "create by *correcting* your image during editing - are very obvious when "
 "viewed on a properly calibrated monitor."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:63
 msgid ""
 "Whether or not your monitor is properly calibrated, you might be surprised "
 "by the results of comparing an image you've edited on your home monitor to "
 "the same image as displayed by other monitors in your house or on your "
 "friend's and neighbor's monitors. Every image edited on either monitor "
 "looked very wrong on the other monitor, until we purchased a "
 "spectrophotometer to calibrate and profile both monitors. Unfortunately, at "
 "this point neither of these two monitors can be calibrated to display a "
 "proper black point, so they are no longer used for image editing - the point "
 "being that an additional benefit of using a spectrophotometer is you know "
 "when it's time replace your monitor."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:65
 msgid ""
 "The meaning of **black point** and **brightness** seems pretty clear, but "
 "what does **gamma** mean? **Gamma compression**, also known as gamma "
 "encoding, is used to encode **linear luminance** or RGB values into video "
 "signals or digital video file values; **gamma expansion** is the inverse, or "
 "decoding, process."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:67
 msgid ""
 "Gamma encoding helps to map data (both analog and digital) into a more "
 "perceptually uniform domain. If you wade very deeply into image editing and "
 "color management, eventually you will need to make decisions about what "
 "gamma (or other encoding/decoding function) you want to use when you "
 "calibrate your monitor, profile your digital camera, and choose a working "
 "color space. When in doubt (for those of you who just want to know which "
 "button to push), gamma=2.2 is a widely-used value, both for monitor "
 "calibration and working color spaces."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:69
 msgid ""
 "What's the difference between calibrating a monitor and profiling a monitor? "
 "When first learning about color management, many people are confused about "
 "the difference between calibrating and profiling a monitor. Calibration is a "
 "process where a device is brought into some defined state by making "
 "adjustments to its controls or some other physical means. For example, the "
 "act of calibrating a monitor involves adjusting its **white point**, **black "
 "level**, **luminosity** and **gamma** to predetermined or standard values "
 "using the monitor's controls and by altering the video card gamma ramp."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:71
 msgid ""
 "In contrast to calibration, the process of creating a profile is a "
 "characterization of the device that does not involve making any changes or "
 "adjustments to the device. Rather it is a measurement process that results "
 "in a file that contains a precise mathematical description of the device's "
 "color and tonality characteristics. This file is an **ICC profile**. These "
 "characteristics include the transfer function from the device's color space "
 "to a standardized absolute color space (this is called a Profile Color Space "
 "in an ICC profile), the device's **white point**, **black point**, "
 "**primaries** and other information. Displays are normally characterized "
 "(profiled) in their calibrated state."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:73
 msgid ""
 "To summarize, calibration makes changes to the device to alter it's color "
 "reproduction characteristics to conform to some predetermined state. "
 "Profiling or characterization is a measurement process that results in a "
 "detailed description of the device's (normally calibrated) color "
 "reproduction characteristics."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:75
 msgid ""
 "Calibrating your monitor technically is not really part of color management. "
 "But obviously a properly calibrated and/or profiled monitor is a "
 "prerequisite for a color-managed workflow. This manual does not cover the "
 "important topics of how to calibrate and profile a monitor. The `Argyll "
 "<http://www.argyllcms.com/>`_ documentations are very good and highly "
 "recommended reading. To use either of this software to calibrate and/or "
 "profile your monitor, you will need a spectrophotometer. A spectrophotometer "
 "(sometimes called a *spider*) is a device for measuring the RGB values of "
 "color patches projected onto the monitor screen by calibration/profiling "
 "software such as Argyll. The Argyll website maintains an up-to-date list of "
 "supported spectrophotometers."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:78
 msgid "Calibrating your Monitor"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:80
 msgid ""
 "There are various methods given on the Internet for calibrating a monitor "
 "without using a spectrophotometer. These *eye-ball* methods are better than "
 "not calibrating your monitor at all, and depending your eyeball and your "
 "monitor, can produce quite usable results. But the eye-ball methods are not "
 "a substitute for a properly calibrated and profiled monitor. For the record, "
 "calibrating and profiling a monitor with a spectrophotometer, though "
 "intimidating at first, is not difficult. Spectrophotometers can be obtained "
 "for well under 100€ (if you opt for a more expensive model, make sure you "
 "are paying for a better piece of hardware, rather than just a more fully-"
 "featured accompanying bit of manufacturer's software that won't run under "
 "Linux)."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:82
 msgid ""
 "`Argyll <http://www.argyllcms.com/>`_ documentation will guide you through "
 "the process of calibrating and profiling your monitor, without your having "
 "to learn very much color management theory. And if/when you learn enough "
 "about color management to realize that you want or need a more detailed "
 "monitor profile of a particular type, for a particular purpose, these two "
 "software have all the advanced capabilities you could possibly hope for."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:84
 msgid ""
 "Assuming you've decided to work exclusively in the sRGB color space, what "
 "*digiKam buttons* must be used after a monitor calibration? If your monitor "
 "has been calibrated to the sRGB standard and you work exclusively in the "
 "sRGB color space, then you can disable color management in digiKam. You "
 "don't need to tell digiKam what monitor profile to use because digiKam "
 "defaults to using the sRGB color space as the monitor color space profile. "
 "And you don't need to tell digiKam to use a color-managed workflow because "
 "digiKam defaults to using sRGB for your camera, printer, and working space."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:90
 msgid "The digiKam Monitor Profile Settings from Color Management Setup Page"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:92
 msgid ""
 "But if you want to take the first steps toward a color-managed workflow, "
 "then refer to corresponding page of Settings, enable color management, and "
 "select sRGB as your **monitor profile**, your **camera profile**, your "
 "**working space** profile, and your **printer profile**. If you've also used "
 "`Argyll <http://www.argyllcms.com/>`_ to produce a monitor profile after you "
 "calibrated your monitor named :file:`mymonitorprofile.icc`, then tell "
 "digiKam to use it instead of sRGB as your monitor profile."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:95
 msgid "Monitor Profiles Storage"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:97
 msgid "On **Windows**, the default search paths include:"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:99
 msgid ":file:`C:\\\\Windows\\\\System32\\\\spool\\\\drivers\\\\color\\\\`"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:100
 msgid ":file:`C:\\\\Windows\\\\Spool\\\\Drivers\\\\Color\\\\`"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:101
 msgid ":file:`C:\\\\Windows\\\\Color\\\\`"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:103
 msgid "On **macOS**, the default search paths include:"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:105
 msgid ":file:`/System/Library/ColorSync/Profiles/`"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:106
 msgid ":file:`/Library/ColorSync/Profiles/`"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:107
 msgid ":file:`~/Library/ColorSync/Profiles/`"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:108
 msgid ":file:`/opt/local/share/color/icc/`"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:109
 msgid ""
 ":file:`/Applications/digiKam.org/digikam.app/Contents/Resources/digikam/"
 "profiles/`"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:110
 #: ../../color_management/monitor_profiles.rst:118
 msgid ":file:`~/.local/share/color/icc/`"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:111
 #: ../../color_management/monitor_profiles.rst:119
 msgid ":file:`~/.local/share/icc/`"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:112
 #: ../../color_management/monitor_profiles.rst:120
 msgid ":file:`~/.color/icc/`"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:114
 msgid "On **Linux**, the default search paths include:"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:116
 msgid ":file:`/usr/share/color/icc/`"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:117
 msgid ":file:`/usr/local/share/color/icc/`"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:122
 msgid ""
 "Under Linux and macOS, your personal ICC profiles are generally located in "
 "the :file:`~/local/share/color/icc` folder from your home directory."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:128
 msgid ""
 "digiKam Allows to Setup Customized Places Where you can Store your Personal "
 "Color Profile"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:131
 msgid "Ambient Light and Monitor"
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:133
 msgid ""
 "Does the lighting and wall/ceiling/drape/furniture colors near my monitor "
 "matter? Good lighting is a prerequisite for proper image editing and for "
 "comparing prints to the image on your screen. If the lighting near your "
 "workstation is too bright, colors on your monitor look too dark, and "
 "conversely. If the light from the fixtures in your workroom have a low CRI "
 "(**color rendering index**, meaning you don't have full spectrum bulbs), or "
 "if the light in your workroom comes from a window and so varies as the "
 "weather and time of day varies (or worse, is filtered through colored "
 "drapery), or if the walls and ceiling are creating color casts on your "
 "monitor, then your editing process will *correct* color casts that don't "
 "really exist."
 msgstr ""
 
 #: ../../color_management/monitor_profiles.rst:135
 msgid ""
 "Best advice, as far as is consistent with maintaining harmony in the family: "
 "neutral grey walls and ceiling, cover the windows, wear neutral clothing, "
 "set appropriate light levels using appropriate bulbs and fixtures."
 msgstr ""