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0001 # translation of docs_digikam_org_color_management___basis_knowledge.po to Slovak 0002 # Roman Paholík <wizzardsk@gmail.com>, 2023. 0003 msgid "" 0004 msgstr "" 0005 "Project-Id-Version: docs_digikam_org_color_management___basis_knowledge\n" 0006 "Report-Msgid-Bugs-To: \n" 0007 "POT-Creation-Date: 2023-12-02 00:35+0000\n" 0008 "PO-Revision-Date: 2023-03-19 10:12+0100\n" 0009 "Last-Translator: Roman Paholik <wizzardsk@gmail.com>\n" 0010 "Language-Team: Slovak <kde-sk@linux.sk>\n" 0011 "Language: sk\n" 0012 "MIME-Version: 1.0\n" 0013 "Content-Type: text/plain; charset=UTF-8\n" 0014 "Content-Transfer-Encoding: 8bit\n" 0015 "X-Generator: Lokalize 22.12.3\n" 0016 "Plural-Forms: nplurals=3; plural=(n==1) ? 0 : (n>=2 && n<=4) ? 1 : 2;\n" 0017 0018 #: ../../color_management/basis_knowledge.rst:1 0019 msgid "Basis Knowledge about Color Management" 0020 msgstr "" 0021 0022 #: ../../color_management/basis_knowledge.rst:1 0023 msgid "" 0024 "digiKam, documentation, user manual, photo management, open source, free, " 0025 "learn, easy, image editor, color management, icc, profile, basis" 0026 msgstr "" 0027 0028 #: ../../color_management/basis_knowledge.rst:14 0029 msgid "Basis Knowledge" 0030 msgstr "" 0031 0032 #: ../../color_management/basis_knowledge.rst:16 0033 msgid "Contents" 0034 msgstr "Obsah" 0035 0036 #: ../../color_management/basis_knowledge.rst:19 0037 msgid "Overview" 0038 msgstr "Prehľad" 0039 0040 #: ../../color_management/basis_knowledge.rst:21 0041 msgid "" 0042 "The point of a color-managed workflow is to ensure that the colors coming " 0043 "from your camera or scanner have a predictable relationship with the colors " 0044 "you actually photographed or scanned, that the colors displayed on your " 0045 "monitor match the colors coming from your camera or scanner, and that the " 0046 "colors you print or display on the web match the colors you produced in your " 0047 "digital darkroom." 0048 msgstr "" 0049 0050 #: ../../color_management/basis_knowledge.rst:27 0051 msgid "" 0052 "The Overall Scheme of Color Spaces Used in a Color Managed Application as " 0053 "digiKam" 0054 msgstr "" 0055 0056 #: ../../color_management/basis_knowledge.rst:29 0057 msgid "" 0058 "When it comes to color management, everyone wants to know, *which buttons to " 0059 "push to get the wanted results*. Unfortunately, color management of " 0060 "necessity involves making informed choices at every step along the image-" 0061 "processing workflow. The purpose of this section is to provide sufficient " 0062 "background information on color management, along with links to more in-" 0063 "depth information, to enable you to begin to make your own informed " 0064 "decisions, based on your own desired results." 0065 msgstr "" 0066 0067 #: ../../color_management/basis_knowledge.rst:32 0068 msgid "Unrelevant Use-Cases" 0069 msgstr "" 0070 0071 #: ../../color_management/basis_knowledge.rst:34 0072 msgid "" 0073 "If your imaging workflow meets all six criteria listed below, then you don't " 0074 "need to worry about color management:" 0075 msgstr "" 0076 0077 #: ../../color_management/basis_knowledge.rst:36 0078 msgid "" 0079 "You are working at a monitor properly calibrated to the sRGB color space " 0080 "(more about int :ref:`this section <monitor_profiles>` of this manual)." 0081 msgstr "" 0082 0083 #: ../../color_management/basis_knowledge.rst:38 0084 msgid "" 0085 "Your imaging workflow starts with an in-camera-produced JPEG already in the " 0086 "sRGB color space." 0087 msgstr "" 0088 0089 #: ../../color_management/basis_knowledge.rst:40 0090 msgid "You work exclusively in the sRGB color space for editing." 0091 msgstr "" 0092 0093 #: ../../color_management/basis_knowledge.rst:42 0094 msgid "Your printer wants images in the sRGB color space." 0095 msgstr "" 0096 0097 #: ../../color_management/basis_knowledge.rst:44 0098 msgid "Your scanner produces images in the sRGB color space." 0099 msgstr "" 0100 0101 #: ../../color_management/basis_knowledge.rst:46 0102 msgid "" 0103 "Your only other image output is via email or the web, where sRGB is the de " 0104 "facto standard." 0105 msgstr "" 0106 0107 #: ../../color_management/basis_knowledge.rst:49 0108 msgid "Usual Definitions" 0109 msgstr "" 0110 0111 #: ../../color_management/basis_knowledge.rst:51 0112 msgid "" 0113 "What follow is some additional comments and definitions to understand the " 0114 "Color Management:" 0115 msgstr "" 0116 0117 #: ../../color_management/basis_knowledge.rst:53 0118 msgid "" 0119 "**Assign** a profile means change the meaning of the RGB numbers in an image " 0120 "by embedding a new profile without changing the actual RGB numbers " 0121 "associated with each pixel in the image. **Convert** to a profile means " 0122 "embed a new profile, but also change the RGB numbers at the same time so " 0123 "that the meaning of the RGB values - that is, the real-world visible color " 0124 "represented by the trio of RGB numbers associated with each pixel in an " 0125 "image - remains the same before and after the conversion from one space to " 0126 "another." 0127 msgstr "" 0128 0129 #: ../../color_management/basis_knowledge.rst:55 0130 msgid "" 0131 "On the other hand, every time you assign a new working space profile rather " 0132 "than convert to a new working space (except when initially assigning a " 0133 "camera profile to the image file you get from your RAW processing software), " 0134 "the appearance of the image should more or less drastically change (usually " 0135 "for the worse, unless the wrong profile had previously been inadvertently " 0136 "embedded in the image)." 0137 msgstr "" 0138 0139 #: ../../color_management/basis_knowledge.rst:57 0140 msgid "" 0141 "In theory, you should be able to do multiple conversions of an image from " 0142 "one working space to another, and if you are using a color-managed image " 0143 "editor, even though all the RGB numbers in the image will change with each " 0144 "conversion, the image displayed on your screen should look the same. In " 0145 "actual fact, because of rounding errors upon each conversion, not to mention " 0146 "gamut-clipping when going from a larger to a smaller working space, every " 0147 "time you convert from one space to another the image degrades a bit." 0148 msgstr "" 0149 0150 #: ../../color_management/basis_knowledge.rst:59 0151 msgid "" 0152 "**Device-dependent** and **device-independent** profiles: The camera " 0153 "profile, a scanner profile, your monitor's profile, and your printer's color " 0154 "profile are all device-dependent profiles - these profiles only work with " 0155 "the specific device for which they were produced by means of profiling. " 0156 "Working space profiles and the Profile Connection Space are *device-" 0157 "independent*. Once an image file has been translated by Lcms to a device-" 0158 "independent working space, in a sense it no longer matters what device " 0159 "originally produced the image. But as soon as you want to display or print " 0160 "the image, then the device (monitor, printer) used matters a great deal and " 0161 "requires a device-dependent profile." 0162 msgstr "" 0163 0164 #: ../../color_management/basis_knowledge.rst:61 0165 msgid "" 0166 "An **interpolated RAW file** isn't a RAW file. For some reason this simple " 0167 "point causes a lot of confusion. But after a RAW file has been interpolated " 0168 "by RAW processing software and then output as a TIFF or JPEG, the original " 0169 "RAW file is still a RAW file, of course, but the interpolated file is just " 0170 "an image file. It isn't a RAW file." 0171 msgstr "" 0172 0173 #: ../../color_management/basis_knowledge.rst:63 0174 msgid "" 0175 "**Linear** has two related and easily confused definitions. *Linear* can " 0176 "mean that the image tonality reflects the tonality in the original scene as " 0177 "photographed instead of being altered by the application of an S-curve or " 0178 "other means of changing local and global tonality. It can also mean that the " 0179 "gamma transfer curve of the color space is linear. An image can be *linear* " 0180 "in either, both, or neither of these two senses. A RAW image as developed by " 0181 "Libraw is linear in both senses. The same image as developed by Canon's RAW " 0182 "processing software won't be linear in either sense." 0183 msgstr "" 0184 0185 #: ../../color_management/basis_knowledge.rst:65 0186 msgid "" 0187 "**HDR** and **LDR** do not refer to the bit-depth of the image. **High " 0188 "dynamic range** and **Low dynamic range** refer to the total dynamic range " 0189 "encompassed by an image. A regular low dynamic range image, say encompassing " 0190 "a mere 5 *stops* (the average digital camera these days can easily " 0191 "accommodate 8 or 9 stops), can be saved as an 8-, 16-, 32-, or even 64-bit " 0192 "image, depending on your software, but the dynamic range of the image isn't " 0193 "thereby increased. Only the number of discrete steps from the brightest to " 0194 "the darkest tone in the image has changed. Conversely, a 22-stop scene (way " 0195 "beyond the capacity of a consumer-oriented digital camera without using " 0196 "multiple exposures) can be saved as an 8- or 16-bit image, but the resulting " 0197 "image will exhibit extreme banding (that is, it will display extreme banding " 0198 "in any given tonal range that can actually be displayed on a typical monitor " 0199 "at one time) because of the relatively few available discrete tonal steps " 0200 "from the lightest to the darkest tone in the image." 0201 msgstr "" 0202 0203 #: ../../color_management/basis_knowledge.rst:67 0204 msgid "" 0205 "**In-camera produced JPEGs don't need a camera profile**: All JPEGs (or " 0206 "TIFFs) coming straight out of a camera (even if produced by point-and-shoots " 0207 "cameras that don't allow you to save a RAW file) start life inside the " 0208 "camera as a RAW file produced by the camera's Analog to Digital converter. " 0209 "If you save your images as JPEGs, then the processor inside the camera " 0210 "interpolates the RAW file, assigns a camera profile, translates the " 0211 "resulting RGB numbers to a working space (usually **sRGB** but sometimes you " 0212 "can choose **AdobeRGB**, depending on the camera), does the JPEG " 0213 "compression, and stores the JPEG file on your camera card. So JPEGs (or " 0214 "TIFFs) from your camera don't need to be assigned a camera profile which is " 0215 "then translated to a working space. JPEGs from a camera are already in a " 0216 "working space." 0217 msgstr "" 0218 0219 #: ../../color_management/basis_knowledge.rst:69 0220 msgid "" 0221 "**Useful mathematical information**: If you are dealing with Libraw's linear " 0222 "gamma output: Mathematically speaking, when doing a gamma transform you " 0223 "normalize (that is, divide by 256 if you are working with 8-bit values) the " 0224 "RGB numbers and raise the resulting numbers to an appropriate power " 0225 "depending on the respective gammas of the starting and ending color space, " 0226 "then re-normalize the results to a new set of RGB numbers. It's not hard, " 0227 "and very instructive, to do this with a calculator for a few sets of RGB " 0228 "numbers spaced from (0,0,0) to (255,255,255) to see how RGB numbers change " 0229 "from one gamma encoding to another. Lcms does this for you when you ask Lcms " 0230 "to convert from one color space to another." 0231 msgstr "" 0232 0233 #: ../../color_management/basis_knowledge.rst:71 0234 msgid "**Copyrighted and copyleft working spaces**:" 0235 msgstr "" 0236 0237 #: ../../color_management/basis_knowledge.rst:73 0238 msgid "" 0239 "The several variants of **sRGB**. See :ref:`the chapter <monitor_profiles>` " 0240 "dedicated to this color space." 0241 msgstr "" 0242 0243 #: ../../color_management/basis_knowledge.rst:75 0244 msgid "BruceRGB or BestRGB." 0245 msgstr "" 0246 0247 #: ../../color_management/basis_knowledge.rst:77 0248 msgid "" 0249 "The various ECI (`European color initiative <https://en.wikipedia.org/wiki/" 0250 "European_Color_Initiative>`_) working space profiles." 0251 msgstr "" 0252 0253 #: ../../color_management/basis_knowledge.rst:79 0254 msgid "" 0255 "**AdobeRGB**, Adobe **WideGamutRGB**, and Kodak/Adobe **ProPhotoRGB** (Kodak " 0256 "and Adobe ProPhoto are the same, just branded differently) and their non-" 0257 "branded, non-copyrighted counterparts." 0258 msgstr "" 0259 0260 #: ../../color_management/basis_knowledge.rst:85 0261 msgid "" 0262 "digiKam Image Editor Color Space Converter Allows to Switch to Another Color " 0263 "Profile" 0264 msgstr "" 0265 0266 #: ../../color_management/basis_knowledge.rst:87 0267 msgid "" 0268 "And quite a few other working spaces that could be added to this list, are " 0269 "all more or less suitable as working spaces. Which working space you should " 0270 "use depends only and solely on you, on your requirements on the Image Editor " 0271 "with your eventual output intentions (web, fine art print, etc.). However, " 0272 "as a critical aside, if you are using Adobe or other copyrighted working " 0273 "space profiles, these profiles contain copyright information that shows up " 0274 "in your image Exif information." 0275 msgstr "" 0276 0277 #: ../../color_management/basis_knowledge.rst:89 0278 msgid "" 0279 "**Soft Proofing** is a way of previewing on the screen the result to be " 0280 "expected from an output on another device, typically a printer. Soft " 0281 "proofing will show you the difference to be expected before you actually do " 0282 "it (and waste your costly ink). So you can improve your settings without " 0283 "wasting time and money. For more information take a look to the dedicated :" 0284 "ref:`section from this manual <soft_proof>`." 0285 msgstr "" 0286 0287 #: ../../color_management/basis_knowledge.rst:91 0288 msgid "" 0289 "**Rendering intent** refers to the way gamuts are handled when the intended " 0290 "target color space cannot handle the full gamut. For more information take a " 0291 "look to the dedicated :ref:`section from this manual <working_space>`." 0292 msgstr "" 0293 0294 #: ../../color_management/basis_knowledge.rst:94 0295 msgid "Color Space Connections" 0296 msgstr "" 0297 0298 #: ../../color_management/basis_knowledge.rst:96 0299 msgid "" 0300 "The question for each RGB trio of values in the (let us assume) 16-bit TIFF " 0301 "produced by Libraw becomes, what does a particular trio of RGB values for " 0302 "the pixels making up images produced by this particular (make and model) " 0303 "camera really mean in terms of some absolute standard referencing some ideal " 0304 "observer." 0305 msgstr "" 0306 0307 #: ../../color_management/basis_knowledge.rst:98 0308 msgid "" 0309 "This absolute standard referencing an ideal observer is more commonly called " 0310 "a **Profile Connection Space** (PCS). A camera profile is needed to " 0311 "accurately characterize or describe the response of a given camera's pixels " 0312 "to light entering that camera, so that the RGB values in the output file " 0313 "produced by the RAW converter can be translated first into an absolute " 0314 "Profile Connection Space and then from the Profile Connection Space to your " 0315 "chosen working space." 0316 msgstr "" 0317 0318 #: ../../color_management/basis_knowledge.rst:100 0319 msgid "" 0320 "As a very important aside, in digiKam the software used to translate from " 0321 "the camera profile to the Profile Connection Space and from the Profile " 0322 "Connection Space to your chosen working space and eventually to your chosen " 0323 "output space (for printing or perhaps monitor display) is based on `Lcms " 0324 "<https://www.littlecms.com/>`_ (the **Little Color Management** engine). For " 0325 "what it's worth, Lcms does more accurate conversions than Adobe's " 0326 "proprietary color conversion engine. Further, the RAW conversion in digiKam " 0327 "is based on decoding of the proprietary RAW file done by **Libraw**. `This " 0328 "library <https://www.libraw.org/>`_, is a great open-source component as " 0329 "without it we'd all be stuck using the usually Windows or Mac only " 0330 "proprietary software that comes with our digital cameras. The Libraw's " 0331 "interpolation algorithms (not to be confused with the aforementioned " 0332 "decoding of the proprietary RAW file), which are part of digiKam if properly " 0333 "used, produce results equal or superior to commercial, closed source " 0334 "software." 0335 msgstr "" 0336 0337 #: ../../color_management/basis_knowledge.rst:102 0338 msgid "" 0339 "There are two commonly used Profile Connection Spaces - **CIELAB** and " 0340 "**CIEXYZ** (see this `wikipedia Color management section <https://en." 0341 "wikipedia.org/wiki/Color_management#Color_transformation>`_ for details). " 0342 "Lcms uses the camera profile to translate the RGB values from the " 0343 "interpolated RAW file, into the appropriate Profile Connection Space " 0344 "(usually CIEXYZ). A profile connection space is not itself a working space. " 0345 "Rather a **Profile Connection Space** is an absolute reference space used " 0346 "only for translating from one color space to another - think of a **Profile " 0347 "Connection Space** as a **Universal Translator** for all the color profiles " 0348 "that an image might encounter in the course of its journey from camera RAW " 0349 "file to final output:" 0350 msgstr "" 0351 0352 #: ../../color_management/basis_knowledge.rst:104 0353 msgid "" 0354 "Lcms uses the camera profile, also called an **Input profile**, to translate " 0355 "the interpolated Libraw-produced RGB numbers, which only have meaning " 0356 "relative to your (make and model of) camera, to a second set of RGB numbers " 0357 "that only have meaning in the **Profile Connection Space**." 0358 msgstr "" 0359 0360 #: ../../color_management/basis_knowledge.rst:106 0361 msgid "" 0362 "Lcms translates the **Profile Connection Space** RGB numbers to the " 0363 "corresponding numbers in your chosen **Working space** so you can edit your " 0364 "image. And again, these working space numbers only have meaning relative to " 0365 "a given working space. The same red, visually speaking, is represented by " 0366 "different trios of RGB numbers in different working spaces; and if you " 0367 "assign the wrong profile the image will look wrong, slightly wrong or very " 0368 "wrong depending on the differences between the two profiles." 0369 msgstr "" 0370 0371 #: ../../color_management/basis_knowledge.rst:108 0372 msgid "" 0373 "While you are editing your image in your chosen **Working space**, then Lcms " 0374 "should translate all the working space RGB numbers back to the **Profile " 0375 "Connection Space**, and then over to the correct RGB numbers that enable " 0376 "your monitor (your display device) to give you the most accurate possible " 0377 "display representation of your image as it is being edited. This translation " 0378 "for display is done on the fly and you should never even notice it " 0379 "happening, unless it doesn't happen correctly - then the displayed image " 0380 "will look wrong." 0381 msgstr "" 0382 0383 #: ../../color_management/basis_knowledge.rst:110 0384 msgid "" 0385 "When you are satisfied that your edited image is ready to share with the " 0386 "world, Lcms translates the **Working space** RGB numbers back into the " 0387 "**Profile Connection Space** space and out again to a **Printer color " 0388 "space** using a **Printer profile** characterizing your printer/paper " 0389 "combination (if you plan on printing the image) or to sRGB (if you plan on " 0390 "displaying the image on the web or emailing it to friends or perhaps " 0391 "creating a slide-show to play on monitors other than your own)." 0392 msgstr "" 0393 0394 #: ../../color_management/basis_knowledge.rst:112 0395 msgid "" 0396 "To back up a little bit and look at the first color profile an image " 0397 "encounters, that is, the camera profile (see point 1. immediately above) - " 0398 "Libraw can in fact apply your camera profile for you (Libraw uses Lcms " 0399 "internally). But the generating data composed of the interpolated RGB values " 0400 "derived from the camera RAW file, and the application of the camera profile " 0401 "to the interpolated file, are two very distinct and totally separable " 0402 "(separable in theory and practice for Libraw; in theory only for most RAW " 0403 "converters) steps." 0404 msgstr "" 0405 0406 #: ../../color_management/basis_knowledge.rst:115 0407 msgid "Camera Profiles" 0408 msgstr "" 0409 0410 #: ../../color_management/basis_knowledge.rst:117 0411 msgid "" 0412 "This manual section has a bit of information on where to find ready-made " 0413 "camera profiles. It's an unfortunate fact of digital imaging that the camera " 0414 "profiles supplied by Canon, Nikon, and the like don't work as well with RAW " 0415 "converters other than each camera manufacturer's own proprietary RAW " 0416 "converter. They have to make their own profiles for all the cameras that " 0417 "they support - keep this proprietary propensity of your camera manufacturer " 0418 "in mind next time you buy a digital camera." 0419 msgstr "" 0420 0421 #: ../../color_management/basis_knowledge.rst:119 0422 msgid "" 0423 "To finding a camera profile for your camera is to make your own camera " 0424 "profile or have one made for you. There are quite a few commercial services " 0425 "who provide profiling services (for a fee, of course). Or you can use " 0426 "`Argyll <http://www.argyllcms.com/>`_ to profile your camera yourself. We " 0427 "cannot speak about how easy or difficult the process of profiling a camera " 0428 "might be. But we would imagine, knowing how very meticulous the people " 0429 "behind Argyll, and Lcms are about color management, that making your own " 0430 "camera profile is very do-able and very likely the results will be better " 0431 "than any proprietary profile. After all, Canon didn't profile your camera, " 0432 "they just profiled a camera like your." 0433 msgstr "" 0434 0435 #: ../../color_management/basis_knowledge.rst:121 0436 msgid "" 0437 "For more information take a look to the dedicated :ref:`section from this " 0438 "manual <camera_profiles>`." 0439 msgstr "" 0440 0441 #: ../../color_management/basis_knowledge.rst:127 0442 msgid "" 0443 "If your Photograph Include a Color Profile from your Camera digiKam Can show " 0444 "this in Colors Sidebar Tab" 0445 msgstr "" 0446 0447 #: ../../color_management/basis_knowledge.rst:130 0448 msgid "Working Spaces" 0449 msgstr "" 0450 0451 #: ../../color_management/basis_knowledge.rst:132 0452 msgid "" 0453 "So now your RAW file has been interpolated by Libraw and you've obtained a " 0454 "camera profile and used Lcms to apply your camera profile. What does all " 0455 "this mean? The real answer involves a lot of math and color science that " 0456 "goes way over my head and likely yours. The short, practical answer is that " 0457 "neither the camera profile space nor the Profile Connection Space is an " 0458 "appropriate space for image editing." 0459 msgstr "" 0460 0461 #: ../../color_management/basis_knowledge.rst:134 0462 msgid "" 0463 "Your next step is to choose a working space for image editing. Lcms, the " 0464 "color management engine that digiKam uses, perform a double translation. " 0465 "First Lcms uses the camera profile to translate the RGB values of each pixel " 0466 "in the Libraw output image without camera-profile applied into the " 0467 "aforementioned Profile Connection Space. Then it translates the RGB values " 0468 "of each pixel from the Profile Connection Space to your chosen working space." 0469 msgstr "" 0470 0471 #: ../../color_management/basis_knowledge.rst:140 0472 msgid "" 0473 "digiKam Knows Where to Find the Color Profiles Installed on Your System and " 0474 "list Files in Setup Dialog For Selection" 0475 msgstr "" 0476 0477 #: ../../color_management/basis_knowledge.rst:142 0478 msgid "" 0479 "For more information take a look to the dedicated :ref:`section from this " 0480 "manual <working_space>`." 0481 msgstr ""