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0001 # translation of docs_digikam_org_image_editor___colors_tools.po to Slovak 0002 # Roman Paholík <wizzardsk@gmail.com>, 2023. 0003 msgid "" 0004 msgstr "" 0005 "Project-Id-Version: docs_digikam_org_image_editor___colors_tools\n" 0006 "Report-Msgid-Bugs-To: \n" 0007 "POT-Creation-Date: 2023-12-02 00:35+0000\n" 0008 "PO-Revision-Date: 2023-03-19 10:17+0100\n" 0009 "Last-Translator: Roman Paholik <wizzardsk@gmail.com>\n" 0010 "Language-Team: Slovak <kde-sk@linux.sk>\n" 0011 "Language: sk\n" 0012 "MIME-Version: 1.0\n" 0013 "Content-Type: text/plain; charset=UTF-8\n" 0014 "Content-Transfer-Encoding: 8bit\n" 0015 "X-Generator: Lokalize 22.12.3\n" 0016 "Plural-Forms: nplurals=3; plural=(n==1) ? 0 : (n>=2 && n<=4) ? 1 : 2;\n" 0017 0018 #: ../../image_editor/colors_tools.rst:1 0019 msgid "digiKam Image Editor Colors Tools" 0020 msgstr "" 0021 0022 #: ../../image_editor/colors_tools.rst:1 0023 msgid "" 0024 "digiKam, documentation, user manual, photo management, open source, free, " 0025 "learn, easy, image, editor, color, depth, space, correction, auto, black, " 0026 "white, filters, emulation, infrared, invert, negative, balance, curves, " 0027 "levels, hue, saturation, lightness, channel, mixer" 0028 msgstr "" 0029 0030 #: ../../image_editor/colors_tools.rst:14 0031 msgid "Colors Tools" 0032 msgstr "" 0033 0034 #: ../../image_editor/colors_tools.rst:16 0035 msgid "Contents" 0036 msgstr "Obsah" 0037 0038 #: ../../image_editor/colors_tools.rst:21 0039 msgid "Encoding Depth" 0040 msgstr "" 0041 0042 #: ../../image_editor/colors_tools.rst:23 0043 msgid "" 0044 "Here you can change the encoding depth per color channel of the edited " 0045 "image. 8 bit encoding is the common JPEG format, 16 bit encoding is better " 0046 "suited for high quality images, but this format needs more storage space, " 0047 "calculation time and is currently available with PNG, PGF, TIFF, and " 0048 "JPEG-2000 formats only." 0049 msgstr "" 0050 0051 #: ../../image_editor/colors_tools.rst:27 0052 msgid "" 0053 "When you re-encoding an image from 8-bit to 16-bit, uniformly distributed " 0054 "noise is introduced to prevent histogram holes due to colors range expansion." 0055 msgstr "" 0056 0057 #: ../../image_editor/colors_tools.rst:31 0058 msgid "" 0059 "HEIF, AVIF, JPX formats can encode as 8 bits or 12 bit. WEBP is limited to 8 " 0060 "bits. These limitations can change in the future." 0061 msgstr "" 0062 0063 #: ../../image_editor/colors_tools.rst:36 0064 msgid "Color Management" 0065 msgstr "Správa farieb" 0066 0067 #: ../../image_editor/colors_tools.rst:38 0068 msgid "" 0069 "This tool allows to convert image from one color space to another one. Its " 0070 "use is the change and assignment of color profiles to an image. For detailed " 0071 "instructions on the use of color profiles, please refer to :ref:`Color " 0072 "Management Rules <color_management>` and :ref:`Color Management Settings " 0073 "<cm_settings>` sections." 0074 msgstr "" 0075 0076 #: ../../image_editor/colors_tools.rst:44 0077 msgid "The Image Editor to Change Image Color Space" 0078 msgstr "" 0079 0080 #: ../../image_editor/colors_tools.rst:49 0081 msgid "Auto-Correction" 0082 msgstr "" 0083 0084 #: ../../image_editor/colors_tools.rst:51 0085 msgid "" 0086 "This tool set provides five automatic correction levels that will improve an " 0087 "image in most cases. Use this tool before going into the more involved " 0088 "manual adjustments." 0089 msgstr "" 0090 0091 #: ../../image_editor/colors_tools.rst:53 0092 msgid "" 0093 "The **Auto Levels**, **Normalize**, **Equalize**, **Stretch Contrast**, and " 0094 "**Auto Exposure** available from :menuselection:`Color --> Auto-Correction..." 0095 "` menu entry menu will attempt to work out the best color levels " 0096 "automatically. You will need to experiment with the effects of these " 0097 "functions to see what works best with your photograph." 0098 msgstr "" 0099 0100 #: ../../image_editor/colors_tools.rst:55 0101 #, fuzzy 0102 msgid "" 0103 "**Auto Levels**: This option maximizes the tonal range in the Red, Green, " 0104 "and Blue channels. It searches the image shadow and highlight limit values " 0105 "and adjusts the Red, Green, and Blue channels to a full histogram range." 0106 msgstr "" 0107 "<b>Automatické úrovne</b>:<p>Táto voľba maximalizuje tónový rozsah v " 0108 "kanáloch červenej, zelenej a modrej. Nájde hraničné hodnoty tieňa a svetlých " 0109 "oblastí obrázka a doladí kanály červenej, zelenej a modrej na plný rozsah " 0110 "histogramu.</p>" 0111 0112 #: ../../image_editor/colors_tools.rst:57 0113 msgid "" 0114 "**Normalize**: this method scales brightness values across the selected " 0115 "image so that the darkest point becomes black, and the brightest point " 0116 "becomes as bright as possible without altering its hue. This is often a " 0117 "“magic fix” for images that are dim or washed out." 0118 msgstr "" 0119 0120 #: ../../image_editor/colors_tools.rst:59 0121 msgid "" 0122 "**Equalize**: this method adjusts the brightness of colors across the " 0123 "selected image so that the histogram for the Value channel is as flat as " 0124 "possible, that is, so that each possible brightness value appears at about " 0125 "the same number of pixels as each other value. Sometimes Equalize works " 0126 "wonderfully at enhancing the contrasts of an image. Other times it gives " 0127 "garbage. It is a very powerful operation, which can either work miracles on " 0128 "an image or destroy it." 0129 msgstr "" 0130 0131 #: ../../image_editor/colors_tools.rst:61 0132 msgid "" 0133 "**Stretch Contrast**: this method enhances the contrast and brightness of " 0134 "the RGB values of an image by stretching the lowest and highest values to " 0135 "their fullest range, adjusting everything in between. This is noticeable " 0136 "only with washed-out images and can be a good fix-it tool for bad " 0137 "photographs." 0138 msgstr "" 0139 0140 #: ../../image_editor/colors_tools.rst:63 0141 #, fuzzy 0142 msgid "" 0143 "**Auto Exposure**: This option enhances the contrast and brightness of the " 0144 "RGB values of an image to calculate optimal exposition and black level using " 0145 "image histogram properties." 0146 msgstr "" 0147 "<b>Automatická korekcia expozície</b>:<p>Táto voľba vylepší kontrast a jas " 0148 "RGB hodnôt obrázka, aby sa vypočítala optimálna expozícia a úroveň čiernej, " 0149 "za pomoci vlastností histogramu.</p>" 0150 0151 #: ../../image_editor/colors_tools.rst:65 0152 msgid "" 0153 "The results of any adjustments you make will not be remembered until you " 0154 "save your photograph." 0155 msgstr "" 0156 0157 #: ../../image_editor/colors_tools.rst:71 0158 msgid "The Image Editor to Process Auto Color Corrections" 0159 msgstr "" 0160 0161 #: ../../image_editor/colors_tools.rst:74 0162 msgid "Black and White Conversions" 0163 msgstr "" 0164 0165 #: ../../image_editor/colors_tools.rst:76 0166 msgid "" 0167 "Black and White photography has always been fascinating in its abstraction " 0168 "capability. With the advent of digital photography, Black and White has " 0169 "almost become a desktop activity, as color images can be easily converted on " 0170 "the computer into black and white, even providing a set of vintage film roll " 0171 "profiles. This filter is also able to simulates traditional infrared film " 0172 "material." 0173 msgstr "" 0174 0175 #: ../../image_editor/colors_tools.rst:81 0176 msgid "Legacy Films Emulation" 0177 msgstr "" 0178 0179 #: ../../image_editor/colors_tools.rst:83 0180 msgid "" 0181 "digiKam comes with a couple of black & white filters that you can use on " 0182 "your photographs. Under the :menuselection:`Color --> Black & White...` menu " 0183 "you will find classic black & white chemical toning used in analog " 0184 "photography. The controls come on four drop-down items: **Film**, **Lens " 0185 "Filters**, **Tone** and **Luminosity** as shown on the screenshot below. " 0186 "Film, filters and color toning can be applied independently of each other " 0187 "(on top of each other). The filters actually influence the RGB channel " 0188 "mixing, whereas the toning purely adds a uniform monochromatic tint to the " 0189 "black & white photograph. In the lightness tab you will find a tonal " 0190 "adjustment tool (like curve adjust), a contrast tool and an over-exposure " 0191 "indicator to improve the Black and White rendering." 0192 msgstr "" 0193 0194 #: ../../image_editor/colors_tools.rst:89 0195 msgid "The Image Editor to Emulate Black and White Films" 0196 msgstr "" 0197 0198 #: ../../image_editor/colors_tools.rst:91 0199 msgid "" 0200 "With **Film** setting, a specific settings allows to emulate a number of " 0201 "famous Black and White photographic films as:" 0202 msgstr "" 0203 0204 #: ../../image_editor/colors_tools.rst:93 0205 #, fuzzy 0206 msgid "**Generic**." 0207 msgstr "Všeobecné" 0208 0209 #: ../../image_editor/colors_tools.rst:94 0210 msgid "**Agfa**: 200X, Pan 25, Pan 100, Pan 400." 0211 msgstr "" 0212 0213 #: ../../image_editor/colors_tools.rst:95 0214 msgid "" 0215 "**Ilford**: Delta 100, Delta 400, Delta 400 Pro 3200, FP4 Plus, HP5 Plus, " 0216 "PanF Plus, XP2 Super." 0217 msgstr "" 0218 0219 #: ../../image_editor/colors_tools.rst:96 0220 msgid "**Kodak**: Tmax 100, Tmax 400, TriX." 0221 msgstr "" 0222 0223 #: ../../image_editor/colors_tools.rst:98 0224 msgid "" 0225 "With **Lens Filters** setting, a color filter can be simulated as placed on " 0226 "front of lens:" 0227 msgstr "" 0228 0229 #: ../../image_editor/colors_tools.rst:100 0230 msgid "**No Lens Filter**: simulate black & white neutral film exposure." 0231 msgstr "" 0232 0233 #: ../../image_editor/colors_tools.rst:101 0234 msgid "" 0235 "**Green Filter**: simulates black & white film exposure with green lens " 0236 "filter. This comes good with all scenic images, especially suited for " 0237 "portraits taken against the sky (similar to 004 Cokin(tm) Green filter)." 0238 msgstr "" 0239 0240 #: ../../image_editor/colors_tools.rst:102 0241 msgid "" 0242 "**Orange Filter**: simulates black & white film exposure with an orange lens " 0243 "filter. This will enhance landscapes, marine scenes and aerial photography " 0244 "(similar to 002 Cokin(tm) Orange filter)." 0245 msgstr "" 0246 0247 #: ../../image_editor/colors_tools.rst:103 0248 msgid "" 0249 "**Red Filter**: simulates black & white film exposure with red lens filter. " 0250 "Creates dramatic sky effects and can simulate moonlight scenes in daytime " 0251 "(similar to 003 Cokin(tm) Red filter)." 0252 msgstr "" 0253 0254 #: ../../image_editor/colors_tools.rst:104 0255 msgid "" 0256 "**Yellow Filter**: simulates black & white film exposure with yellow lens " 0257 "filter. Most natural tonal correction, improves contrast. Ideal for " 0258 "landscapes (similar to 001 Cokin(tm) Yellow filter)." 0259 msgstr "" 0260 0261 #: ../../image_editor/colors_tools.rst:106 0262 msgid "With **Tone** setting, a color tint can be applied to the image:" 0263 msgstr "" 0264 0265 #: ../../image_editor/colors_tools.rst:108 0266 msgid "" 0267 "**Sepia Filter**: gives a warm highlight and mid-tone while adding a bit of " 0268 "coolness to the shadows - very similar to the process of bleaching a print " 0269 "and re-developing in a sepia toner (typical for your grandmothers " 0270 "photographs). Similar to 005 Cokin(tm) Sepia filter." 0271 msgstr "" 0272 0273 #: ../../image_editor/colors_tools.rst:109 0274 msgid "**Brown Filter**: similar to Sepia Tone filter, but less pronounced." 0275 msgstr "" 0276 0277 #: ../../image_editor/colors_tools.rst:110 0278 msgid "" 0279 "**Cold Filter**: start subtle and replicate printing on a cold tone black & " 0280 "white paper such as a bromide enlarging paper." 0281 msgstr "" 0282 0283 #: ../../image_editor/colors_tools.rst:111 0284 msgid "" 0285 "**Selenium Filter**: effect that replicates traditional selenium chemical " 0286 "toning done in the darkroom." 0287 msgstr "" 0288 0289 #: ../../image_editor/colors_tools.rst:112 0290 msgid "" 0291 "**Platinum Filter**: effect that replicates traditional platinum chemical " 0292 "toning done in the darkroom." 0293 msgstr "" 0294 0295 #: ../../image_editor/colors_tools.rst:117 0296 msgid "Simulate Infrared Film" 0297 msgstr "" 0298 0299 #: ../../image_editor/colors_tools.rst:119 0300 msgid "" 0301 "Simulating classical infrared film material (the effect is rendered in black " 0302 "and white) is an interesting alienation effect that is even stronger and " 0303 "more dramatic than pure black and white conversion. Contrast and an abstract " 0304 "touch are improved, which can underpin the expression of the photographer as " 0305 "an artist. It is like taking an image in black and white with a red filter " 0306 "on the camera lense. Areas which reflect little red light, e.g. the sky, " 0307 "will show as low density, dark areas. Areas which are excellent reflectors " 0308 "of red light, e.g. most green foliage, will be high density areas. And snow " 0309 "landscapes are really dramatic." 0310 msgstr "" 0311 0312 #: ../../image_editor/colors_tools.rst:125 0313 msgid "The Image Editor to Emulate Infrared Films" 0314 msgstr "" 0315 0316 #: ../../image_editor/colors_tools.rst:127 0317 msgid "" 0318 "The filter tries to reproduce the famous Ilford(tm) SFX and Kodak Tmax " 0319 "infrared film series. These films has a sensitivity range of 200-800 ISO:" 0320 msgstr "" 0321 0322 #: ../../image_editor/colors_tools.rst:129 0323 msgid "**Ilford**: SPX 200, SPX 400, SPX 800." 0324 msgstr "" 0325 0326 #: ../../image_editor/colors_tools.rst:130 0327 msgid "**Kodak**: HIE." 0328 msgstr "" 0329 0330 #: ../../image_editor/colors_tools.rst:134 0331 msgid "" 0332 "Because the filter mixes color channels to reproduce infrared film (with " 0333 "emphasis on green channel), one can not simulate infrared effect from Black " 0334 "and White original photograph, since the color information is missing." 0335 msgstr "" 0336 0337 #: ../../image_editor/colors_tools.rst:139 0338 msgid "Inverting Colors" 0339 msgstr "" 0340 0341 #: ../../image_editor/colors_tools.rst:141 0342 msgid "" 0343 "In case of digitalize analog film with a scanner, color can appear inverted " 0344 "compared to the reality. This tool allows to reverse the colors into their " 0345 "respective `complementary colors <https://en.wikipedia.org/wiki/" 0346 "Complementary_colors>`_." 0347 msgstr "" 0348 0349 #: ../../image_editor/colors_tools.rst:143 0350 msgid "" 0351 "Invert color to a complementary color (or opposite color of color on the " 0352 "color wheel), consist to have cyan as the opposite color of red, yellow as " 0353 "opposite color for blue, and magenta as the opposite color of green. With :" 0354 "menuselection:`Color --> Invert` option, we can invert all the pixel colors " 0355 "and brightness values in the image, as if the image was converted into a " 0356 "negative. Dark areas become bright and bright areas become dark. Hues are " 0357 "replaced by their complementary colors." 0358 msgstr "" 0359 0360 #: ../../image_editor/colors_tools.rst:148 0361 msgid "Simulate Negative Film" 0362 msgstr "" 0363 0364 #: ../../image_editor/colors_tools.rst:150 0365 msgid "" 0366 "While digiKam is first and foremost an application for processing and " 0367 "organizing digital photos, it also features tools for working with `film " 0368 "negatives <https://en.wikipedia.org/wiki/Negative_(photography)>`_." 0369 msgstr "" 0370 0371 #: ../../image_editor/colors_tools.rst:152 0372 msgid "" 0373 "Before you can process negatives in digiKam, you need to digitize them. If " 0374 "you don’t have access to a film scanner or a lab that offers film scanning " 0375 "services, you can digitize film using a DSLR camera (there are plenty of " 0376 "tutorials on how to do that on the Web, as `this one <https://petapixel." 0377 "com/2013/03/25/digitizing-your-film-using-your-dslr/>`_). The rest of the " 0378 "process assumes that you are using the latter way to digitize film negatives." 0379 msgstr "" 0380 0381 #: ../../image_editor/colors_tools.rst:154 0382 msgid "" 0383 "Open a RAW file containing a film negative in the editor. Crop the original " 0384 "file and apply lens correction if necessary. Choose then :menuselection:" 0385 "`Color --> Invert` to transform the negative into a positive image. In case " 0386 "you work with the color negative, the converted image most likely requires " 0387 "some additional tweaking. First of all, the converted image is likely to " 0388 "have a strong blue tint. The easiest way to remove it is to use digiKam’s " 0389 "**Auto-Correction** tool. Choose :menuselection:`Color --> Auto-Correction` " 0390 "and select one of the presets. In many cases, the **Auto Levels** or " 0391 "**Equalize** presets do a decent job of correcting the colors. If the colors " 0392 "still look slightly off, you can adjust them further using the :" 0393 "menuselection:`Colors --> Color Balance` tool." 0394 msgstr "" 0395 0396 #: ../../image_editor/colors_tools.rst:160 0397 msgid "The Image Editor Tool to Simulate Negative Film" 0398 msgstr "" 0399 0400 #: ../../image_editor/colors_tools.rst:162 0401 msgid "" 0402 "The **Invert** feature in combination with an **Auto-Correction** preset " 0403 "provides a quick-and-dirty way of converting negatives, but digiKam has " 0404 "another tool designed specifically for processing color negatives. To access " 0405 "it, choose the :menuselection:`Color --> Color Negative` menu entry. The " 0406 "Color **Negative** Film interface contains several handy features that can " 0407 "help you to convert the negative and tweak the resulting image. While the " 0408 "**Invert** tool uses a generic profile for converting negatives, the Color " 0409 "Negative Film interface offers profiles for many popular film types. So the " 0410 "first step is to select the appropriate profile. For better results, try to " 0411 "enable the **Color Balance** option, too. If the used film is not in the " 0412 "list, you can use the **Neutral** profile as a fall back." 0413 msgstr "" 0414 0415 #: ../../image_editor/colors_tools.rst:164 0416 msgid "" 0417 "Although choosing the matching film profile may yield a better result, the " 0418 "converted image may still require some work. In most cases, you may need to " 0419 "adjust the white point to remove the remaining blue tint. You can do this " 0420 "either manually or automatically using the appropriate tools. Usually, the " 0421 "automatic white point adjustment does the job, but the resulting image needs " 0422 "to be brightened up by adjusting the **Exposure** and the **Gamma** sliders." 0423 msgstr "" 0424 0425 #: ../../image_editor/colors_tools.rst:169 0426 msgid "Colors Balance" 0427 msgstr "" 0428 0429 #: ../../image_editor/colors_tools.rst:171 0430 msgid "" 0431 "Digital cameras often have problems with lighting conditions and it is not " 0432 "unusual to want to correct the color contrast and brightness of a " 0433 "photograph. You can experiment with altering the levels of different aspects " 0434 "of your photographs using the tools under the **Color** menu. You can see " 0435 "any adjustments you make reflected in the preview. When you are happy with " 0436 "the results, press **Ok** and they will take effect." 0437 msgstr "" 0438 0439 #: ../../image_editor/colors_tools.rst:177 0440 msgid "The Image Editor Colors Balance Tool" 0441 msgstr "" 0442 0443 #: ../../image_editor/colors_tools.rst:179 0444 msgid "" 0445 "If your image is washed out (which can easily happen when you take images in " 0446 "bright light) try the **Hue/Saturation/Lightness** tool, which gives you " 0447 "four sliders to manipulate, for **Hue**, **Saturation**, **Vibrance**, and " 0448 "**Lightness**. Raising the saturation will probably make the image look " 0449 "better. In some cases, it is useful to adjust the lightness at the same " 0450 "time. *Lightness* here is similar to *Brightness* in the **Brightness/" 0451 "Contrast/Gamma** tool, except that they are formed from different " 0452 "combinations of the red, green, and blue channels." 0453 msgstr "" 0454 0455 #: ../../image_editor/colors_tools.rst:181 0456 msgid "" 0457 "When you take images in low light conditions, you could get the opposite " 0458 "problem: too much saturation. In this case the **Hue/Saturation/Lightness** " 0459 "tool is again a good one to use, only by reducing the saturation instead of " 0460 "increasing it. You can see any adjustments you make reflected in the preview " 0461 "image. When you are happy with the results, press Ok and they will take " 0462 "effect." 0463 msgstr "" 0464 0465 #: ../../image_editor/colors_tools.rst:186 0466 msgid "Adjust Curves" 0467 msgstr "Opraviť krivky" 0468 0469 #: ../../image_editor/colors_tools.rst:188 0470 msgid "" 0471 "The digiKam Adjust Curves is a tool to non-linearly adjust luminosity " 0472 "graduation and color channels." 0473 msgstr "" 0474 0475 #: ../../image_editor/colors_tools.rst:190 0476 msgid "" 0477 "The Adjust Curves tool is the most sophisticated tool available to adjust " 0478 "the images' tonality. Start it from the :menuselection:`Color --> Curves " 0479 "Adjust...` Image Editor menu. It allows you to click and drag control points " 0480 "on a curve to create a free function mapping input brightness levels to " 0481 "output brightness levels. The Adjust Curves tool can replicate any effect " 0482 "you can achieve with **Brightness/Contrast/Gamma** or the **Adjust Levels** " 0483 "tool, though it is more powerful than either one of them. But this tool can " 0484 "do more for you, it helps you to improve the tonal quality of your " 0485 "photographs to very finely stepped gray scales. And do not forget that the " 0486 "better the photographs are (good exposure, lossless format, 24 or 32 bit " 0487 "deep) the more you can improve them. Navigate to the \"Achieving ultimate " 0488 "tonal quality\" section of this instructive page: `Tonal quality and dynamic " 0489 "range in digital cameras by Norman Koren <http://www.normankoren.com/" 0490 "digital_tonality.html>`_. Use Adjust Curves tool to do just the same." 0491 msgstr "" 0492 0493 #: ../../image_editor/colors_tools.rst:192 0494 msgid "" 0495 "This tool provides visual curves to modify the intensity values of the " 0496 "active layer displayed as a histogram non-linearily. In **Curve smooth " 0497 "mode**, you change the curves shape by adding new points to the curve or by " 0498 "moving end point positions. Another way, is to draw all the curve manually " 0499 "in **Curve free mode**. In both cases the effect is immediately displayed in " 0500 "the image preview area to the left, where the preview can be configured by " 0501 "clicking on the top left icons." 0502 msgstr "" 0503 0504 #: ../../image_editor/colors_tools.rst:198 0505 msgid "The Image Editor Adjust Curves Tool" 0506 msgstr "" 0507 0508 #: ../../image_editor/colors_tools.rst:200 0509 msgid "" 0510 "To the left, half of the original and the target preview image is shown. The " 0511 "target preview is updated dynamically according to the widget settings. On " 0512 "the right side the following options are available:" 0513 msgstr "" 0514 0515 #: ../../image_editor/colors_tools.rst:202 0516 msgid "" 0517 "Modify **Channel**: with this combo box you can select the specific channel " 0518 "to be modified by the tool:" 0519 msgstr "" 0520 0521 #: ../../image_editor/colors_tools.rst:204 0522 msgid "**Luminosity**: changes the intensity of all pixels." 0523 msgstr "" 0524 0525 #: ../../image_editor/colors_tools.rst:206 0526 msgid "**Red**: changes the Red saturation of all pixels." 0527 msgstr "" 0528 0529 #: ../../image_editor/colors_tools.rst:208 0530 msgid "**Green**: changes the Green saturation of all pixels ." 0531 msgstr "" 0532 0533 #: ../../image_editor/colors_tools.rst:210 0534 msgid "**Blue**: changes the Blue saturation of all pixels." 0535 msgstr "" 0536 0537 #: ../../image_editor/colors_tools.rst:212 0538 msgid "**Alpha**: changes the transparency of all pixels." 0539 msgstr "" 0540 0541 #: ../../image_editor/colors_tools.rst:214 0542 msgid "" 0543 "Next to this box are two icons to select **Linear** or **Logarithmic** " 0544 "**Histogram** display. For images taken with a digital camera the linear " 0545 "mode is usually the most useful. However, for images containing substantial " 0546 "areas of constant color, a linear histogram will often be dominated by a " 0547 "single bar. In this case a logarithmic histogram will be more appropriate." 0548 msgstr "" 0549 0550 #: ../../image_editor/colors_tools.rst:216 0551 msgid "" 0552 "**Main Curves Editing Area**: the horizontal bar (x-axis) represents input " 0553 "values (they are value levels from 0 to 255). The vertical bar (y-axis) is " 0554 "only a scale for output colors of the selected channel. The control curve is " 0555 "drawn on a grid and crosses the histogram diagonally. The pointer x/y " 0556 "position is permanently displayed above the grid. If you click on the curve, " 0557 "a control point is created. You can move it to bend the curve. If you click " 0558 "outside the curve, a control point is also created, and the curve includes " 0559 "it automatically. So each point of the curve represents an 'x' translated " 0560 "into a 'y' output level." 0561 msgstr "" 0562 0563 #: ../../image_editor/colors_tools.rst:218 0564 msgid "" 0565 "Curve **Type** for channel: below the editing area are several icons that " 0566 "determine whether the curve can be edited using **Curve smooth mode** or " 0567 "**Curve free mode**. Smooth mode constrains the curve type to a smooth line " 0568 "with tension and provides a realistic rendering. Free mode lets you draw " 0569 "your curve free-hand with the mouse. With curve segments scattered all over " 0570 "the grid, result will be surprising but hardly repeatable. A **Reset to " 0571 "defaults** button is also available. If, for example, you move a curve " 0572 "segment to the right, i.e. to highlights, you can see that these highlights " 0573 "are corresponding to darker output tones and that image pixels corresponding " 0574 "to this curve segment will go darker. With color channels, moving right will " 0575 "decrease saturation up to reaching complementary color. To delete all " 0576 "control points (apart from both end points), click on the **Reset** button. " 0577 "To delete only one point, move it onto another point. Just ply with the " 0578 "curves and watch the results. You even can solarize the image on part of its " 0579 "tonal range. This happens when the curve is inverted in some part. The " 0580 "original photo preview has a red marker on it. If you place this marker to a " 0581 "zone you want to modify, a corresponding line will be drawn on the curve " 0582 "grid indicating the original value. Create a point on that line and move it " 0583 "up or down to adjust it to your pleasing." 0584 msgstr "" 0585 0586 #: ../../image_editor/colors_tools.rst:220 0587 msgid "" 0588 "**Save As** and **Load**: these buttons are used to do just that. Any curves " 0589 "that you have set can be saved to the filesystem and loaded later. The used " 0590 "file format is The Gimp Curves format." 0591 msgstr "" 0592 0593 #: ../../image_editor/colors_tools.rst:222 0594 msgid "**Reset**: this button resets all curve values for all channels." 0595 msgstr "" 0596 0597 #: ../../image_editor/colors_tools.rst:224 0598 msgid "" 0599 "The curves tool has several features that facilitate the positioning of " 0600 "points on the control curves. Clicking the mouse button in the original " 0601 "image preview area produces a vertical doted bar in the graph area of the " 0602 "curves tool. The bar position corresponds to the pixel value the mouse " 0603 "cursor is over in the image window. Clicking and dragging the mouse button " 0604 "interactively updates the position of the vertical bar. In this way, it is " 0605 "possible to see where different pixel values in the image are located on the " 0606 "control curve and helps to discover the locations of shadow, midtone, and " 0607 "highlight pixels." 0608 msgstr "" 0609 0610 #: ../../image_editor/colors_tools.rst:226 0611 msgid "" 0612 "Using this way and the three **Tone Color Picker** buttons will " 0613 "automatically create control points on the curve in all channels for shadow, " 0614 "middle, and highlight tones. Enable the color picker button that you want to " 0615 "use, and click on the original image preview area to produce control points " 0616 "on each of the Red, Green, Blue, and Luminosity control curves." 0617 msgstr "" 0618 0619 #: ../../image_editor/colors_tools.rst:231 0620 msgid "Adjust Levels" 0621 msgstr "Nastaviť úrovne" 0622 0623 #: ../../image_editor/colors_tools.rst:233 0624 msgid "" 0625 "The digiKam Adjust Levels is a tool to manually adjust the histogram " 0626 "channels of an image." 0627 msgstr "" 0628 0629 #: ../../image_editor/colors_tools.rst:235 0630 msgid "" 0631 "Situated between the more sophisticated Adjust Curves tool and the simpler " 0632 "**Brightness/Contrast/Gamma** Image Editor tool is this Adjust Levels tool " 0633 "for improving exposure. Although the dialog for this tool looks very " 0634 "complicated, for the basic usage we have in mind here, the only part you " 0635 "need to deal with is the **Input Levels** area, concretely the three sliders " 0636 "that appear below the histogram." 0637 msgstr "" 0638 0639 #: ../../image_editor/colors_tools.rst:237 0640 msgid "" 0641 "This widget contains a visual graph of the intensity values of the active " 0642 "layer or selection (histogram). Below the graph are five sliders that can be " 0643 "clicked into and dragged to constrain and change the intensity level for the " 0644 "image. The left sliders position represents the dark areas and similarly, " 0645 "the right position represents the light areas." 0646 msgstr "" 0647 0648 #: ../../image_editor/colors_tools.rst:243 0649 msgid "The Image Editor Adjust Level Tool" 0650 msgstr "" 0651 0652 #: ../../image_editor/colors_tools.rst:245 0653 msgid "" 0654 "Actually the easiest way to learn how to use it is to experiment by moving " 0655 "the three sliders around, and watching how the image is affected." 0656 msgstr "" 0657 0658 #: ../../image_editor/colors_tools.rst:247 0659 msgid "" 0660 "On the right, both an original and a target preview image is available. The " 0661 "target preview is updated dynamically according to the slider positions. On " 0662 "the left, the following options are available:" 0663 msgstr "" 0664 0665 #: ../../image_editor/colors_tools.rst:249 0666 msgid "" 0667 "Modify levels for **Channel**: this combo box allows the selection of the " 0668 "specific channel that will be modified by the tool:" 0669 msgstr "" 0670 0671 #: ../../image_editor/colors_tools.rst:251 0672 msgid "" 0673 "**Luminosity**: this option makes intensity changes against all pixels in " 0674 "the image." 0675 msgstr "" 0676 0677 #: ../../image_editor/colors_tools.rst:253 0678 msgid "" 0679 "**Red**: this option makes Red saturation changes against all pixels in the " 0680 "image." 0681 msgstr "" 0682 0683 #: ../../image_editor/colors_tools.rst:255 0684 msgid "" 0685 "**Green**: this option makes Green saturation changes against all pixels in " 0686 "the image." 0687 msgstr "" 0688 0689 #: ../../image_editor/colors_tools.rst:257 0690 msgid "" 0691 "**Blue**: this option makes Blue saturation changes against all pixels in " 0692 "the image." 0693 msgstr "" 0694 0695 #: ../../image_editor/colors_tools.rst:259 0696 msgid "" 0697 "**Alpha**: this option makes transparency changes against all pixels in the " 0698 "image." 0699 msgstr "" 0700 0701 #: ../../image_editor/colors_tools.rst:261 0702 msgid "" 0703 "Set **Scale** for channel: this combo controls whether the histogram will be " 0704 "displayed using a linear or logarithmic amplitude. For images taken with a " 0705 "digital camera, the linear mode is usually the most useful. However, for " 0706 "images that contain substantial areas of constant color a linear histogram " 0707 "will often be dominated by a single bar. In this case a logarithmic " 0708 "histogram will often be more useful." 0709 msgstr "" 0710 0711 #: ../../image_editor/colors_tools.rst:263 0712 msgid "" 0713 "**Input Levels**: the input levels allow manual adjustments to be selected " 0714 "for each of the ranges. The main area is a graphic representation of image " 0715 "dark, mid and light tones content. They are on abscissa from level 0 (black) " 0716 "to level 255 (white). Pixel number for a level is on ordinate axis. The " 0717 "curve surface represents all the pixels of the image for the selected " 0718 "channel (histogram). A well balanced image is an image with levels (tones) " 0719 "distributed all over the whole range. An image with a predominant blue " 0720 "color, for example, will produce a histogram shifted to the left in Green " 0721 "and Red channels, manifested by green and red color lacking on highlights. " 0722 "The level ranges can be modified in three ways:" 0723 msgstr "" 0724 0725 #: ../../image_editor/colors_tools.rst:265 0726 msgid "" 0727 "Three sliders: the first on the top for **Dark Tones*, the second one for " 0728 "**Light Tones*, and the last one on the bottom for **Midtones** (often " 0729 "called **Gamma** value)." 0730 msgstr "" 0731 0732 #: ../../image_editor/colors_tools.rst:267 0733 msgid "Three input boxes to enter values directly." 0734 msgstr "" 0735 0736 #: ../../image_editor/colors_tools.rst:269 0737 msgid "" 0738 "Three **Color Picker** buttons using the original photo preview to " 0739 "automatically adjust inputs levels settings for shadow, midtone and " 0740 "highlights. There is also a fully automated adjustment button available next " 0741 "to the reset button." 0742 msgstr "" 0743 0744 #: ../../image_editor/colors_tools.rst:271 0745 msgid "" 0746 "**Output Levels**: the output levels allow manual selection of a narrowed-" 0747 "down output level range. There are also two sliders located here that can be " 0748 "used to interactively change the output levels like Input Levels. This " 0749 "output level compression may, for example, be used to create a bleached " 0750 "image as a background for some other subject to put into the foreground." 0751 msgstr "" 0752 0753 #: ../../image_editor/colors_tools.rst:273 0754 msgid "" 0755 "**Auto**: this button performs an automatic setting of the levels based on " 0756 "the pixel intensities of the image." 0757 msgstr "" 0758 0759 #: ../../image_editor/colors_tools.rst:275 0760 msgid "" 0761 "**Save As** and **Load**: these buttons are used to do just that. Any Levels " 0762 "that you have set can be saved to the filesystem and loaded later. The used " 0763 "file format is compatible with **The Gimp** Levels format." 0764 msgstr "" 0765 0766 #: ../../image_editor/colors_tools.rst:277 0767 msgid "" 0768 "**Reset All**: this button reset all Input Levels and Output Levels values " 0769 "for all channels." 0770 msgstr "" 0771 0772 #: ../../image_editor/colors_tools.rst:279 0773 msgid "" 0774 "The Adjust Levels tool has several features to facilitate the positioning " 0775 "input levels sliders. Clicking the mouse button in the original image " 0776 "preview area produces a vertical doted bar in the graph area of the " 0777 "histogram. The bar position corresponds to the pixel value under the mouse " 0778 "cursor in the image window. Clicking and dragging the mouse button " 0779 "interactively updates the position of the vertical bar. In this way it is " 0780 "possible to see where different pixel values in the image are located on the " 0781 "input levels sliders and helps to discover the locations of shadow, midtone, " 0782 "and highlight pixels." 0783 msgstr "" 0784 0785 #: ../../image_editor/colors_tools.rst:281 0786 msgid "" 0787 "Using in this mode and the three **Color Picker** buttons will automatically " 0788 "adjust input levels settings in all channels for shadow, middle, and " 0789 "highlight tones. Enable the color picker button that you want use, and click " 0790 "on the original image preview area to set input levels on each of the Red, " 0791 "Green, Blue, and Luminosity histogram channels." 0792 msgstr "" 0793 0794 #: ../../image_editor/colors_tools.rst:283 0795 msgid "" 0796 "**Over Exposure Indicator** option checks all color channel to see if more " 0797 "than one channel in a pixel is over-exposed, and you will see the combined " 0798 "color resulting of channel level settings. This feature is available as an " 0799 "indicator in the target preview area and has no effect on final rendering." 0800 msgstr "" 0801 0802 #: ../../image_editor/colors_tools.rst:288 0803 msgid "Correcting Exposure" 0804 msgstr "" 0805 0806 #: ../../image_editor/colors_tools.rst:290 0807 msgid "" 0808 "The simplest tool to use is the **Brightness/Contrast/Gamma** tool. It is " 0809 "also the least powerful, but in many cases it does everything you need. This " 0810 "tool is often useful for images that are overexposed or underexposed; it is " 0811 "not useful for correcting color casts. The tool gives you three sliders to " 0812 "adjust, for **Brightness**, **Contrast** and **Gamma**. You can see any " 0813 "adjustments you make reflected in the preview image. When you are happy with " 0814 "the results, press **Ok** and they will take effect." 0815 msgstr "" 0816 0817 #: ../../image_editor/colors_tools.rst:296 0818 msgid "The Image Editor Tool Correcting Exposure" 0819 msgstr "" 0820 0821 #: ../../image_editor/colors_tools.rst:300 0822 msgid "" 0823 "Another important tool called **Levels Adjust** provides also an integrated " 0824 "way of seeing the results of adjusting multiple levels and also enables you " 0825 "to save level settings for application to multiple photographs. This can be " 0826 "useful if your camera or scanner often makes the same mistakes and you want " 0827 "to apply the same corrections. See the dedicated :ref:`Adjust Levels manual " 0828 "<color_levels>` for more information. See also a way of correcting exposure " 0829 "problems using the **Adjust Curves** tool." 0830 msgstr "" 0831 0832 #: ../../image_editor/colors_tools.rst:305 0833 msgid "Correcting Colors" 0834 msgstr "" 0835 0836 #: ../../image_editor/colors_tools.rst:307 0837 msgid "" 0838 "This tool is used to adjust hue, saturation, and lightness levels on a range " 0839 "of color weights for the current image. You can access the tool by the menu " 0840 "entry :menuselection:`Color --> Hue/Saturation/Lightness`" 0841 msgstr "" 0842 0843 #: ../../image_editor/colors_tools.rst:309 0844 msgid "The tool settings are listed below:" 0845 msgstr "" 0846 0847 #: ../../image_editor/colors_tools.rst:311 0848 msgid "" 0849 "A Hue / Saturation color map to select visually the respective primary color " 0850 "to adjust. Just move and click with the mouse to set **Hue** and " 0851 "**Saturation** values in sliders below the map." 0852 msgstr "" 0853 0854 #: ../../image_editor/colors_tools.rst:313 0855 msgid "" 0856 "**Hue**: The slider allow you to select a hue in the color circle (-180, " 0857 "180)." 0858 msgstr "" 0859 0860 #: ../../image_editor/colors_tools.rst:315 0861 msgid "" 0862 "**Saturation**: The slider allow you to select a saturation (-100, 100)." 0863 msgstr "" 0864 0865 #: ../../image_editor/colors_tools.rst:317 0866 msgid "" 0867 "**Vibrance**: The slider allow you to adjust the vibrance of the image. " 0868 "Vibrance performs selective saturation on less saturated colors and avoiding " 0869 "skin tones." 0870 msgstr "" 0871 0872 #: ../../image_editor/colors_tools.rst:319 0873 msgid "" 0874 "**Lightness**: The slider allows you to select a luminosity value (-100, " 0875 "100). Lightness changes here concern a color range, while they concern a " 0876 "color tone with **Curves Adjust** and **Levels Adjust** tools, which work on " 0877 "color channels. If you change the Red lightness with this tool, all red " 0878 "pixels will be changed. With **Curves Adjust** and **Levels Adjust** tools, " 0879 "only dark, bright, or medium pixels luminosity will be changed." 0880 msgstr "" 0881 0882 #: ../../image_editor/colors_tools.rst:321 0883 msgid "" 0884 "You can see any adjustments you make reflected in the preview image. When " 0885 "you are happy with the results, press **Ok** and they will take effect." 0886 msgstr "" 0887 0888 #: ../../image_editor/colors_tools.rst:327 0889 msgid "The Image Editor Tool Correcting Colors" 0890 msgstr "" 0891 0892 #: ../../image_editor/colors_tools.rst:332 0893 msgid "Channel Mixer" 0894 msgstr "Mixer kanálov" 0895 0896 #: ../../image_editor/colors_tools.rst:334 0897 msgid "" 0898 "The digiKam image Channel Mixer is a tool to remix the color channels to " 0899 "improve or modify the photograph color shades." 0900 msgstr "" 0901 0902 #: ../../image_editor/colors_tools.rst:336 0903 msgid "" 0904 "The Channel Mixer is an another sophisticated tool to refine the images' " 0905 "tonality. Start it from the :menuselection:`Color --> Channel Mixer` Image " 0906 "Editor menu." 0907 msgstr "" 0908 0909 #: ../../image_editor/colors_tools.rst:342 0910 msgid "The Image Editor Channel Mixer Tool" 0911 msgstr "" 0912 0913 #: ../../image_editor/colors_tools.rst:344 0914 msgid "" 0915 "With the channel combo box you select and display the histogram per color. " 0916 "It gives a first hint of how to correct the channels by their relative " 0917 "distribution and amplitude. The left half of the dialog window always shows " 0918 "a preview of what you are doing. The original for comparison can be seen " 0919 "when selecting its own window tab." 0920 msgstr "" 0921 0922 #: ../../image_editor/colors_tools.rst:346 0923 msgid "" 0924 "The target photo preview has a red marker available. If you place this " 0925 "marker somewhere in the image, a corresponding vertical bar will be drawn in " 0926 "the histogram indicating the color level value in the current channel " 0927 "selected." 0928 msgstr "" 0929 0930 #: ../../image_editor/colors_tools.rst:348 0931 msgid "" 0932 "Now the controls are to the lower right: **Red**, **Green** and **Blue** " 0933 "slider controls enable you to mix the channels. If you check **Preserve " 0934 "Luminosity** the image will retain its overall luminosity despite you " 0935 "changing its color components. This feature is particularly useful when you " 0936 "also ticked the **Monochrome** box. Because the channel mixer is the tool to " 0937 "make great Black and White conversions of your photographs. Try to reduce " 0938 "the green channel for Black and White portraits." 0939 msgstr "" 0940 0941 #: ../../image_editor/colors_tools.rst:352 0942 msgid "" 0943 "Sometimes, especially when doing **Monochrome** mixing, reducing one color " 0944 "channel may increase visible noise, which actually originates in the chroma " 0945 "noise. Chroma noise means that the little noise specs do not appear at the " 0946 "same location in all the color channels, but the noise patterns looks " 0947 "different in every channel. If that is the case you can improve the " 0948 "monochrome conversion by reducing the chroma noise first." 0949 msgstr "" 0950 0951 #: ../../image_editor/colors_tools.rst:354 0952 msgid "" 0953 "**Save As** and **Load** buttons are used to do just that. Any mixer " 0954 "settings that you have set can be saved to the filesystem and loaded later. " 0955 "The used file format is The Gimp channel mixer format." 0956 msgstr "" 0957 0958 #: ../../image_editor/colors_tools.rst:356 0959 msgid "" 0960 "**Over Exposure Indicator** option adds up the colors if more than one " 0961 "channel in a pixel is over-exposed, and you will see the combined color " 0962 "resulting of channel gain settings. This rule is applying to target preview " 0963 "area and haven't effect to final rendering." 0964 msgstr "" 0965 0966 #: ../../image_editor/colors_tools.rst:358 0967 msgid "" 0968 "**Reset All** button resets all channel mixer settings to default values." 0969 msgstr "" 0970 0971 #: ../../image_editor/colors_tools.rst:363 0972 msgid "White Balance" 0973 msgstr "Vyváženie bielej" 0974 0975 #: ../../image_editor/colors_tools.rst:365 0976 msgid "" 0977 "The digiKam White Balance is a semi-automatic tool to adjust the white-" 0978 "balance of a photograph." 0979 msgstr "" 0980 0981 #: ../../image_editor/colors_tools.rst:367 0982 msgid "" 0983 "White Balance setting is a common hurdle for digital still cameras. In the " 0984 "'good old time' of film rolls, the white balance was done by the photolab. " 0985 "Nowadays the poor little camera has to guess what is white and what is " 0986 "black. Most of the time, what the camera chooses as the white point, is not " 0987 "of the correct shade or hue. Using this tool it is easy to correct this " 0988 "problem. It provides a variety of parameters that can be trimmed to obtain a " 0989 "better result." 0990 msgstr "" 0991 0992 #: ../../image_editor/colors_tools.rst:373 0993 msgid "The Image Editor White Balance Tool" 0994 msgstr "" 0995 0996 #: ../../image_editor/colors_tools.rst:377 0997 msgid "" 0998 "Even if the White Balance correction is not limited to 8 bit per channel, if " 0999 "you depart too much from the original, over exposure zones may appear. If " 1000 "you can adjust the White Balance in RAW conversion mode, the margin for " 1001 "correction will be greater as it processes correction while demosaicing." 1002 msgstr "" 1003 1004 #: ../../image_editor/colors_tools.rst:379 1005 msgid "" 1006 "The preview window can be resized. To the left, both an original and a " 1007 "target preview tab is shown. The target preview is updated dynamically " 1008 "according to the tool's settings. If you want to see the original White " 1009 "Balance, just click on that tab." 1010 msgstr "" 1011 1012 #: ../../image_editor/colors_tools.rst:381 1013 msgid "" 1014 "The target photo preview has a red marker available. The luminosity value of " 1015 "the pixel under the marker is shown as a vertical line in the histogram ." 1016 msgstr "" 1017 1018 #: ../../image_editor/colors_tools.rst:383 1019 msgid "" 1020 "To the top right, the widget displays a histogram that is dynamically " 1021 "updated when changing the parameters. This histogram is very instructive as " 1022 "it shows that even in well exposed photos, most of the pixels have very " 1023 "small luminosity. With a button you can select to show either one of the 3 " 1024 "colors (or the sum of it which is called luminosity)." 1025 msgstr "" 1026 1027 #: ../../image_editor/colors_tools.rst:385 1028 msgid "" 1029 "With **Exposure** you can digitally change the original photo exposure. " 1030 "Increasing the exposure is has the risk of making the pixel noise more " 1031 "visible and to blow out the highlights. Check the **Over exposure " 1032 "indicator** at the lower right to see if you run into saturation problems. " 1033 "The **Black Point** adjustment can be used to cut the histogram from the " 1034 "left. If your photograph looks foggy (histogram has empty space on the left, " 1035 "black side), you probably need to use this option. The **Exposure** and " 1036 "**Black Point** adjustments can be automatically estimated by pressing the " 1037 "**Auto Exposure Adjustments** button. This sets the black point quite " 1038 "accurately." 1039 msgstr "" 1040 1041 #: ../../image_editor/colors_tools.rst:387 1042 msgid "" 1043 "The contrast of your output depends on **Shadows**, **Saturation**, and " 1044 "**Gamma** parameters. The **Shadows** adjustment lets you enhance or " 1045 "diminish the shadow details in your photo." 1046 msgstr "" 1047 1048 #: ../../image_editor/colors_tools.rst:389 1049 msgid "" 1050 "Increasing the contrast of your photograph can have the side effect of " 1051 "reducing the apparent **Saturation** of the photo. Use a value larger than 1 " 1052 "to increase the saturation and a value of less than 1 to desaturate the " 1053 "photo. A value of 0 will give you a black and white photo. Don't be shy to " 1054 "bump up the saturation of your photos a little. The general rule is that for " 1055 "higher Contrast (lower **Gamma**) you need to apply more **Saturation**." 1056 msgstr "" 1057 1058 #: ../../image_editor/colors_tools.rst:391 1059 msgid "" 1060 "The next set of options is the mainstay of White Balance settings, which " 1061 "controls the ratio between the three color channels. Here you can set the " 1062 "color **Temperature**, making your image warmer or colder. Higher " 1063 "temperature will result in a warmer tint. Setting the ratio between the " 1064 "three color channels requires two adjustments. Since the temperature " 1065 "adjustment mostly controls the ratio between the red and the blue channels, " 1066 "it is natural that the second adjustment will control the intensity of the " 1067 "**Green** channel." 1068 msgstr "" 1069 1070 #: ../../image_editor/colors_tools.rst:393 1071 msgid "" 1072 "Instead of fiddling around with the above controls, you can simply use the " 1073 "**Temperature Tone Color Picker** button. Press on this button and click " 1074 "anywhere on the original preview image to get the output color of that area " 1075 "to calculate the white color balance temperature settings. This way, " 1076 "**Temperature** and **Green** values are automatically computed." 1077 msgstr "" 1078 1079 #: ../../image_editor/colors_tools.rst:395 1080 msgid "" 1081 "In addition you can set the White Balance using the preset list. These are " 1082 "the white color balance temperature presets available:" 1083 msgstr "" 1084 1085 #: ../../image_editor/colors_tools.rst:398 1086 msgid "Color Temperature" 1087 msgstr "" 1088 1089 #: ../../image_editor/colors_tools.rst:398 1090 #, fuzzy 1091 msgid "Description" 1092 msgstr "Popis" 1093 1094 #: ../../image_editor/colors_tools.rst:398 1095 #, fuzzy 1096 msgid "Kelvin" 1097 msgstr "%1 kelvin" 1098 1099 #: ../../image_editor/colors_tools.rst:400 1100 #, fuzzy 1101 msgid "**40W**" 1102 msgstr "W" 1103 1104 #: ../../image_editor/colors_tools.rst:400 1105 #, fuzzy 1106 msgid "40 Watt incandescent lamp." 1107 msgstr "100 wattová klasická žiarovka" 1108 1109 #: ../../image_editor/colors_tools.rst:400 1110 msgid "2680" 1111 msgstr "" 1112 1113 #: ../../image_editor/colors_tools.rst:401 1114 #, fuzzy 1115 msgid "**200W**" 1116 msgstr "W" 1117 1118 #: ../../image_editor/colors_tools.rst:401 1119 msgid "200 Watt incandescent lamp, studio lights, photo floods." 1120 msgstr "" 1121 1122 #: ../../image_editor/colors_tools.rst:401 1123 msgid "3000" 1124 msgstr "" 1125 1126 #: ../../image_editor/colors_tools.rst:402 1127 #, fuzzy 1128 msgid "**Sunrise**" 1129 msgstr "Východ slnka" 1130 1131 #: ../../image_editor/colors_tools.rst:402 1132 msgid "Sunrise or sunset light." 1133 msgstr "" 1134 1135 #: ../../image_editor/colors_tools.rst:402 1136 msgid "3200" 1137 msgstr "" 1138 1139 #: ../../image_editor/colors_tools.rst:403 1140 #, fuzzy 1141 msgid "**Tungsten**" 1142 msgstr "Volfrám" 1143 1144 #: ../../image_editor/colors_tools.rst:403 1145 msgid "Tungsten lamp or light at 1 hour from dusk or dawn." 1146 msgstr "" 1147 1148 #: ../../image_editor/colors_tools.rst:403 1149 msgid "3400" 1150 msgstr "" 1151 1152 #: ../../image_editor/colors_tools.rst:404 1153 #, fuzzy 1154 msgid "**Neutral**" 1155 msgstr "Neutrálny" 1156 1157 #: ../../image_editor/colors_tools.rst:404 1158 msgid "Neutral color temperature." 1159 msgstr "" 1160 1161 #: ../../image_editor/colors_tools.rst:404 1162 msgid "4750" 1163 msgstr "" 1164 1165 #: ../../image_editor/colors_tools.rst:405 1166 #, fuzzy 1167 msgid "**Xenon**" 1168 msgstr "Xenón" 1169 1170 #: ../../image_editor/colors_tools.rst:405 1171 #, fuzzy 1172 msgid "Xenon lamp or light arc." 1173 msgstr "xenónová lampa alebo oblúkové svetlo" 1174 1175 #: ../../image_editor/colors_tools.rst:405 1176 msgid "5000" 1177 msgstr "" 1178 1179 #: ../../image_editor/colors_tools.rst:406 1180 #, fuzzy 1181 msgid "**Sun**" 1182 msgstr "Slnko" 1183 1184 #: ../../image_editor/colors_tools.rst:406 1185 #, fuzzy 1186 msgid "Sunny daylight around noon." 1187 msgstr "slnečné denné svetlo okolo poludnia" 1188 1189 #: ../../image_editor/colors_tools.rst:406 1190 msgid "5500" 1191 msgstr "" 1192 1193 #: ../../image_editor/colors_tools.rst:407 1194 #, fuzzy 1195 msgid "**Flash**" 1196 msgstr "Blesk" 1197 1198 #: ../../image_editor/colors_tools.rst:407 1199 msgid "Electronic photo flash." 1200 msgstr "" 1201 1202 #: ../../image_editor/colors_tools.rst:407 1203 msgid "5600" 1204 msgstr "" 1205 1206 #: ../../image_editor/colors_tools.rst:408 1207 #, fuzzy 1208 msgid "**Sky**" 1209 msgstr "Obloha" 1210 1211 #: ../../image_editor/colors_tools.rst:408 1212 msgid "Overcast sky light." 1213 msgstr "" 1214 1215 #: ../../image_editor/colors_tools.rst:408 1216 msgid "6500" 1217 msgstr "" 1218 1219 #: ../../image_editor/colors_tools.rst:411 1220 msgid "" 1221 "**Color Temperature** is a simplified way to characterize the spectral " 1222 "properties of a light source. While in reality the color of light is " 1223 "determined by how much each point on the spectral curve contributes to its " 1224 "output, the result can still be summarized on a linear scale. This value is " 1225 "useful e.g. for determining the correct white balance in digital " 1226 "photography, and for specifying the right light source types in " 1227 "architectural lighting design. Note, however, that light sources of the same " 1228 "color (metamers) can vary widely in the quality of light emitted." 1229 msgstr "" 1230 1231 #: ../../image_editor/colors_tools.rst:413 1232 msgid "" 1233 "Low Color Temperature implies more yellow-red light while high color " 1234 "temperature implies more blue light. Daylight has a rather low color " 1235 "temperature near dawn, and a higher one during the day. Therefore it can be " 1236 "useful to install an electrical lighting system that can supply cooler light " 1237 "to supplement daylight when needed, and fill in with warmer light at night. " 1238 "This also correlates with human feelings towards the warm colors of light " 1239 "coming from candles or an open fireplace at night. Standard unit for color " 1240 "temperature is Kelvin (K)." 1241 msgstr "" 1242 1243 #: ../../image_editor/colors_tools.rst:415 1244 msgid "" 1245 "**Over Exposure Indicator** option adds up the colors if more than one " 1246 "channel in a pixel is over-exposed, and you will see the combined color " 1247 "resulting of White Color Balance controls settings. This rule is applied to " 1248 "target preview area as an indication only and has no effect on the final " 1249 "rendering." 1250 msgstr "" 1251 1252 #: ../../image_editor/colors_tools.rst:417 1253 msgid "" 1254 "**Save As** and **Load** buttons are used to do just that. Any White Color " 1255 "Balance settings that you have set can be saved to the filesystem in a text " 1256 "file and loaded later." 1257 msgstr "" 1258 1259 #: ../../image_editor/colors_tools.rst:419 1260 msgid "" 1261 "**Reset All** button resets all filter settings to default values " 1262 "corresponding to Neutral White Balance color. Attention, even the neutral " 1263 "setting might be different from your original photograph. If you save it, " 1264 "the white balance will be changed." 1265 msgstr ""