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0001 # 0002 msgid "" 0003 msgstr "" 0004 "Project-Id-Version: Digikam Manual 8.0.0\n" 0005 "Report-Msgid-Bugs-To: \n" 0006 "POT-Creation-Date: 2023-12-02 00:35+0000\n" 0007 "PO-Revision-Date: 2023-01-14 18:31+0100\n" 0008 "Last-Translator: KDE Francophone <kde-francophone@kde.org>\n" 0009 "Language-Team: French <kde-francophone@kde.org>\n" 0010 "Language: fr\n" 0011 "MIME-Version: 1.0\n" 0012 "Content-Type: text/plain; charset=UTF-8\n" 0013 "Content-Transfer-Encoding: 8bit\n" 0014 "Plural-Forms: nplurals=2; plural=(n > 1);\n" 0015 0016 #: ../../color_management/basis_knowledge.rst:1 0017 msgid "Basis Knowledge about Color Management" 0018 msgstr "" 0019 0020 #: ../../color_management/basis_knowledge.rst:1 0021 msgid "" 0022 "digiKam, documentation, user manual, photo management, open source, free, " 0023 "learn, easy, image editor, color management, icc, profile, basis" 0024 msgstr "" 0025 0026 #: ../../color_management/basis_knowledge.rst:14 0027 msgid "Basis Knowledge" 0028 msgstr "" 0029 0030 #: ../../color_management/basis_knowledge.rst:16 0031 msgid "Contents" 0032 msgstr "" 0033 0034 #: ../../color_management/basis_knowledge.rst:19 0035 msgid "Overview" 0036 msgstr "" 0037 0038 #: ../../color_management/basis_knowledge.rst:21 0039 msgid "" 0040 "The point of a color-managed workflow is to ensure that the colors coming " 0041 "from your camera or scanner have a predictable relationship with the colors " 0042 "you actually photographed or scanned, that the colors displayed on your " 0043 "monitor match the colors coming from your camera or scanner, and that the " 0044 "colors you print or display on the web match the colors you produced in your " 0045 "digital darkroom." 0046 msgstr "" 0047 0048 #: ../../color_management/basis_knowledge.rst:27 0049 msgid "" 0050 "The Overall Scheme of Color Spaces Used in a Color Managed Application as " 0051 "digiKam" 0052 msgstr "" 0053 0054 #: ../../color_management/basis_knowledge.rst:29 0055 msgid "" 0056 "When it comes to color management, everyone wants to know, *which buttons to " 0057 "push to get the wanted results*. Unfortunately, color management of " 0058 "necessity involves making informed choices at every step along the image-" 0059 "processing workflow. The purpose of this section is to provide sufficient " 0060 "background information on color management, along with links to more in-" 0061 "depth information, to enable you to begin to make your own informed " 0062 "decisions, based on your own desired results." 0063 msgstr "" 0064 0065 #: ../../color_management/basis_knowledge.rst:32 0066 msgid "Unrelevant Use-Cases" 0067 msgstr "" 0068 0069 #: ../../color_management/basis_knowledge.rst:34 0070 msgid "" 0071 "If your imaging workflow meets all six criteria listed below, then you don't " 0072 "need to worry about color management:" 0073 msgstr "" 0074 0075 #: ../../color_management/basis_knowledge.rst:36 0076 msgid "" 0077 "You are working at a monitor properly calibrated to the sRGB color space " 0078 "(more about int :ref:`this section <monitor_profiles>` of this manual)." 0079 msgstr "" 0080 0081 #: ../../color_management/basis_knowledge.rst:38 0082 msgid "" 0083 "Your imaging workflow starts with an in-camera-produced JPEG already in the " 0084 "sRGB color space." 0085 msgstr "" 0086 0087 #: ../../color_management/basis_knowledge.rst:40 0088 msgid "You work exclusively in the sRGB color space for editing." 0089 msgstr "" 0090 0091 #: ../../color_management/basis_knowledge.rst:42 0092 msgid "Your printer wants images in the sRGB color space." 0093 msgstr "" 0094 0095 #: ../../color_management/basis_knowledge.rst:44 0096 msgid "Your scanner produces images in the sRGB color space." 0097 msgstr "" 0098 0099 #: ../../color_management/basis_knowledge.rst:46 0100 msgid "" 0101 "Your only other image output is via email or the web, where sRGB is the de " 0102 "facto standard." 0103 msgstr "" 0104 0105 #: ../../color_management/basis_knowledge.rst:49 0106 msgid "Usual Definitions" 0107 msgstr "" 0108 0109 #: ../../color_management/basis_knowledge.rst:51 0110 msgid "" 0111 "What follow is some additional comments and definitions to understand the " 0112 "Color Management:" 0113 msgstr "" 0114 0115 #: ../../color_management/basis_knowledge.rst:53 0116 msgid "" 0117 "**Assign** a profile means change the meaning of the RGB numbers in an image " 0118 "by embedding a new profile without changing the actual RGB numbers " 0119 "associated with each pixel in the image. **Convert** to a profile means " 0120 "embed a new profile, but also change the RGB numbers at the same time so " 0121 "that the meaning of the RGB values - that is, the real-world visible color " 0122 "represented by the trio of RGB numbers associated with each pixel in an " 0123 "image - remains the same before and after the conversion from one space to " 0124 "another." 0125 msgstr "" 0126 0127 #: ../../color_management/basis_knowledge.rst:55 0128 msgid "" 0129 "On the other hand, every time you assign a new working space profile rather " 0130 "than convert to a new working space (except when initially assigning a " 0131 "camera profile to the image file you get from your RAW processing software), " 0132 "the appearance of the image should more or less drastically change (usually " 0133 "for the worse, unless the wrong profile had previously been inadvertently " 0134 "embedded in the image)." 0135 msgstr "" 0136 0137 #: ../../color_management/basis_knowledge.rst:57 0138 msgid "" 0139 "In theory, you should be able to do multiple conversions of an image from " 0140 "one working space to another, and if you are using a color-managed image " 0141 "editor, even though all the RGB numbers in the image will change with each " 0142 "conversion, the image displayed on your screen should look the same. In " 0143 "actual fact, because of rounding errors upon each conversion, not to mention " 0144 "gamut-clipping when going from a larger to a smaller working space, every " 0145 "time you convert from one space to another the image degrades a bit." 0146 msgstr "" 0147 0148 #: ../../color_management/basis_knowledge.rst:59 0149 msgid "" 0150 "**Device-dependent** and **device-independent** profiles: The camera " 0151 "profile, a scanner profile, your monitor's profile, and your printer's color " 0152 "profile are all device-dependent profiles - these profiles only work with " 0153 "the specific device for which they were produced by means of profiling. " 0154 "Working space profiles and the Profile Connection Space are *device-" 0155 "independent*. Once an image file has been translated by Lcms to a device-" 0156 "independent working space, in a sense it no longer matters what device " 0157 "originally produced the image. But as soon as you want to display or print " 0158 "the image, then the device (monitor, printer) used matters a great deal and " 0159 "requires a device-dependent profile." 0160 msgstr "" 0161 0162 #: ../../color_management/basis_knowledge.rst:61 0163 msgid "" 0164 "An **interpolated RAW file** isn't a RAW file. For some reason this simple " 0165 "point causes a lot of confusion. But after a RAW file has been interpolated " 0166 "by RAW processing software and then output as a TIFF or JPEG, the original " 0167 "RAW file is still a RAW file, of course, but the interpolated file is just " 0168 "an image file. It isn't a RAW file." 0169 msgstr "" 0170 0171 #: ../../color_management/basis_knowledge.rst:63 0172 msgid "" 0173 "**Linear** has two related and easily confused definitions. *Linear* can " 0174 "mean that the image tonality reflects the tonality in the original scene as " 0175 "photographed instead of being altered by the application of an S-curve or " 0176 "other means of changing local and global tonality. It can also mean that the " 0177 "gamma transfer curve of the color space is linear. An image can be *linear* " 0178 "in either, both, or neither of these two senses. A RAW image as developed by " 0179 "Libraw is linear in both senses. The same image as developed by Canon's RAW " 0180 "processing software won't be linear in either sense." 0181 msgstr "" 0182 0183 #: ../../color_management/basis_knowledge.rst:65 0184 msgid "" 0185 "**HDR** and **LDR** do not refer to the bit-depth of the image. **High " 0186 "dynamic range** and **Low dynamic range** refer to the total dynamic range " 0187 "encompassed by an image. A regular low dynamic range image, say encompassing " 0188 "a mere 5 *stops* (the average digital camera these days can easily " 0189 "accommodate 8 or 9 stops), can be saved as an 8-, 16-, 32-, or even 64-bit " 0190 "image, depending on your software, but the dynamic range of the image isn't " 0191 "thereby increased. Only the number of discrete steps from the brightest to " 0192 "the darkest tone in the image has changed. Conversely, a 22-stop scene (way " 0193 "beyond the capacity of a consumer-oriented digital camera without using " 0194 "multiple exposures) can be saved as an 8- or 16-bit image, but the resulting " 0195 "image will exhibit extreme banding (that is, it will display extreme banding " 0196 "in any given tonal range that can actually be displayed on a typical monitor " 0197 "at one time) because of the relatively few available discrete tonal steps " 0198 "from the lightest to the darkest tone in the image." 0199 msgstr "" 0200 0201 #: ../../color_management/basis_knowledge.rst:67 0202 msgid "" 0203 "**In-camera produced JPEGs don't need a camera profile**: All JPEGs (or " 0204 "TIFFs) coming straight out of a camera (even if produced by point-and-shoots " 0205 "cameras that don't allow you to save a RAW file) start life inside the " 0206 "camera as a RAW file produced by the camera's Analog to Digital converter. " 0207 "If you save your images as JPEGs, then the processor inside the camera " 0208 "interpolates the RAW file, assigns a camera profile, translates the " 0209 "resulting RGB numbers to a working space (usually **sRGB** but sometimes you " 0210 "can choose **AdobeRGB**, depending on the camera), does the JPEG " 0211 "compression, and stores the JPEG file on your camera card. So JPEGs (or " 0212 "TIFFs) from your camera don't need to be assigned a camera profile which is " 0213 "then translated to a working space. JPEGs from a camera are already in a " 0214 "working space." 0215 msgstr "" 0216 0217 #: ../../color_management/basis_knowledge.rst:69 0218 msgid "" 0219 "**Useful mathematical information**: If you are dealing with Libraw's linear " 0220 "gamma output: Mathematically speaking, when doing a gamma transform you " 0221 "normalize (that is, divide by 256 if you are working with 8-bit values) the " 0222 "RGB numbers and raise the resulting numbers to an appropriate power " 0223 "depending on the respective gammas of the starting and ending color space, " 0224 "then re-normalize the results to a new set of RGB numbers. It's not hard, " 0225 "and very instructive, to do this with a calculator for a few sets of RGB " 0226 "numbers spaced from (0,0,0) to (255,255,255) to see how RGB numbers change " 0227 "from one gamma encoding to another. Lcms does this for you when you ask Lcms " 0228 "to convert from one color space to another." 0229 msgstr "" 0230 0231 #: ../../color_management/basis_knowledge.rst:71 0232 msgid "**Copyrighted and copyleft working spaces**:" 0233 msgstr "" 0234 0235 #: ../../color_management/basis_knowledge.rst:73 0236 msgid "" 0237 "The several variants of **sRGB**. See :ref:`the chapter <monitor_profiles>` " 0238 "dedicated to this color space." 0239 msgstr "" 0240 0241 #: ../../color_management/basis_knowledge.rst:75 0242 msgid "BruceRGB or BestRGB." 0243 msgstr "" 0244 0245 #: ../../color_management/basis_knowledge.rst:77 0246 msgid "" 0247 "The various ECI (`European color initiative <https://en.wikipedia.org/wiki/" 0248 "European_Color_Initiative>`_) working space profiles." 0249 msgstr "" 0250 0251 #: ../../color_management/basis_knowledge.rst:79 0252 msgid "" 0253 "**AdobeRGB**, Adobe **WideGamutRGB**, and Kodak/Adobe **ProPhotoRGB** (Kodak " 0254 "and Adobe ProPhoto are the same, just branded differently) and their non-" 0255 "branded, non-copyrighted counterparts." 0256 msgstr "" 0257 0258 #: ../../color_management/basis_knowledge.rst:85 0259 msgid "" 0260 "digiKam Image Editor Color Space Converter Allows to Switch to Another Color " 0261 "Profile" 0262 msgstr "" 0263 0264 #: ../../color_management/basis_knowledge.rst:87 0265 msgid "" 0266 "And quite a few other working spaces that could be added to this list, are " 0267 "all more or less suitable as working spaces. Which working space you should " 0268 "use depends only and solely on you, on your requirements on the Image Editor " 0269 "with your eventual output intentions (web, fine art print, etc.). However, " 0270 "as a critical aside, if you are using Adobe or other copyrighted working " 0271 "space profiles, these profiles contain copyright information that shows up " 0272 "in your image Exif information." 0273 msgstr "" 0274 0275 #: ../../color_management/basis_knowledge.rst:89 0276 msgid "" 0277 "**Soft Proofing** is a way of previewing on the screen the result to be " 0278 "expected from an output on another device, typically a printer. Soft " 0279 "proofing will show you the difference to be expected before you actually do " 0280 "it (and waste your costly ink). So you can improve your settings without " 0281 "wasting time and money. For more information take a look to the dedicated :" 0282 "ref:`section from this manual <soft_proof>`." 0283 msgstr "" 0284 0285 #: ../../color_management/basis_knowledge.rst:91 0286 msgid "" 0287 "**Rendering intent** refers to the way gamuts are handled when the intended " 0288 "target color space cannot handle the full gamut. For more information take a " 0289 "look to the dedicated :ref:`section from this manual <working_space>`." 0290 msgstr "" 0291 0292 #: ../../color_management/basis_knowledge.rst:94 0293 msgid "Color Space Connections" 0294 msgstr "" 0295 0296 #: ../../color_management/basis_knowledge.rst:96 0297 msgid "" 0298 "The question for each RGB trio of values in the (let us assume) 16-bit TIFF " 0299 "produced by Libraw becomes, what does a particular trio of RGB values for " 0300 "the pixels making up images produced by this particular (make and model) " 0301 "camera really mean in terms of some absolute standard referencing some ideal " 0302 "observer." 0303 msgstr "" 0304 0305 #: ../../color_management/basis_knowledge.rst:98 0306 msgid "" 0307 "This absolute standard referencing an ideal observer is more commonly called " 0308 "a **Profile Connection Space** (PCS). A camera profile is needed to " 0309 "accurately characterize or describe the response of a given camera's pixels " 0310 "to light entering that camera, so that the RGB values in the output file " 0311 "produced by the RAW converter can be translated first into an absolute " 0312 "Profile Connection Space and then from the Profile Connection Space to your " 0313 "chosen working space." 0314 msgstr "" 0315 0316 #: ../../color_management/basis_knowledge.rst:100 0317 msgid "" 0318 "As a very important aside, in digiKam the software used to translate from " 0319 "the camera profile to the Profile Connection Space and from the Profile " 0320 "Connection Space to your chosen working space and eventually to your chosen " 0321 "output space (for printing or perhaps monitor display) is based on `Lcms " 0322 "<https://www.littlecms.com/>`_ (the **Little Color Management** engine). For " 0323 "what it's worth, Lcms does more accurate conversions than Adobe's " 0324 "proprietary color conversion engine. Further, the RAW conversion in digiKam " 0325 "is based on decoding of the proprietary RAW file done by **Libraw**. `This " 0326 "library <https://www.libraw.org/>`_, is a great open-source component as " 0327 "without it we'd all be stuck using the usually Windows or Mac only " 0328 "proprietary software that comes with our digital cameras. The Libraw's " 0329 "interpolation algorithms (not to be confused with the aforementioned " 0330 "decoding of the proprietary RAW file), which are part of digiKam if properly " 0331 "used, produce results equal or superior to commercial, closed source " 0332 "software." 0333 msgstr "" 0334 0335 #: ../../color_management/basis_knowledge.rst:102 0336 msgid "" 0337 "There are two commonly used Profile Connection Spaces - **CIELAB** and " 0338 "**CIEXYZ** (see this `wikipedia Color management section <https://en." 0339 "wikipedia.org/wiki/Color_management#Color_transformation>`_ for details). " 0340 "Lcms uses the camera profile to translate the RGB values from the " 0341 "interpolated RAW file, into the appropriate Profile Connection Space " 0342 "(usually CIEXYZ). A profile connection space is not itself a working space. " 0343 "Rather a **Profile Connection Space** is an absolute reference space used " 0344 "only for translating from one color space to another - think of a **Profile " 0345 "Connection Space** as a **Universal Translator** for all the color profiles " 0346 "that an image might encounter in the course of its journey from camera RAW " 0347 "file to final output:" 0348 msgstr "" 0349 0350 #: ../../color_management/basis_knowledge.rst:104 0351 msgid "" 0352 "Lcms uses the camera profile, also called an **Input profile**, to translate " 0353 "the interpolated Libraw-produced RGB numbers, which only have meaning " 0354 "relative to your (make and model of) camera, to a second set of RGB numbers " 0355 "that only have meaning in the **Profile Connection Space**." 0356 msgstr "" 0357 0358 #: ../../color_management/basis_knowledge.rst:106 0359 msgid "" 0360 "Lcms translates the **Profile Connection Space** RGB numbers to the " 0361 "corresponding numbers in your chosen **Working space** so you can edit your " 0362 "image. And again, these working space numbers only have meaning relative to " 0363 "a given working space. The same red, visually speaking, is represented by " 0364 "different trios of RGB numbers in different working spaces; and if you " 0365 "assign the wrong profile the image will look wrong, slightly wrong or very " 0366 "wrong depending on the differences between the two profiles." 0367 msgstr "" 0368 0369 #: ../../color_management/basis_knowledge.rst:108 0370 msgid "" 0371 "While you are editing your image in your chosen **Working space**, then Lcms " 0372 "should translate all the working space RGB numbers back to the **Profile " 0373 "Connection Space**, and then over to the correct RGB numbers that enable " 0374 "your monitor (your display device) to give you the most accurate possible " 0375 "display representation of your image as it is being edited. This translation " 0376 "for display is done on the fly and you should never even notice it " 0377 "happening, unless it doesn't happen correctly - then the displayed image " 0378 "will look wrong." 0379 msgstr "" 0380 0381 #: ../../color_management/basis_knowledge.rst:110 0382 msgid "" 0383 "When you are satisfied that your edited image is ready to share with the " 0384 "world, Lcms translates the **Working space** RGB numbers back into the " 0385 "**Profile Connection Space** space and out again to a **Printer color " 0386 "space** using a **Printer profile** characterizing your printer/paper " 0387 "combination (if you plan on printing the image) or to sRGB (if you plan on " 0388 "displaying the image on the web or emailing it to friends or perhaps " 0389 "creating a slide-show to play on monitors other than your own)." 0390 msgstr "" 0391 0392 #: ../../color_management/basis_knowledge.rst:112 0393 msgid "" 0394 "To back up a little bit and look at the first color profile an image " 0395 "encounters, that is, the camera profile (see point 1. immediately above) - " 0396 "Libraw can in fact apply your camera profile for you (Libraw uses Lcms " 0397 "internally). But the generating data composed of the interpolated RGB values " 0398 "derived from the camera RAW file, and the application of the camera profile " 0399 "to the interpolated file, are two very distinct and totally separable " 0400 "(separable in theory and practice for Libraw; in theory only for most RAW " 0401 "converters) steps." 0402 msgstr "" 0403 0404 #: ../../color_management/basis_knowledge.rst:115 0405 msgid "Camera Profiles" 0406 msgstr "" 0407 0408 #: ../../color_management/basis_knowledge.rst:117 0409 msgid "" 0410 "This manual section has a bit of information on where to find ready-made " 0411 "camera profiles. It's an unfortunate fact of digital imaging that the camera " 0412 "profiles supplied by Canon, Nikon, and the like don't work as well with RAW " 0413 "converters other than each camera manufacturer's own proprietary RAW " 0414 "converter. They have to make their own profiles for all the cameras that " 0415 "they support - keep this proprietary propensity of your camera manufacturer " 0416 "in mind next time you buy a digital camera." 0417 msgstr "" 0418 0419 #: ../../color_management/basis_knowledge.rst:119 0420 msgid "" 0421 "To finding a camera profile for your camera is to make your own camera " 0422 "profile or have one made for you. There are quite a few commercial services " 0423 "who provide profiling services (for a fee, of course). Or you can use " 0424 "`Argyll <http://www.argyllcms.com/>`_ to profile your camera yourself. We " 0425 "cannot speak about how easy or difficult the process of profiling a camera " 0426 "might be. But we would imagine, knowing how very meticulous the people " 0427 "behind Argyll, and Lcms are about color management, that making your own " 0428 "camera profile is very do-able and very likely the results will be better " 0429 "than any proprietary profile. After all, Canon didn't profile your camera, " 0430 "they just profiled a camera like your." 0431 msgstr "" 0432 0433 #: ../../color_management/basis_knowledge.rst:121 0434 msgid "" 0435 "For more information take a look to the dedicated :ref:`section from this " 0436 "manual <camera_profiles>`." 0437 msgstr "" 0438 0439 #: ../../color_management/basis_knowledge.rst:127 0440 msgid "" 0441 "If your Photograph Include a Color Profile from your Camera digiKam Can show " 0442 "this in Colors Sidebar Tab" 0443 msgstr "" 0444 0445 #: ../../color_management/basis_knowledge.rst:130 0446 msgid "Working Spaces" 0447 msgstr "" 0448 0449 #: ../../color_management/basis_knowledge.rst:132 0450 msgid "" 0451 "So now your RAW file has been interpolated by Libraw and you've obtained a " 0452 "camera profile and used Lcms to apply your camera profile. What does all " 0453 "this mean? The real answer involves a lot of math and color science that " 0454 "goes way over my head and likely yours. The short, practical answer is that " 0455 "neither the camera profile space nor the Profile Connection Space is an " 0456 "appropriate space for image editing." 0457 msgstr "" 0458 0459 #: ../../color_management/basis_knowledge.rst:134 0460 msgid "" 0461 "Your next step is to choose a working space for image editing. Lcms, the " 0462 "color management engine that digiKam uses, perform a double translation. " 0463 "First Lcms uses the camera profile to translate the RGB values of each pixel " 0464 "in the Libraw output image without camera-profile applied into the " 0465 "aforementioned Profile Connection Space. Then it translates the RGB values " 0466 "of each pixel from the Profile Connection Space to your chosen working space." 0467 msgstr "" 0468 0469 #: ../../color_management/basis_knowledge.rst:140 0470 msgid "" 0471 "digiKam Knows Where to Find the Color Profiles Installed on Your System and " 0472 "list Files in Setup Dialog For Selection" 0473 msgstr "" 0474 0475 #: ../../color_management/basis_knowledge.rst:142 0476 msgid "" 0477 "For more information take a look to the dedicated :ref:`section from this " 0478 "manual <working_space>`." 0479 msgstr ""