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 #: ../../asset_management/authorship_copyright.rst:1
 msgid "Protect Your Authorship and Copyright"
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:1
 msgid ""
 "digiKam, documentation, user manual, photo management, open source, free, "
 "learn, easy, watermarking, IPTC and XMP authorship data, export size"
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:14
 msgid "Authorship and Copyright"
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:16
 msgid "Contents"
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:19
 msgid "Strings Metadata"
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:21
 msgid ""
 "This will be the last chapter and step to mark your digital library with "
 "authorship, ownership and copyright or left information. More than in 'the "
 "good(?) old days' of paper copies, the ubiquitous Internet makes it just too "
 "easy to 'steal' a picture from a web site. At the very least, for all images "
 "that will be exported and/or published in any form, the authorship and "
 "copyright information should be part of their metadata."
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:23
 msgid ""
 "Nothing more simple to do with digiKam: you can setup the default identity, "
 "and any images ingested be digiKam will be automatically informed. We put "
 "**copyleft** in the title for a reason:"
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:25
 msgid ""
 "Copyleft is a play on the word copyright and is the practice of using "
 "copyright law to remove restrictions on distributing copies and modified "
 "versions of a work for others and requiring that the same freedoms be "
 "preserved in modified versions."
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:27
 msgid ""
 "Copyleft is a form of licensing and may be used to modify copyrights for "
 "works such as ... music, and art. In general, copyright law allows an author "
 "to prohibit others from reproducing, adapting, or distributing copies of the "
 "author's work. In contrast, an author may, through a copyleft licensing "
 "scheme, give every person who receives a copy of a work permission to "
 "reproduce, adapt or distribute the work as long as any resulting copies or "
 "adaptations are also bound by the same copyleft licensing scheme. A widely "
 "used and originating copyleft license is the GNU General Public License. "
 "Similar licenses are available through Creative Commons - called Share-alike."
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:33
 msgid ""
 "The digiKam :ref:`Template Metadata <templates_settings>` Settings Panel"
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:35
 msgid ""
 "And here follows a description of what should be supplied to digiKam's setup "
 "page as information:"
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:37
 msgid ""
 "**Author** (synonymous with Creator and By-line): This field should contain "
 "your name, or the name of the person who created the photograph. If it is "
 "not appropriate to add the name of the photographer (for example, if the "
 "identity of the photographer needs to be protected) the name of a company or "
 "organization can also be used. Once saved, this field should not be changed "
 "by anyone. This field does not support the use of commas or semi-colons as "
 "separator."
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:39
 msgid ""
 "**Author** title (synonymous with By-line title): Linked to Author. This "
 "field should contain the job title of the photographer. Examples might "
 "include titles such as: Staff Photographer, Freelance Photographer, or "
 "Independent Commercial Photographer. Since this is a qualifier for the "
 "Author field, the Author field must also be filled out."
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:41
 msgid ""
 "**Credit** (synonymous to Provider): Use the Provider field to identify who "
 "is providing the photograph. This does not necessarily have to be the "
 "author. If a photographer is working for a news agency such as Reuters or "
 "the Associated Press, these organizations could be listed here as they are "
 "'providing' the image for use by others. If the image is a stock photograph, "
 "then the group (agency) involved in supplying the image should be listed "
 "here."
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:43
 msgid ""
 "**Source**: The Source field should be used to identify the original owner "
 "or copyright holder of the photograph. The value of this field should never "
 "be changed after the information is entered following the image's creation. "
 "You should consider this to be a write-once field. The source could be an "
 "individual, an agency, or a member of an agency. To aid in later searches, "
 "We suggest to separate any slashes '/' with a blank space. Use the form "
 "'photographer / agency' rather than 'photographer/agency.' Source may also "
 "be different from Creator and from the names listed in the Copyright Notice."
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:45
 msgid ""
 "**Copyright Notice**: The Copyright Notice should contain any necessary "
 "copyright notice for claiming the intellectual property, and should identify "
 "the current owner(s) of the copyright for the photograph. Usually, this "
 "would be the photographer, but if the image was done by an employee or as "
 "work-for-hire, then the agency or company should be listed. Use the form "
 "appropriate to your country. For the United States you would typically "
 "follow the form of © {date of first publication} name of copyright owner, as "
 "in 'copr 2005 John Doe.' The word 'copyright' or the abbreviation 'copr' "
 "shall be used in place of the (c) symbol as ASCII characters only are "
 "allowed. In some foreign countries only the copyright symbol is recognized "
 "and the abbreviation does not work. Using something like (c) where the "
 "parentheses form a partial circle is not sufficient. For additional "
 "protection worldwide, use of the phrase, 'all rights reserved' following the "
 "notice above is encouraged. In Europe you would use: Copyright {Year} "
 "{copyright owner}, all rights reserved. In Japan, for maximum protection, "
 "the following three items should appear in the copyright field of the IPTC "
 "Core: (a) the word, Copyright; (b) year of the first publication; and (c) "
 "name of the author. You may also wish to include the phrase *all rights "
 "reserved*."
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:47
 msgid ""
 "Whereas it is paramount to fill-in the author and copyright sections, they "
 "represent no protection against fraud. Anyone with a bit more than basic "
 "computer knowledge is able to delete or modify image embedded metadata. The "
 "solution to this problem is called *digital watermarking*. To private "
 "persons this might be of little interest for the majority of photographs, "
 "but for professionals ans semi-professionals this protection is really "
 "important."
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:53
 msgid ""
 "The digiKam :ref:`Copyrights View <metadata_editor>` From Metadata Editor"
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:56
 msgid "Digital Watermarking"
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:58
 msgid ""
 "Digital Watermarking refers to an invisible digital watermark that is being "
 "impressed on photographs as an element of Digital Rights Management (DRM). "
 "The watermark contains the same information of authorship and copyright as "
 "described above, but the metadata is encrypted and saved in the actual image "
 "data (as opposed to the metadata section which is a separate section within "
 "the image file)."
 msgstr ""
 
 #: ../../asset_management/authorship_copyright.rst:60
 msgid ""
 "This invisible imprint has holographic properties so that modifications done "
 "to an image (size, color, crop, up to a certain limit) will not destroy the "
 "copyright information. Only when an image is resized to a very small "
 "fraction like a thumbnail will the embedded information be lost, but then "
 "the image is of no value anymore to the copyright infringing party. The "
 "digital watermark will be unique per image."
 msgstr ""