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0001 # Copyright (C) licensed under the <a href="https://spdx.org/licenses/GFDL-1.2-or-later.html">licensed under the terms of the GNU Free Documentation License 1.2+</a> unless stated otherwise 0002 # This file is distributed under the same license as the Digikam Manual package. 0003 # Tommi Nieminen <translator@legisign.org>, 2023. 0004 # 0005 msgid "" 0006 msgstr "" 0007 "Project-Id-Version: Digikam Manual 8.1.0\n" 0008 "Report-Msgid-Bugs-To: \n" 0009 "POT-Creation-Date: 2023-12-02 00:35+0000\n" 0010 "PO-Revision-Date: 2023-05-15 19:20+0300\n" 0011 "Last-Translator: Tommi Nieminen <translator@legisign.org>\n" 0012 "Language-Team: Finnish <kde-i18n-doc@kde.org>\n" 0013 "Language: fi\n" 0014 "MIME-Version: 1.0\n" 0015 "Content-Type: text/plain; charset=UTF-8\n" 0016 "Content-Transfer-Encoding: 8bit\n" 0017 "Plural-Forms: nplurals=2; plural=(n != 1);\n" 0018 "X-Generator: Lokalize 23.04.1\n" 0019 0020 #: ../../image_editor/colors_tools.rst:1 0021 msgid "digiKam Image Editor Colors Tools" 0022 msgstr "digiKam-kuvamuokkaimen värityökalut" 0023 0024 #: ../../image_editor/colors_tools.rst:1 0025 msgid "" 0026 "digiKam, documentation, user manual, photo management, open source, free, " 0027 "learn, easy, image, editor, color, depth, space, correction, auto, black, " 0028 "white, filters, emulation, infrared, invert, negative, balance, curves, " 0029 "levels, hue, saturation, lightness, channel, mixer" 0030 msgstr "" 0031 0032 #: ../../image_editor/colors_tools.rst:14 0033 msgid "Colors Tools" 0034 msgstr "Värityökalut" 0035 0036 #: ../../image_editor/colors_tools.rst:16 0037 msgid "Contents" 0038 msgstr "Sisältö" 0039 0040 #: ../../image_editor/colors_tools.rst:21 0041 msgid "Encoding Depth" 0042 msgstr "Koodaussyvyys" 0043 0044 #: ../../image_editor/colors_tools.rst:23 0045 msgid "" 0046 "Here you can change the encoding depth per color channel of the edited " 0047 "image. 8 bit encoding is the common JPEG format, 16 bit encoding is better " 0048 "suited for high quality images, but this format needs more storage space, " 0049 "calculation time and is currently available with PNG, PGF, TIFF, and " 0050 "JPEG-2000 formats only." 0051 msgstr "" 0052 0053 #: ../../image_editor/colors_tools.rst:27 0054 msgid "" 0055 "When you re-encoding an image from 8-bit to 16-bit, uniformly distributed " 0056 "noise is introduced to prevent histogram holes due to colors range expansion." 0057 msgstr "" 0058 0059 #: ../../image_editor/colors_tools.rst:31 0060 msgid "" 0061 "HEIF, AVIF, JPX formats can encode as 8 bits or 12 bit. WEBP is limited to 8 " 0062 "bits. These limitations can change in the future." 0063 msgstr "" 0064 0065 #: ../../image_editor/colors_tools.rst:36 0066 msgid "Color Management" 0067 msgstr "Värinhallinta" 0068 0069 #: ../../image_editor/colors_tools.rst:38 0070 msgid "" 0071 "This tool allows to convert image from one color space to another one. Its " 0072 "use is the change and assignment of color profiles to an image. For detailed " 0073 "instructions on the use of color profiles, please refer to :ref:`Color " 0074 "Management Rules <color_management>` and :ref:`Color Management Settings " 0075 "<cm_settings>` sections." 0076 msgstr "" 0077 0078 #: ../../image_editor/colors_tools.rst:44 0079 msgid "The Image Editor to Change Image Color Space" 0080 msgstr "" 0081 0082 #: ../../image_editor/colors_tools.rst:49 0083 msgid "Auto-Correction" 0084 msgstr "Automaattikorjaus" 0085 0086 #: ../../image_editor/colors_tools.rst:51 0087 msgid "" 0088 "This tool set provides five automatic correction levels that will improve an " 0089 "image in most cases. Use this tool before going into the more involved " 0090 "manual adjustments." 0091 msgstr "" 0092 0093 #: ../../image_editor/colors_tools.rst:53 0094 msgid "" 0095 "The **Auto Levels**, **Normalize**, **Equalize**, **Stretch Contrast**, and " 0096 "**Auto Exposure** available from :menuselection:`Color --> Auto-Correction..." 0097 "` menu entry menu will attempt to work out the best color levels " 0098 "automatically. You will need to experiment with the effects of these " 0099 "functions to see what works best with your photograph." 0100 msgstr "" 0101 0102 #: ../../image_editor/colors_tools.rst:55 0103 msgid "" 0104 "**Auto Levels**: This option maximizes the tonal range in the Red, Green, " 0105 "and Blue channels. It searches the image shadow and highlight limit values " 0106 "and adjusts the Red, Green, and Blue channels to a full histogram range." 0107 msgstr "" 0108 0109 #: ../../image_editor/colors_tools.rst:57 0110 msgid "" 0111 "**Normalize**: this method scales brightness values across the selected " 0112 "image so that the darkest point becomes black, and the brightest point " 0113 "becomes as bright as possible without altering its hue. This is often a " 0114 "“magic fix” for images that are dim or washed out." 0115 msgstr "" 0116 0117 #: ../../image_editor/colors_tools.rst:59 0118 msgid "" 0119 "**Equalize**: this method adjusts the brightness of colors across the " 0120 "selected image so that the histogram for the Value channel is as flat as " 0121 "possible, that is, so that each possible brightness value appears at about " 0122 "the same number of pixels as each other value. Sometimes Equalize works " 0123 "wonderfully at enhancing the contrasts of an image. Other times it gives " 0124 "garbage. It is a very powerful operation, which can either work miracles on " 0125 "an image or destroy it." 0126 msgstr "" 0127 0128 #: ../../image_editor/colors_tools.rst:61 0129 msgid "" 0130 "**Stretch Contrast**: this method enhances the contrast and brightness of " 0131 "the RGB values of an image by stretching the lowest and highest values to " 0132 "their fullest range, adjusting everything in between. This is noticeable " 0133 "only with washed-out images and can be a good fix-it tool for bad " 0134 "photographs." 0135 msgstr "" 0136 0137 #: ../../image_editor/colors_tools.rst:63 0138 msgid "" 0139 "**Auto Exposure**: This option enhances the contrast and brightness of the " 0140 "RGB values of an image to calculate optimal exposition and black level using " 0141 "image histogram properties." 0142 msgstr "" 0143 0144 #: ../../image_editor/colors_tools.rst:65 0145 msgid "" 0146 "The results of any adjustments you make will not be remembered until you " 0147 "save your photograph." 0148 msgstr "" 0149 0150 #: ../../image_editor/colors_tools.rst:71 0151 msgid "The Image Editor to Process Auto Color Corrections" 0152 msgstr "" 0153 0154 #: ../../image_editor/colors_tools.rst:74 0155 msgid "Black and White Conversions" 0156 msgstr "Mustavalkomuunnokset" 0157 0158 #: ../../image_editor/colors_tools.rst:76 0159 msgid "" 0160 "Black and White photography has always been fascinating in its abstraction " 0161 "capability. With the advent of digital photography, Black and White has " 0162 "almost become a desktop activity, as color images can be easily converted on " 0163 "the computer into black and white, even providing a set of vintage film roll " 0164 "profiles. This filter is also able to simulates traditional infrared film " 0165 "material." 0166 msgstr "" 0167 0168 #: ../../image_editor/colors_tools.rst:81 0169 msgid "Legacy Films Emulation" 0170 msgstr "" 0171 0172 #: ../../image_editor/colors_tools.rst:83 0173 msgid "" 0174 "digiKam comes with a couple of black & white filters that you can use on " 0175 "your photographs. Under the :menuselection:`Color --> Black & White...` menu " 0176 "you will find classic black & white chemical toning used in analog " 0177 "photography. The controls come on four drop-down items: **Film**, **Lens " 0178 "Filters**, **Tone** and **Luminosity** as shown on the screenshot below. " 0179 "Film, filters and color toning can be applied independently of each other " 0180 "(on top of each other). The filters actually influence the RGB channel " 0181 "mixing, whereas the toning purely adds a uniform monochromatic tint to the " 0182 "black & white photograph. In the lightness tab you will find a tonal " 0183 "adjustment tool (like curve adjust), a contrast tool and an over-exposure " 0184 "indicator to improve the Black and White rendering." 0185 msgstr "" 0186 0187 #: ../../image_editor/colors_tools.rst:89 0188 msgid "The Image Editor to Emulate Black and White Films" 0189 msgstr "" 0190 0191 #: ../../image_editor/colors_tools.rst:91 0192 msgid "" 0193 "With **Film** setting, a specific settings allows to emulate a number of " 0194 "famous Black and White photographic films as:" 0195 msgstr "" 0196 0197 #: ../../image_editor/colors_tools.rst:93 0198 msgid "**Generic**." 0199 msgstr "**Yleinen**." 0200 0201 #: ../../image_editor/colors_tools.rst:94 0202 msgid "**Agfa**: 200X, Pan 25, Pan 100, Pan 400." 0203 msgstr "**Agfa**: 200X, Pan 25, Pan 100, Pan 400." 0204 0205 #: ../../image_editor/colors_tools.rst:95 0206 msgid "" 0207 "**Ilford**: Delta 100, Delta 400, Delta 400 Pro 3200, FP4 Plus, HP5 Plus, " 0208 "PanF Plus, XP2 Super." 0209 msgstr "" 0210 "**Ilford**: Delta 100, Delta 400, Delta 400 Pro 3200, FP4 Plus, HP5 Plus, " 0211 "PanF Plus, XP2 Super." 0212 0213 #: ../../image_editor/colors_tools.rst:96 0214 msgid "**Kodak**: Tmax 100, Tmax 400, TriX." 0215 msgstr "**Kodak**: Tmax 100, Tmax 400, TriX." 0216 0217 #: ../../image_editor/colors_tools.rst:98 0218 msgid "" 0219 "With **Lens Filters** setting, a color filter can be simulated as placed on " 0220 "front of lens:" 0221 msgstr "" 0222 0223 #: ../../image_editor/colors_tools.rst:100 0224 msgid "**No Lens Filter**: simulate black & white neutral film exposure." 0225 msgstr "" 0226 0227 #: ../../image_editor/colors_tools.rst:101 0228 msgid "" 0229 "**Green Filter**: simulates black & white film exposure with green lens " 0230 "filter. This comes good with all scenic images, especially suited for " 0231 "portraits taken against the sky (similar to 004 Cokin(tm) Green filter)." 0232 msgstr "" 0233 0234 #: ../../image_editor/colors_tools.rst:102 0235 msgid "" 0236 "**Orange Filter**: simulates black & white film exposure with an orange lens " 0237 "filter. This will enhance landscapes, marine scenes and aerial photography " 0238 "(similar to 002 Cokin(tm) Orange filter)." 0239 msgstr "" 0240 0241 #: ../../image_editor/colors_tools.rst:103 0242 msgid "" 0243 "**Red Filter**: simulates black & white film exposure with red lens filter. " 0244 "Creates dramatic sky effects and can simulate moonlight scenes in daytime " 0245 "(similar to 003 Cokin(tm) Red filter)." 0246 msgstr "" 0247 0248 #: ../../image_editor/colors_tools.rst:104 0249 msgid "" 0250 "**Yellow Filter**: simulates black & white film exposure with yellow lens " 0251 "filter. Most natural tonal correction, improves contrast. Ideal for " 0252 "landscapes (similar to 001 Cokin(tm) Yellow filter)." 0253 msgstr "" 0254 0255 #: ../../image_editor/colors_tools.rst:106 0256 msgid "With **Tone** setting, a color tint can be applied to the image:" 0257 msgstr "" 0258 0259 #: ../../image_editor/colors_tools.rst:108 0260 msgid "" 0261 "**Sepia Filter**: gives a warm highlight and mid-tone while adding a bit of " 0262 "coolness to the shadows - very similar to the process of bleaching a print " 0263 "and re-developing in a sepia toner (typical for your grandmothers " 0264 "photographs). Similar to 005 Cokin(tm) Sepia filter." 0265 msgstr "" 0266 0267 #: ../../image_editor/colors_tools.rst:109 0268 msgid "**Brown Filter**: similar to Sepia Tone filter, but less pronounced." 0269 msgstr "" 0270 0271 #: ../../image_editor/colors_tools.rst:110 0272 msgid "" 0273 "**Cold Filter**: start subtle and replicate printing on a cold tone black & " 0274 "white paper such as a bromide enlarging paper." 0275 msgstr "" 0276 0277 #: ../../image_editor/colors_tools.rst:111 0278 msgid "" 0279 "**Selenium Filter**: effect that replicates traditional selenium chemical " 0280 "toning done in the darkroom." 0281 msgstr "" 0282 0283 #: ../../image_editor/colors_tools.rst:112 0284 msgid "" 0285 "**Platinum Filter**: effect that replicates traditional platinum chemical " 0286 "toning done in the darkroom." 0287 msgstr "" 0288 0289 #: ../../image_editor/colors_tools.rst:117 0290 msgid "Simulate Infrared Film" 0291 msgstr "" 0292 0293 #: ../../image_editor/colors_tools.rst:119 0294 msgid "" 0295 "Simulating classical infrared film material (the effect is rendered in black " 0296 "and white) is an interesting alienation effect that is even stronger and " 0297 "more dramatic than pure black and white conversion. Contrast and an abstract " 0298 "touch are improved, which can underpin the expression of the photographer as " 0299 "an artist. It is like taking an image in black and white with a red filter " 0300 "on the camera lense. Areas which reflect little red light, e.g. the sky, " 0301 "will show as low density, dark areas. Areas which are excellent reflectors " 0302 "of red light, e.g. most green foliage, will be high density areas. And snow " 0303 "landscapes are really dramatic." 0304 msgstr "" 0305 0306 #: ../../image_editor/colors_tools.rst:125 0307 msgid "The Image Editor to Emulate Infrared Films" 0308 msgstr "" 0309 0310 #: ../../image_editor/colors_tools.rst:127 0311 msgid "" 0312 "The filter tries to reproduce the famous Ilford(tm) SFX and Kodak Tmax " 0313 "infrared film series. These films has a sensitivity range of 200-800 ISO:" 0314 msgstr "" 0315 0316 #: ../../image_editor/colors_tools.rst:129 0317 msgid "**Ilford**: SPX 200, SPX 400, SPX 800." 0318 msgstr "**Ilford**: SPX 200, SPX 400, SPX 800." 0319 0320 #: ../../image_editor/colors_tools.rst:130 0321 msgid "**Kodak**: HIE." 0322 msgstr "**Kodak**: HIE." 0323 0324 #: ../../image_editor/colors_tools.rst:134 0325 msgid "" 0326 "Because the filter mixes color channels to reproduce infrared film (with " 0327 "emphasis on green channel), one can not simulate infrared effect from Black " 0328 "and White original photograph, since the color information is missing." 0329 msgstr "" 0330 0331 #: ../../image_editor/colors_tools.rst:139 0332 msgid "Inverting Colors" 0333 msgstr "" 0334 0335 #: ../../image_editor/colors_tools.rst:141 0336 msgid "" 0337 "In case of digitalize analog film with a scanner, color can appear inverted " 0338 "compared to the reality. This tool allows to reverse the colors into their " 0339 "respective `complementary colors <https://en.wikipedia.org/wiki/" 0340 "Complementary_colors>`_." 0341 msgstr "" 0342 0343 #: ../../image_editor/colors_tools.rst:143 0344 msgid "" 0345 "Invert color to a complementary color (or opposite color of color on the " 0346 "color wheel), consist to have cyan as the opposite color of red, yellow as " 0347 "opposite color for blue, and magenta as the opposite color of green. With :" 0348 "menuselection:`Color --> Invert` option, we can invert all the pixel colors " 0349 "and brightness values in the image, as if the image was converted into a " 0350 "negative. Dark areas become bright and bright areas become dark. Hues are " 0351 "replaced by their complementary colors." 0352 msgstr "" 0353 0354 #: ../../image_editor/colors_tools.rst:148 0355 msgid "Simulate Negative Film" 0356 msgstr "" 0357 0358 #: ../../image_editor/colors_tools.rst:150 0359 msgid "" 0360 "While digiKam is first and foremost an application for processing and " 0361 "organizing digital photos, it also features tools for working with `film " 0362 "negatives <https://en.wikipedia.org/wiki/Negative_(photography)>`_." 0363 msgstr "" 0364 0365 #: ../../image_editor/colors_tools.rst:152 0366 msgid "" 0367 "Before you can process negatives in digiKam, you need to digitize them. If " 0368 "you don’t have access to a film scanner or a lab that offers film scanning " 0369 "services, you can digitize film using a DSLR camera (there are plenty of " 0370 "tutorials on how to do that on the Web, as `this one <https://petapixel." 0371 "com/2013/03/25/digitizing-your-film-using-your-dslr/>`_). The rest of the " 0372 "process assumes that you are using the latter way to digitize film negatives." 0373 msgstr "" 0374 0375 #: ../../image_editor/colors_tools.rst:154 0376 msgid "" 0377 "Open a RAW file containing a film negative in the editor. Crop the original " 0378 "file and apply lens correction if necessary. Choose then :menuselection:" 0379 "`Color --> Invert` to transform the negative into a positive image. In case " 0380 "you work with the color negative, the converted image most likely requires " 0381 "some additional tweaking. First of all, the converted image is likely to " 0382 "have a strong blue tint. The easiest way to remove it is to use digiKam’s " 0383 "**Auto-Correction** tool. Choose :menuselection:`Color --> Auto-Correction` " 0384 "and select one of the presets. In many cases, the **Auto Levels** or " 0385 "**Equalize** presets do a decent job of correcting the colors. If the colors " 0386 "still look slightly off, you can adjust them further using the :" 0387 "menuselection:`Colors --> Color Balance` tool." 0388 msgstr "" 0389 0390 #: ../../image_editor/colors_tools.rst:160 0391 msgid "The Image Editor Tool to Simulate Negative Film" 0392 msgstr "" 0393 0394 #: ../../image_editor/colors_tools.rst:162 0395 msgid "" 0396 "The **Invert** feature in combination with an **Auto-Correction** preset " 0397 "provides a quick-and-dirty way of converting negatives, but digiKam has " 0398 "another tool designed specifically for processing color negatives. To access " 0399 "it, choose the :menuselection:`Color --> Color Negative` menu entry. The " 0400 "Color **Negative** Film interface contains several handy features that can " 0401 "help you to convert the negative and tweak the resulting image. While the " 0402 "**Invert** tool uses a generic profile for converting negatives, the Color " 0403 "Negative Film interface offers profiles for many popular film types. So the " 0404 "first step is to select the appropriate profile. For better results, try to " 0405 "enable the **Color Balance** option, too. If the used film is not in the " 0406 "list, you can use the **Neutral** profile as a fall back." 0407 msgstr "" 0408 0409 #: ../../image_editor/colors_tools.rst:164 0410 msgid "" 0411 "Although choosing the matching film profile may yield a better result, the " 0412 "converted image may still require some work. In most cases, you may need to " 0413 "adjust the white point to remove the remaining blue tint. You can do this " 0414 "either manually or automatically using the appropriate tools. Usually, the " 0415 "automatic white point adjustment does the job, but the resulting image needs " 0416 "to be brightened up by adjusting the **Exposure** and the **Gamma** sliders." 0417 msgstr "" 0418 0419 #: ../../image_editor/colors_tools.rst:169 0420 msgid "Colors Balance" 0421 msgstr "" 0422 0423 #: ../../image_editor/colors_tools.rst:171 0424 msgid "" 0425 "Digital cameras often have problems with lighting conditions and it is not " 0426 "unusual to want to correct the color contrast and brightness of a " 0427 "photograph. You can experiment with altering the levels of different aspects " 0428 "of your photographs using the tools under the **Color** menu. You can see " 0429 "any adjustments you make reflected in the preview. When you are happy with " 0430 "the results, press **Ok** and they will take effect." 0431 msgstr "" 0432 0433 #: ../../image_editor/colors_tools.rst:177 0434 msgid "The Image Editor Colors Balance Tool" 0435 msgstr "" 0436 0437 #: ../../image_editor/colors_tools.rst:179 0438 msgid "" 0439 "If your image is washed out (which can easily happen when you take images in " 0440 "bright light) try the **Hue/Saturation/Lightness** tool, which gives you " 0441 "four sliders to manipulate, for **Hue**, **Saturation**, **Vibrance**, and " 0442 "**Lightness**. Raising the saturation will probably make the image look " 0443 "better. In some cases, it is useful to adjust the lightness at the same " 0444 "time. *Lightness* here is similar to *Brightness* in the **Brightness/" 0445 "Contrast/Gamma** tool, except that they are formed from different " 0446 "combinations of the red, green, and blue channels." 0447 msgstr "" 0448 0449 #: ../../image_editor/colors_tools.rst:181 0450 msgid "" 0451 "When you take images in low light conditions, you could get the opposite " 0452 "problem: too much saturation. In this case the **Hue/Saturation/Lightness** " 0453 "tool is again a good one to use, only by reducing the saturation instead of " 0454 "increasing it. You can see any adjustments you make reflected in the preview " 0455 "image. When you are happy with the results, press Ok and they will take " 0456 "effect." 0457 msgstr "" 0458 0459 #: ../../image_editor/colors_tools.rst:186 0460 msgid "Adjust Curves" 0461 msgstr "Käyräsäätö" 0462 0463 #: ../../image_editor/colors_tools.rst:188 0464 msgid "" 0465 "The digiKam Adjust Curves is a tool to non-linearly adjust luminosity " 0466 "graduation and color channels." 0467 msgstr "" 0468 0469 #: ../../image_editor/colors_tools.rst:190 0470 msgid "" 0471 "The Adjust Curves tool is the most sophisticated tool available to adjust " 0472 "the images' tonality. Start it from the :menuselection:`Color --> Curves " 0473 "Adjust...` Image Editor menu. It allows you to click and drag control points " 0474 "on a curve to create a free function mapping input brightness levels to " 0475 "output brightness levels. The Adjust Curves tool can replicate any effect " 0476 "you can achieve with **Brightness/Contrast/Gamma** or the **Adjust Levels** " 0477 "tool, though it is more powerful than either one of them. But this tool can " 0478 "do more for you, it helps you to improve the tonal quality of your " 0479 "photographs to very finely stepped gray scales. And do not forget that the " 0480 "better the photographs are (good exposure, lossless format, 24 or 32 bit " 0481 "deep) the more you can improve them. Navigate to the \"Achieving ultimate " 0482 "tonal quality\" section of this instructive page: `Tonal quality and dynamic " 0483 "range in digital cameras by Norman Koren <http://www.normankoren.com/" 0484 "digital_tonality.html>`_. Use Adjust Curves tool to do just the same." 0485 msgstr "" 0486 0487 #: ../../image_editor/colors_tools.rst:192 0488 msgid "" 0489 "This tool provides visual curves to modify the intensity values of the " 0490 "active layer displayed as a histogram non-linearily. In **Curve smooth " 0491 "mode**, you change the curves shape by adding new points to the curve or by " 0492 "moving end point positions. Another way, is to draw all the curve manually " 0493 "in **Curve free mode**. In both cases the effect is immediately displayed in " 0494 "the image preview area to the left, where the preview can be configured by " 0495 "clicking on the top left icons." 0496 msgstr "" 0497 0498 #: ../../image_editor/colors_tools.rst:198 0499 msgid "The Image Editor Adjust Curves Tool" 0500 msgstr "" 0501 0502 #: ../../image_editor/colors_tools.rst:200 0503 msgid "" 0504 "To the left, half of the original and the target preview image is shown. The " 0505 "target preview is updated dynamically according to the widget settings. On " 0506 "the right side the following options are available:" 0507 msgstr "" 0508 0509 #: ../../image_editor/colors_tools.rst:202 0510 msgid "" 0511 "Modify **Channel**: with this combo box you can select the specific channel " 0512 "to be modified by the tool:" 0513 msgstr "" 0514 0515 #: ../../image_editor/colors_tools.rst:204 0516 msgid "**Luminosity**: changes the intensity of all pixels." 0517 msgstr "" 0518 0519 #: ../../image_editor/colors_tools.rst:206 0520 msgid "**Red**: changes the Red saturation of all pixels." 0521 msgstr "" 0522 "**Punainen**: muuttaa kaikkien kuvapisteiden punaisen värin kylläisyyttä." 0523 0524 #: ../../image_editor/colors_tools.rst:208 0525 msgid "**Green**: changes the Green saturation of all pixels ." 0526 msgstr "**Vihreä**: muuttaa kaikkien kuvapisteiden vihreän värin kylläisyyttä." 0527 0528 #: ../../image_editor/colors_tools.rst:210 0529 msgid "**Blue**: changes the Blue saturation of all pixels." 0530 msgstr "" 0531 "**Sininen**: muuttaa kaikkien kuvapisteiden sinisen värin kylläisyyttä." 0532 0533 #: ../../image_editor/colors_tools.rst:212 0534 msgid "**Alpha**: changes the transparency of all pixels." 0535 msgstr "**Alfa**: muuttaa kaikkien kuvapisteiden läpikuultavuutta." 0536 0537 #: ../../image_editor/colors_tools.rst:214 0538 msgid "" 0539 "Next to this box are two icons to select **Linear** or **Logarithmic** " 0540 "**Histogram** display. For images taken with a digital camera the linear " 0541 "mode is usually the most useful. However, for images containing substantial " 0542 "areas of constant color, a linear histogram will often be dominated by a " 0543 "single bar. In this case a logarithmic histogram will be more appropriate." 0544 msgstr "" 0545 0546 #: ../../image_editor/colors_tools.rst:216 0547 msgid "" 0548 "**Main Curves Editing Area**: the horizontal bar (x-axis) represents input " 0549 "values (they are value levels from 0 to 255). The vertical bar (y-axis) is " 0550 "only a scale for output colors of the selected channel. The control curve is " 0551 "drawn on a grid and crosses the histogram diagonally. The pointer x/y " 0552 "position is permanently displayed above the grid. If you click on the curve, " 0553 "a control point is created. You can move it to bend the curve. If you click " 0554 "outside the curve, a control point is also created, and the curve includes " 0555 "it automatically. So each point of the curve represents an 'x' translated " 0556 "into a 'y' output level." 0557 msgstr "" 0558 0559 #: ../../image_editor/colors_tools.rst:218 0560 msgid "" 0561 "Curve **Type** for channel: below the editing area are several icons that " 0562 "determine whether the curve can be edited using **Curve smooth mode** or " 0563 "**Curve free mode**. Smooth mode constrains the curve type to a smooth line " 0564 "with tension and provides a realistic rendering. Free mode lets you draw " 0565 "your curve free-hand with the mouse. With curve segments scattered all over " 0566 "the grid, result will be surprising but hardly repeatable. A **Reset to " 0567 "defaults** button is also available. If, for example, you move a curve " 0568 "segment to the right, i.e. to highlights, you can see that these highlights " 0569 "are corresponding to darker output tones and that image pixels corresponding " 0570 "to this curve segment will go darker. With color channels, moving right will " 0571 "decrease saturation up to reaching complementary color. To delete all " 0572 "control points (apart from both end points), click on the **Reset** button. " 0573 "To delete only one point, move it onto another point. Just ply with the " 0574 "curves and watch the results. You even can solarize the image on part of its " 0575 "tonal range. This happens when the curve is inverted in some part. The " 0576 "original photo preview has a red marker on it. If you place this marker to a " 0577 "zone you want to modify, a corresponding line will be drawn on the curve " 0578 "grid indicating the original value. Create a point on that line and move it " 0579 "up or down to adjust it to your pleasing." 0580 msgstr "" 0581 0582 #: ../../image_editor/colors_tools.rst:220 0583 msgid "" 0584 "**Save As** and **Load**: these buttons are used to do just that. Any curves " 0585 "that you have set can be saved to the filesystem and loaded later. The used " 0586 "file format is The Gimp Curves format." 0587 msgstr "" 0588 0589 #: ../../image_editor/colors_tools.rst:222 0590 msgid "**Reset**: this button resets all curve values for all channels." 0591 msgstr "" 0592 0593 #: ../../image_editor/colors_tools.rst:224 0594 msgid "" 0595 "The curves tool has several features that facilitate the positioning of " 0596 "points on the control curves. Clicking the mouse button in the original " 0597 "image preview area produces a vertical doted bar in the graph area of the " 0598 "curves tool. The bar position corresponds to the pixel value the mouse " 0599 "cursor is over in the image window. Clicking and dragging the mouse button " 0600 "interactively updates the position of the vertical bar. In this way, it is " 0601 "possible to see where different pixel values in the image are located on the " 0602 "control curve and helps to discover the locations of shadow, midtone, and " 0603 "highlight pixels." 0604 msgstr "" 0605 0606 #: ../../image_editor/colors_tools.rst:226 0607 msgid "" 0608 "Using this way and the three **Tone Color Picker** buttons will " 0609 "automatically create control points on the curve in all channels for shadow, " 0610 "middle, and highlight tones. Enable the color picker button that you want to " 0611 "use, and click on the original image preview area to produce control points " 0612 "on each of the Red, Green, Blue, and Luminosity control curves." 0613 msgstr "" 0614 0615 #: ../../image_editor/colors_tools.rst:231 0616 msgid "Adjust Levels" 0617 msgstr "Tasonsäätö" 0618 0619 #: ../../image_editor/colors_tools.rst:233 0620 msgid "" 0621 "The digiKam Adjust Levels is a tool to manually adjust the histogram " 0622 "channels of an image." 0623 msgstr "" 0624 0625 #: ../../image_editor/colors_tools.rst:235 0626 msgid "" 0627 "Situated between the more sophisticated Adjust Curves tool and the simpler " 0628 "**Brightness/Contrast/Gamma** Image Editor tool is this Adjust Levels tool " 0629 "for improving exposure. Although the dialog for this tool looks very " 0630 "complicated, for the basic usage we have in mind here, the only part you " 0631 "need to deal with is the **Input Levels** area, concretely the three sliders " 0632 "that appear below the histogram." 0633 msgstr "" 0634 0635 #: ../../image_editor/colors_tools.rst:237 0636 msgid "" 0637 "This widget contains a visual graph of the intensity values of the active " 0638 "layer or selection (histogram). Below the graph are five sliders that can be " 0639 "clicked into and dragged to constrain and change the intensity level for the " 0640 "image. The left sliders position represents the dark areas and similarly, " 0641 "the right position represents the light areas." 0642 msgstr "" 0643 0644 #: ../../image_editor/colors_tools.rst:243 0645 msgid "The Image Editor Adjust Level Tool" 0646 msgstr "Kuvamuokkaimen tasonsäätötyökalu" 0647 0648 #: ../../image_editor/colors_tools.rst:245 0649 msgid "" 0650 "Actually the easiest way to learn how to use it is to experiment by moving " 0651 "the three sliders around, and watching how the image is affected." 0652 msgstr "" 0653 0654 #: ../../image_editor/colors_tools.rst:247 0655 msgid "" 0656 "On the right, both an original and a target preview image is available. The " 0657 "target preview is updated dynamically according to the slider positions. On " 0658 "the left, the following options are available:" 0659 msgstr "" 0660 0661 #: ../../image_editor/colors_tools.rst:249 0662 msgid "" 0663 "Modify levels for **Channel**: this combo box allows the selection of the " 0664 "specific channel that will be modified by the tool:" 0665 msgstr "" 0666 0667 #: ../../image_editor/colors_tools.rst:251 0668 msgid "" 0669 "**Luminosity**: this option makes intensity changes against all pixels in " 0670 "the image." 0671 msgstr "" 0672 0673 #: ../../image_editor/colors_tools.rst:253 0674 msgid "" 0675 "**Red**: this option makes Red saturation changes against all pixels in the " 0676 "image." 0677 msgstr "" 0678 0679 #: ../../image_editor/colors_tools.rst:255 0680 msgid "" 0681 "**Green**: this option makes Green saturation changes against all pixels in " 0682 "the image." 0683 msgstr "" 0684 0685 #: ../../image_editor/colors_tools.rst:257 0686 msgid "" 0687 "**Blue**: this option makes Blue saturation changes against all pixels in " 0688 "the image." 0689 msgstr "" 0690 0691 #: ../../image_editor/colors_tools.rst:259 0692 msgid "" 0693 "**Alpha**: this option makes transparency changes against all pixels in the " 0694 "image." 0695 msgstr "" 0696 0697 #: ../../image_editor/colors_tools.rst:261 0698 msgid "" 0699 "Set **Scale** for channel: this combo controls whether the histogram will be " 0700 "displayed using a linear or logarithmic amplitude. For images taken with a " 0701 "digital camera, the linear mode is usually the most useful. However, for " 0702 "images that contain substantial areas of constant color a linear histogram " 0703 "will often be dominated by a single bar. In this case a logarithmic " 0704 "histogram will often be more useful." 0705 msgstr "" 0706 0707 #: ../../image_editor/colors_tools.rst:263 0708 msgid "" 0709 "**Input Levels**: the input levels allow manual adjustments to be selected " 0710 "for each of the ranges. The main area is a graphic representation of image " 0711 "dark, mid and light tones content. They are on abscissa from level 0 (black) " 0712 "to level 255 (white). Pixel number for a level is on ordinate axis. The " 0713 "curve surface represents all the pixels of the image for the selected " 0714 "channel (histogram). A well balanced image is an image with levels (tones) " 0715 "distributed all over the whole range. An image with a predominant blue " 0716 "color, for example, will produce a histogram shifted to the left in Green " 0717 "and Red channels, manifested by green and red color lacking on highlights. " 0718 "The level ranges can be modified in three ways:" 0719 msgstr "" 0720 0721 #: ../../image_editor/colors_tools.rst:265 0722 msgid "" 0723 "Three sliders: the first on the top for **Dark Tones*, the second one for " 0724 "**Light Tones*, and the last one on the bottom for **Midtones** (often " 0725 "called **Gamma** value)." 0726 msgstr "" 0727 0728 #: ../../image_editor/colors_tools.rst:267 0729 msgid "Three input boxes to enter values directly." 0730 msgstr "" 0731 0732 #: ../../image_editor/colors_tools.rst:269 0733 msgid "" 0734 "Three **Color Picker** buttons using the original photo preview to " 0735 "automatically adjust inputs levels settings for shadow, midtone and " 0736 "highlights. There is also a fully automated adjustment button available next " 0737 "to the reset button." 0738 msgstr "" 0739 0740 #: ../../image_editor/colors_tools.rst:271 0741 msgid "" 0742 "**Output Levels**: the output levels allow manual selection of a narrowed-" 0743 "down output level range. There are also two sliders located here that can be " 0744 "used to interactively change the output levels like Input Levels. This " 0745 "output level compression may, for example, be used to create a bleached " 0746 "image as a background for some other subject to put into the foreground." 0747 msgstr "" 0748 0749 #: ../../image_editor/colors_tools.rst:273 0750 msgid "" 0751 "**Auto**: this button performs an automatic setting of the levels based on " 0752 "the pixel intensities of the image." 0753 msgstr "" 0754 0755 #: ../../image_editor/colors_tools.rst:275 0756 msgid "" 0757 "**Save As** and **Load**: these buttons are used to do just that. Any Levels " 0758 "that you have set can be saved to the filesystem and loaded later. The used " 0759 "file format is compatible with **The Gimp** Levels format." 0760 msgstr "" 0761 0762 #: ../../image_editor/colors_tools.rst:277 0763 msgid "" 0764 "**Reset All**: this button reset all Input Levels and Output Levels values " 0765 "for all channels." 0766 msgstr "" 0767 0768 #: ../../image_editor/colors_tools.rst:279 0769 msgid "" 0770 "The Adjust Levels tool has several features to facilitate the positioning " 0771 "input levels sliders. Clicking the mouse button in the original image " 0772 "preview area produces a vertical doted bar in the graph area of the " 0773 "histogram. The bar position corresponds to the pixel value under the mouse " 0774 "cursor in the image window. Clicking and dragging the mouse button " 0775 "interactively updates the position of the vertical bar. In this way it is " 0776 "possible to see where different pixel values in the image are located on the " 0777 "input levels sliders and helps to discover the locations of shadow, midtone, " 0778 "and highlight pixels." 0779 msgstr "" 0780 0781 #: ../../image_editor/colors_tools.rst:281 0782 msgid "" 0783 "Using in this mode and the three **Color Picker** buttons will automatically " 0784 "adjust input levels settings in all channels for shadow, middle, and " 0785 "highlight tones. Enable the color picker button that you want use, and click " 0786 "on the original image preview area to set input levels on each of the Red, " 0787 "Green, Blue, and Luminosity histogram channels." 0788 msgstr "" 0789 0790 #: ../../image_editor/colors_tools.rst:283 0791 msgid "" 0792 "**Over Exposure Indicator** option checks all color channel to see if more " 0793 "than one channel in a pixel is over-exposed, and you will see the combined " 0794 "color resulting of channel level settings. This feature is available as an " 0795 "indicator in the target preview area and has no effect on final rendering." 0796 msgstr "" 0797 0798 #: ../../image_editor/colors_tools.rst:288 0799 msgid "Correcting Exposure" 0800 msgstr "" 0801 0802 #: ../../image_editor/colors_tools.rst:290 0803 msgid "" 0804 "The simplest tool to use is the **Brightness/Contrast/Gamma** tool. It is " 0805 "also the least powerful, but in many cases it does everything you need. This " 0806 "tool is often useful for images that are overexposed or underexposed; it is " 0807 "not useful for correcting color casts. The tool gives you three sliders to " 0808 "adjust, for **Brightness**, **Contrast** and **Gamma**. You can see any " 0809 "adjustments you make reflected in the preview image. When you are happy with " 0810 "the results, press **Ok** and they will take effect." 0811 msgstr "" 0812 0813 #: ../../image_editor/colors_tools.rst:296 0814 msgid "The Image Editor Tool Correcting Exposure" 0815 msgstr "" 0816 0817 #: ../../image_editor/colors_tools.rst:300 0818 msgid "" 0819 "Another important tool called **Levels Adjust** provides also an integrated " 0820 "way of seeing the results of adjusting multiple levels and also enables you " 0821 "to save level settings for application to multiple photographs. This can be " 0822 "useful if your camera or scanner often makes the same mistakes and you want " 0823 "to apply the same corrections. See the dedicated :ref:`Adjust Levels manual " 0824 "<color_levels>` for more information. See also a way of correcting exposure " 0825 "problems using the **Adjust Curves** tool." 0826 msgstr "" 0827 0828 #: ../../image_editor/colors_tools.rst:305 0829 msgid "Correcting Colors" 0830 msgstr "" 0831 0832 #: ../../image_editor/colors_tools.rst:307 0833 msgid "" 0834 "This tool is used to adjust hue, saturation, and lightness levels on a range " 0835 "of color weights for the current image. You can access the tool by the menu " 0836 "entry :menuselection:`Color --> Hue/Saturation/Lightness`" 0837 msgstr "" 0838 0839 #: ../../image_editor/colors_tools.rst:309 0840 msgid "The tool settings are listed below:" 0841 msgstr "" 0842 0843 #: ../../image_editor/colors_tools.rst:311 0844 msgid "" 0845 "A Hue / Saturation color map to select visually the respective primary color " 0846 "to adjust. Just move and click with the mouse to set **Hue** and " 0847 "**Saturation** values in sliders below the map." 0848 msgstr "" 0849 0850 #: ../../image_editor/colors_tools.rst:313 0851 msgid "" 0852 "**Hue**: The slider allow you to select a hue in the color circle (-180, " 0853 "180)." 0854 msgstr "" 0855 0856 #: ../../image_editor/colors_tools.rst:315 0857 msgid "" 0858 "**Saturation**: The slider allow you to select a saturation (-100, 100)." 0859 msgstr "" 0860 0861 #: ../../image_editor/colors_tools.rst:317 0862 msgid "" 0863 "**Vibrance**: The slider allow you to adjust the vibrance of the image. " 0864 "Vibrance performs selective saturation on less saturated colors and avoiding " 0865 "skin tones." 0866 msgstr "" 0867 0868 #: ../../image_editor/colors_tools.rst:319 0869 msgid "" 0870 "**Lightness**: The slider allows you to select a luminosity value (-100, " 0871 "100). Lightness changes here concern a color range, while they concern a " 0872 "color tone with **Curves Adjust** and **Levels Adjust** tools, which work on " 0873 "color channels. If you change the Red lightness with this tool, all red " 0874 "pixels will be changed. With **Curves Adjust** and **Levels Adjust** tools, " 0875 "only dark, bright, or medium pixels luminosity will be changed." 0876 msgstr "" 0877 0878 #: ../../image_editor/colors_tools.rst:321 0879 msgid "" 0880 "You can see any adjustments you make reflected in the preview image. When " 0881 "you are happy with the results, press **Ok** and they will take effect." 0882 msgstr "" 0883 0884 #: ../../image_editor/colors_tools.rst:327 0885 msgid "The Image Editor Tool Correcting Colors" 0886 msgstr "" 0887 0888 #: ../../image_editor/colors_tools.rst:332 0889 msgid "Channel Mixer" 0890 msgstr "" 0891 0892 #: ../../image_editor/colors_tools.rst:334 0893 msgid "" 0894 "The digiKam image Channel Mixer is a tool to remix the color channels to " 0895 "improve or modify the photograph color shades." 0896 msgstr "" 0897 0898 #: ../../image_editor/colors_tools.rst:336 0899 msgid "" 0900 "The Channel Mixer is an another sophisticated tool to refine the images' " 0901 "tonality. Start it from the :menuselection:`Color --> Channel Mixer` Image " 0902 "Editor menu." 0903 msgstr "" 0904 0905 #: ../../image_editor/colors_tools.rst:342 0906 msgid "The Image Editor Channel Mixer Tool" 0907 msgstr "" 0908 0909 #: ../../image_editor/colors_tools.rst:344 0910 msgid "" 0911 "With the channel combo box you select and display the histogram per color. " 0912 "It gives a first hint of how to correct the channels by their relative " 0913 "distribution and amplitude. The left half of the dialog window always shows " 0914 "a preview of what you are doing. The original for comparison can be seen " 0915 "when selecting its own window tab." 0916 msgstr "" 0917 0918 #: ../../image_editor/colors_tools.rst:346 0919 msgid "" 0920 "The target photo preview has a red marker available. If you place this " 0921 "marker somewhere in the image, a corresponding vertical bar will be drawn in " 0922 "the histogram indicating the color level value in the current channel " 0923 "selected." 0924 msgstr "" 0925 0926 #: ../../image_editor/colors_tools.rst:348 0927 msgid "" 0928 "Now the controls are to the lower right: **Red**, **Green** and **Blue** " 0929 "slider controls enable you to mix the channels. If you check **Preserve " 0930 "Luminosity** the image will retain its overall luminosity despite you " 0931 "changing its color components. This feature is particularly useful when you " 0932 "also ticked the **Monochrome** box. Because the channel mixer is the tool to " 0933 "make great Black and White conversions of your photographs. Try to reduce " 0934 "the green channel for Black and White portraits." 0935 msgstr "" 0936 0937 #: ../../image_editor/colors_tools.rst:352 0938 msgid "" 0939 "Sometimes, especially when doing **Monochrome** mixing, reducing one color " 0940 "channel may increase visible noise, which actually originates in the chroma " 0941 "noise. Chroma noise means that the little noise specs do not appear at the " 0942 "same location in all the color channels, but the noise patterns looks " 0943 "different in every channel. If that is the case you can improve the " 0944 "monochrome conversion by reducing the chroma noise first." 0945 msgstr "" 0946 0947 #: ../../image_editor/colors_tools.rst:354 0948 msgid "" 0949 "**Save As** and **Load** buttons are used to do just that. Any mixer " 0950 "settings that you have set can be saved to the filesystem and loaded later. " 0951 "The used file format is The Gimp channel mixer format." 0952 msgstr "" 0953 0954 #: ../../image_editor/colors_tools.rst:356 0955 msgid "" 0956 "**Over Exposure Indicator** option adds up the colors if more than one " 0957 "channel in a pixel is over-exposed, and you will see the combined color " 0958 "resulting of channel gain settings. This rule is applying to target preview " 0959 "area and haven't effect to final rendering." 0960 msgstr "" 0961 0962 #: ../../image_editor/colors_tools.rst:358 0963 msgid "" 0964 "**Reset All** button resets all channel mixer settings to default values." 0965 msgstr "" 0966 0967 #: ../../image_editor/colors_tools.rst:363 0968 msgid "White Balance" 0969 msgstr "Valkotasapaino" 0970 0971 #: ../../image_editor/colors_tools.rst:365 0972 msgid "" 0973 "The digiKam White Balance is a semi-automatic tool to adjust the white-" 0974 "balance of a photograph." 0975 msgstr "" 0976 0977 #: ../../image_editor/colors_tools.rst:367 0978 msgid "" 0979 "White Balance setting is a common hurdle for digital still cameras. In the " 0980 "'good old time' of film rolls, the white balance was done by the photolab. " 0981 "Nowadays the poor little camera has to guess what is white and what is " 0982 "black. Most of the time, what the camera chooses as the white point, is not " 0983 "of the correct shade or hue. Using this tool it is easy to correct this " 0984 "problem. It provides a variety of parameters that can be trimmed to obtain a " 0985 "better result." 0986 msgstr "" 0987 0988 #: ../../image_editor/colors_tools.rst:373 0989 msgid "The Image Editor White Balance Tool" 0990 msgstr "" 0991 0992 #: ../../image_editor/colors_tools.rst:377 0993 msgid "" 0994 "Even if the White Balance correction is not limited to 8 bit per channel, if " 0995 "you depart too much from the original, over exposure zones may appear. If " 0996 "you can adjust the White Balance in RAW conversion mode, the margin for " 0997 "correction will be greater as it processes correction while demosaicing." 0998 msgstr "" 0999 1000 #: ../../image_editor/colors_tools.rst:379 1001 msgid "" 1002 "The preview window can be resized. To the left, both an original and a " 1003 "target preview tab is shown. The target preview is updated dynamically " 1004 "according to the tool's settings. If you want to see the original White " 1005 "Balance, just click on that tab." 1006 msgstr "" 1007 1008 #: ../../image_editor/colors_tools.rst:381 1009 msgid "" 1010 "The target photo preview has a red marker available. The luminosity value of " 1011 "the pixel under the marker is shown as a vertical line in the histogram ." 1012 msgstr "" 1013 1014 #: ../../image_editor/colors_tools.rst:383 1015 msgid "" 1016 "To the top right, the widget displays a histogram that is dynamically " 1017 "updated when changing the parameters. This histogram is very instructive as " 1018 "it shows that even in well exposed photos, most of the pixels have very " 1019 "small luminosity. With a button you can select to show either one of the 3 " 1020 "colors (or the sum of it which is called luminosity)." 1021 msgstr "" 1022 1023 #: ../../image_editor/colors_tools.rst:385 1024 msgid "" 1025 "With **Exposure** you can digitally change the original photo exposure. " 1026 "Increasing the exposure is has the risk of making the pixel noise more " 1027 "visible and to blow out the highlights. Check the **Over exposure " 1028 "indicator** at the lower right to see if you run into saturation problems. " 1029 "The **Black Point** adjustment can be used to cut the histogram from the " 1030 "left. If your photograph looks foggy (histogram has empty space on the left, " 1031 "black side), you probably need to use this option. The **Exposure** and " 1032 "**Black Point** adjustments can be automatically estimated by pressing the " 1033 "**Auto Exposure Adjustments** button. This sets the black point quite " 1034 "accurately." 1035 msgstr "" 1036 1037 #: ../../image_editor/colors_tools.rst:387 1038 msgid "" 1039 "The contrast of your output depends on **Shadows**, **Saturation**, and " 1040 "**Gamma** parameters. The **Shadows** adjustment lets you enhance or " 1041 "diminish the shadow details in your photo." 1042 msgstr "" 1043 1044 #: ../../image_editor/colors_tools.rst:389 1045 msgid "" 1046 "Increasing the contrast of your photograph can have the side effect of " 1047 "reducing the apparent **Saturation** of the photo. Use a value larger than 1 " 1048 "to increase the saturation and a value of less than 1 to desaturate the " 1049 "photo. A value of 0 will give you a black and white photo. Don't be shy to " 1050 "bump up the saturation of your photos a little. The general rule is that for " 1051 "higher Contrast (lower **Gamma**) you need to apply more **Saturation**." 1052 msgstr "" 1053 1054 #: ../../image_editor/colors_tools.rst:391 1055 msgid "" 1056 "The next set of options is the mainstay of White Balance settings, which " 1057 "controls the ratio between the three color channels. Here you can set the " 1058 "color **Temperature**, making your image warmer or colder. Higher " 1059 "temperature will result in a warmer tint. Setting the ratio between the " 1060 "three color channels requires two adjustments. Since the temperature " 1061 "adjustment mostly controls the ratio between the red and the blue channels, " 1062 "it is natural that the second adjustment will control the intensity of the " 1063 "**Green** channel." 1064 msgstr "" 1065 1066 #: ../../image_editor/colors_tools.rst:393 1067 msgid "" 1068 "Instead of fiddling around with the above controls, you can simply use the " 1069 "**Temperature Tone Color Picker** button. Press on this button and click " 1070 "anywhere on the original preview image to get the output color of that area " 1071 "to calculate the white color balance temperature settings. This way, " 1072 "**Temperature** and **Green** values are automatically computed." 1073 msgstr "" 1074 1075 #: ../../image_editor/colors_tools.rst:395 1076 msgid "" 1077 "In addition you can set the White Balance using the preset list. These are " 1078 "the white color balance temperature presets available:" 1079 msgstr "" 1080 1081 #: ../../image_editor/colors_tools.rst:398 1082 msgid "Color Temperature" 1083 msgstr "Värilämpötila" 1084 1085 #: ../../image_editor/colors_tools.rst:398 1086 msgid "Description" 1087 msgstr "Kuvaus" 1088 1089 #: ../../image_editor/colors_tools.rst:398 1090 msgid "Kelvin" 1091 msgstr "" 1092 1093 #: ../../image_editor/colors_tools.rst:400 1094 msgid "**40W**" 1095 msgstr "" 1096 1097 #: ../../image_editor/colors_tools.rst:400 1098 msgid "40 Watt incandescent lamp." 1099 msgstr "" 1100 1101 #: ../../image_editor/colors_tools.rst:400 1102 msgid "2680" 1103 msgstr "" 1104 1105 #: ../../image_editor/colors_tools.rst:401 1106 msgid "**200W**" 1107 msgstr "" 1108 1109 #: ../../image_editor/colors_tools.rst:401 1110 msgid "200 Watt incandescent lamp, studio lights, photo floods." 1111 msgstr "" 1112 1113 #: ../../image_editor/colors_tools.rst:401 1114 msgid "3000" 1115 msgstr "" 1116 1117 #: ../../image_editor/colors_tools.rst:402 1118 msgid "**Sunrise**" 1119 msgstr "" 1120 1121 #: ../../image_editor/colors_tools.rst:402 1122 msgid "Sunrise or sunset light." 1123 msgstr "" 1124 1125 #: ../../image_editor/colors_tools.rst:402 1126 msgid "3200" 1127 msgstr "" 1128 1129 #: ../../image_editor/colors_tools.rst:403 1130 msgid "**Tungsten**" 1131 msgstr "" 1132 1133 #: ../../image_editor/colors_tools.rst:403 1134 msgid "Tungsten lamp or light at 1 hour from dusk or dawn." 1135 msgstr "" 1136 1137 #: ../../image_editor/colors_tools.rst:403 1138 msgid "3400" 1139 msgstr "" 1140 1141 #: ../../image_editor/colors_tools.rst:404 1142 msgid "**Neutral**" 1143 msgstr "" 1144 1145 #: ../../image_editor/colors_tools.rst:404 1146 msgid "Neutral color temperature." 1147 msgstr "" 1148 1149 #: ../../image_editor/colors_tools.rst:404 1150 msgid "4750" 1151 msgstr "" 1152 1153 #: ../../image_editor/colors_tools.rst:405 1154 msgid "**Xenon**" 1155 msgstr "" 1156 1157 #: ../../image_editor/colors_tools.rst:405 1158 msgid "Xenon lamp or light arc." 1159 msgstr "" 1160 1161 #: ../../image_editor/colors_tools.rst:405 1162 msgid "5000" 1163 msgstr "" 1164 1165 #: ../../image_editor/colors_tools.rst:406 1166 msgid "**Sun**" 1167 msgstr "" 1168 1169 #: ../../image_editor/colors_tools.rst:406 1170 msgid "Sunny daylight around noon." 1171 msgstr "" 1172 1173 #: ../../image_editor/colors_tools.rst:406 1174 msgid "5500" 1175 msgstr "" 1176 1177 #: ../../image_editor/colors_tools.rst:407 1178 msgid "**Flash**" 1179 msgstr "" 1180 1181 #: ../../image_editor/colors_tools.rst:407 1182 msgid "Electronic photo flash." 1183 msgstr "" 1184 1185 #: ../../image_editor/colors_tools.rst:407 1186 msgid "5600" 1187 msgstr "" 1188 1189 #: ../../image_editor/colors_tools.rst:408 1190 msgid "**Sky**" 1191 msgstr "" 1192 1193 #: ../../image_editor/colors_tools.rst:408 1194 msgid "Overcast sky light." 1195 msgstr "" 1196 1197 #: ../../image_editor/colors_tools.rst:408 1198 msgid "6500" 1199 msgstr "" 1200 1201 #: ../../image_editor/colors_tools.rst:411 1202 msgid "" 1203 "**Color Temperature** is a simplified way to characterize the spectral " 1204 "properties of a light source. While in reality the color of light is " 1205 "determined by how much each point on the spectral curve contributes to its " 1206 "output, the result can still be summarized on a linear scale. This value is " 1207 "useful e.g. for determining the correct white balance in digital " 1208 "photography, and for specifying the right light source types in " 1209 "architectural lighting design. Note, however, that light sources of the same " 1210 "color (metamers) can vary widely in the quality of light emitted." 1211 msgstr "" 1212 1213 #: ../../image_editor/colors_tools.rst:413 1214 msgid "" 1215 "Low Color Temperature implies more yellow-red light while high color " 1216 "temperature implies more blue light. Daylight has a rather low color " 1217 "temperature near dawn, and a higher one during the day. Therefore it can be " 1218 "useful to install an electrical lighting system that can supply cooler light " 1219 "to supplement daylight when needed, and fill in with warmer light at night. " 1220 "This also correlates with human feelings towards the warm colors of light " 1221 "coming from candles or an open fireplace at night. Standard unit for color " 1222 "temperature is Kelvin (K)." 1223 msgstr "" 1224 1225 #: ../../image_editor/colors_tools.rst:415 1226 msgid "" 1227 "**Over Exposure Indicator** option adds up the colors if more than one " 1228 "channel in a pixel is over-exposed, and you will see the combined color " 1229 "resulting of White Color Balance controls settings. This rule is applied to " 1230 "target preview area as an indication only and has no effect on the final " 1231 "rendering." 1232 msgstr "" 1233 1234 #: ../../image_editor/colors_tools.rst:417 1235 msgid "" 1236 "**Save As** and **Load** buttons are used to do just that. Any White Color " 1237 "Balance settings that you have set can be saved to the filesystem in a text " 1238 "file and loaded later." 1239 msgstr "" 1240 1241 #: ../../image_editor/colors_tools.rst:419 1242 msgid "" 1243 "**Reset All** button resets all filter settings to default values " 1244 "corresponding to Neutral White Balance color. Attention, even the neutral " 1245 "setting might be different from your original photograph. If you save it, " 1246 "the white balance will be changed." 1247 msgstr ""