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0001 # German translations for Digikam Manual package. 0002 # Copyright (C) licensed under the <a href="https://creativecommons.org/licenses/by-sa/4.0/">Creative Commons License SA 4.0</a> unless stated otherwise 0003 # This file is distributed under the same license as the Digikam Manual package. 0004 # Automatically generated, 2023. 0005 # 0006 msgid "" 0007 msgstr "" 0008 "Project-Id-Version: Digikam Manual 8.0.0\n" 0009 "Report-Msgid-Bugs-To: \n" 0010 "POT-Creation-Date: 2023-12-02 00:35+0000\n" 0011 "PO-Revision-Date: 2022-12-30 12:41+0100\n" 0012 "Last-Translator: Automatically generated\n" 0013 "Language-Team: none\n" 0014 "Language: de\n" 0015 "MIME-Version: 1.0\n" 0016 "Content-Type: text/plain; charset=UTF-8\n" 0017 "Content-Transfer-Encoding: 8bit\n" 0018 "Plural-Forms: nplurals=2; plural=(n != 1);\n" 0019 0020 #: ../../image_editor/colors_tools.rst:1 0021 msgid "digiKam Image Editor Colors Tools" 0022 msgstr "" 0023 0024 #: ../../image_editor/colors_tools.rst:1 0025 msgid "" 0026 "digiKam, documentation, user manual, photo management, open source, free, " 0027 "learn, easy, image, editor, color, depth, space, correction, auto, black, " 0028 "white, filters, emulation, infrared, invert, negative, balance, curves, " 0029 "levels, hue, saturation, lightness, channel, mixer" 0030 msgstr "" 0031 0032 #: ../../image_editor/colors_tools.rst:14 0033 msgid "Colors Tools" 0034 msgstr "" 0035 0036 #: ../../image_editor/colors_tools.rst:16 0037 msgid "Contents" 0038 msgstr "" 0039 0040 #: ../../image_editor/colors_tools.rst:21 0041 msgid "Encoding Depth" 0042 msgstr "" 0043 0044 #: ../../image_editor/colors_tools.rst:23 0045 msgid "" 0046 "Here you can change the encoding depth per color channel of the edited " 0047 "image. 8 bit encoding is the common JPEG format, 16 bit encoding is better " 0048 "suited for high quality images, but this format needs more storage space, " 0049 "calculation time and is currently available with PNG, PGF, TIFF, and " 0050 "JPEG-2000 formats only." 0051 msgstr "" 0052 0053 #: ../../image_editor/colors_tools.rst:27 0054 msgid "" 0055 "When you re-encoding an image from 8-bit to 16-bit, uniformly distributed " 0056 "noise is introduced to prevent histogram holes due to colors range expansion." 0057 msgstr "" 0058 0059 #: ../../image_editor/colors_tools.rst:31 0060 msgid "" 0061 "HEIF, AVIF, JPX formats can encode as 8 bits or 12 bit. WEBP is limited to 8 " 0062 "bits. These limitations can change in the future." 0063 msgstr "" 0064 0065 #: ../../image_editor/colors_tools.rst:36 0066 msgid "Color Management" 0067 msgstr "" 0068 0069 #: ../../image_editor/colors_tools.rst:38 0070 msgid "" 0071 "This tool allows to convert image from one color space to another one. Its " 0072 "use is the change and assignment of color profiles to an image. For detailed " 0073 "instructions on the use of color profiles, please refer to :ref:`Color " 0074 "Management Rules <color_management>` and :ref:`Color Management Settings " 0075 "<cm_settings>` sections." 0076 msgstr "" 0077 0078 #: ../../image_editor/colors_tools.rst:44 0079 msgid "The Image Editor to Change Image Color Space" 0080 msgstr "" 0081 0082 #: ../../image_editor/colors_tools.rst:49 0083 msgid "Auto-Correction" 0084 msgstr "" 0085 0086 #: ../../image_editor/colors_tools.rst:51 0087 msgid "" 0088 "This tool set provides five automatic correction levels that will improve an " 0089 "image in most cases. Use this tool before going into the more involved " 0090 "manual adjustments." 0091 msgstr "" 0092 0093 #: ../../image_editor/colors_tools.rst:53 0094 msgid "" 0095 "The **Auto Levels**, **Normalize**, **Equalize**, **Stretch Contrast**, and " 0096 "**Auto Exposure** available from :menuselection:`Color --> Auto-Correction..." 0097 "` menu entry menu will attempt to work out the best color levels " 0098 "automatically. You will need to experiment with the effects of these " 0099 "functions to see what works best with your photograph." 0100 msgstr "" 0101 0102 #: ../../image_editor/colors_tools.rst:55 0103 msgid "" 0104 "**Auto Levels**: This option maximizes the tonal range in the Red, Green, " 0105 "and Blue channels. It searches the image shadow and highlight limit values " 0106 "and adjusts the Red, Green, and Blue channels to a full histogram range." 0107 msgstr "" 0108 0109 #: ../../image_editor/colors_tools.rst:57 0110 msgid "" 0111 "**Normalize**: this method scales brightness values across the selected " 0112 "image so that the darkest point becomes black, and the brightest point " 0113 "becomes as bright as possible without altering its hue. This is often a " 0114 "“magic fix” for images that are dim or washed out." 0115 msgstr "" 0116 0117 #: ../../image_editor/colors_tools.rst:59 0118 msgid "" 0119 "**Equalize**: this method adjusts the brightness of colors across the " 0120 "selected image so that the histogram for the Value channel is as flat as " 0121 "possible, that is, so that each possible brightness value appears at about " 0122 "the same number of pixels as each other value. Sometimes Equalize works " 0123 "wonderfully at enhancing the contrasts of an image. Other times it gives " 0124 "garbage. It is a very powerful operation, which can either work miracles on " 0125 "an image or destroy it." 0126 msgstr "" 0127 0128 #: ../../image_editor/colors_tools.rst:61 0129 msgid "" 0130 "**Stretch Contrast**: this method enhances the contrast and brightness of " 0131 "the RGB values of an image by stretching the lowest and highest values to " 0132 "their fullest range, adjusting everything in between. This is noticeable " 0133 "only with washed-out images and can be a good fix-it tool for bad " 0134 "photographs." 0135 msgstr "" 0136 0137 #: ../../image_editor/colors_tools.rst:63 0138 msgid "" 0139 "**Auto Exposure**: This option enhances the contrast and brightness of the " 0140 "RGB values of an image to calculate optimal exposition and black level using " 0141 "image histogram properties." 0142 msgstr "" 0143 0144 #: ../../image_editor/colors_tools.rst:65 0145 msgid "" 0146 "The results of any adjustments you make will not be remembered until you " 0147 "save your photograph." 0148 msgstr "" 0149 0150 #: ../../image_editor/colors_tools.rst:71 0151 msgid "The Image Editor to Process Auto Color Corrections" 0152 msgstr "" 0153 0154 #: ../../image_editor/colors_tools.rst:74 0155 msgid "Black and White Conversions" 0156 msgstr "" 0157 0158 #: ../../image_editor/colors_tools.rst:76 0159 msgid "" 0160 "Black and White photography has always been fascinating in its abstraction " 0161 "capability. With the advent of digital photography, Black and White has " 0162 "almost become a desktop activity, as color images can be easily converted on " 0163 "the computer into black and white, even providing a set of vintage film roll " 0164 "profiles. This filter is also able to simulates traditional infrared film " 0165 "material." 0166 msgstr "" 0167 0168 #: ../../image_editor/colors_tools.rst:81 0169 msgid "Legacy Films Emulation" 0170 msgstr "" 0171 0172 #: ../../image_editor/colors_tools.rst:83 0173 msgid "" 0174 "digiKam comes with a couple of black & white filters that you can use on " 0175 "your photographs. Under the :menuselection:`Color --> Black & White...` menu " 0176 "you will find classic black & white chemical toning used in analog " 0177 "photography. The controls come on four drop-down items: **Film**, **Lens " 0178 "Filters**, **Tone** and **Luminosity** as shown on the screenshot below. " 0179 "Film, filters and color toning can be applied independently of each other " 0180 "(on top of each other). The filters actually influence the RGB channel " 0181 "mixing, whereas the toning purely adds a uniform monochromatic tint to the " 0182 "black & white photograph. In the lightness tab you will find a tonal " 0183 "adjustment tool (like curve adjust), a contrast tool and an over-exposure " 0184 "indicator to improve the Black and White rendering." 0185 msgstr "" 0186 0187 #: ../../image_editor/colors_tools.rst:89 0188 msgid "The Image Editor to Emulate Black and White Films" 0189 msgstr "" 0190 0191 #: ../../image_editor/colors_tools.rst:91 0192 msgid "" 0193 "With **Film** setting, a specific settings allows to emulate a number of " 0194 "famous Black and White photographic films as:" 0195 msgstr "" 0196 0197 #: ../../image_editor/colors_tools.rst:93 0198 msgid "**Generic**." 0199 msgstr "" 0200 0201 #: ../../image_editor/colors_tools.rst:94 0202 msgid "**Agfa**: 200X, Pan 25, Pan 100, Pan 400." 0203 msgstr "" 0204 0205 #: ../../image_editor/colors_tools.rst:95 0206 msgid "" 0207 "**Ilford**: Delta 100, Delta 400, Delta 400 Pro 3200, FP4 Plus, HP5 Plus, " 0208 "PanF Plus, XP2 Super." 0209 msgstr "" 0210 0211 #: ../../image_editor/colors_tools.rst:96 0212 msgid "**Kodak**: Tmax 100, Tmax 400, TriX." 0213 msgstr "" 0214 0215 #: ../../image_editor/colors_tools.rst:98 0216 msgid "" 0217 "With **Lens Filters** setting, a color filter can be simulated as placed on " 0218 "front of lens:" 0219 msgstr "" 0220 0221 #: ../../image_editor/colors_tools.rst:100 0222 msgid "**No Lens Filter**: simulate black & white neutral film exposure." 0223 msgstr "" 0224 0225 #: ../../image_editor/colors_tools.rst:101 0226 msgid "" 0227 "**Green Filter**: simulates black & white film exposure with green lens " 0228 "filter. This comes good with all scenic images, especially suited for " 0229 "portraits taken against the sky (similar to 004 Cokin(tm) Green filter)." 0230 msgstr "" 0231 0232 #: ../../image_editor/colors_tools.rst:102 0233 msgid "" 0234 "**Orange Filter**: simulates black & white film exposure with an orange lens " 0235 "filter. This will enhance landscapes, marine scenes and aerial photography " 0236 "(similar to 002 Cokin(tm) Orange filter)." 0237 msgstr "" 0238 0239 #: ../../image_editor/colors_tools.rst:103 0240 msgid "" 0241 "**Red Filter**: simulates black & white film exposure with red lens filter. " 0242 "Creates dramatic sky effects and can simulate moonlight scenes in daytime " 0243 "(similar to 003 Cokin(tm) Red filter)." 0244 msgstr "" 0245 0246 #: ../../image_editor/colors_tools.rst:104 0247 msgid "" 0248 "**Yellow Filter**: simulates black & white film exposure with yellow lens " 0249 "filter. Most natural tonal correction, improves contrast. Ideal for " 0250 "landscapes (similar to 001 Cokin(tm) Yellow filter)." 0251 msgstr "" 0252 0253 #: ../../image_editor/colors_tools.rst:106 0254 msgid "With **Tone** setting, a color tint can be applied to the image:" 0255 msgstr "" 0256 0257 #: ../../image_editor/colors_tools.rst:108 0258 msgid "" 0259 "**Sepia Filter**: gives a warm highlight and mid-tone while adding a bit of " 0260 "coolness to the shadows - very similar to the process of bleaching a print " 0261 "and re-developing in a sepia toner (typical for your grandmothers " 0262 "photographs). Similar to 005 Cokin(tm) Sepia filter." 0263 msgstr "" 0264 0265 #: ../../image_editor/colors_tools.rst:109 0266 msgid "**Brown Filter**: similar to Sepia Tone filter, but less pronounced." 0267 msgstr "" 0268 0269 #: ../../image_editor/colors_tools.rst:110 0270 msgid "" 0271 "**Cold Filter**: start subtle and replicate printing on a cold tone black & " 0272 "white paper such as a bromide enlarging paper." 0273 msgstr "" 0274 0275 #: ../../image_editor/colors_tools.rst:111 0276 msgid "" 0277 "**Selenium Filter**: effect that replicates traditional selenium chemical " 0278 "toning done in the darkroom." 0279 msgstr "" 0280 0281 #: ../../image_editor/colors_tools.rst:112 0282 msgid "" 0283 "**Platinum Filter**: effect that replicates traditional platinum chemical " 0284 "toning done in the darkroom." 0285 msgstr "" 0286 0287 #: ../../image_editor/colors_tools.rst:117 0288 msgid "Simulate Infrared Film" 0289 msgstr "" 0290 0291 #: ../../image_editor/colors_tools.rst:119 0292 msgid "" 0293 "Simulating classical infrared film material (the effect is rendered in black " 0294 "and white) is an interesting alienation effect that is even stronger and " 0295 "more dramatic than pure black and white conversion. Contrast and an abstract " 0296 "touch are improved, which can underpin the expression of the photographer as " 0297 "an artist. It is like taking an image in black and white with a red filter " 0298 "on the camera lense. Areas which reflect little red light, e.g. the sky, " 0299 "will show as low density, dark areas. Areas which are excellent reflectors " 0300 "of red light, e.g. most green foliage, will be high density areas. And snow " 0301 "landscapes are really dramatic." 0302 msgstr "" 0303 0304 #: ../../image_editor/colors_tools.rst:125 0305 msgid "The Image Editor to Emulate Infrared Films" 0306 msgstr "" 0307 0308 #: ../../image_editor/colors_tools.rst:127 0309 msgid "" 0310 "The filter tries to reproduce the famous Ilford(tm) SFX and Kodak Tmax " 0311 "infrared film series. These films has a sensitivity range of 200-800 ISO:" 0312 msgstr "" 0313 0314 #: ../../image_editor/colors_tools.rst:129 0315 msgid "**Ilford**: SPX 200, SPX 400, SPX 800." 0316 msgstr "" 0317 0318 #: ../../image_editor/colors_tools.rst:130 0319 msgid "**Kodak**: HIE." 0320 msgstr "" 0321 0322 #: ../../image_editor/colors_tools.rst:134 0323 msgid "" 0324 "Because the filter mixes color channels to reproduce infrared film (with " 0325 "emphasis on green channel), one can not simulate infrared effect from Black " 0326 "and White original photograph, since the color information is missing." 0327 msgstr "" 0328 0329 #: ../../image_editor/colors_tools.rst:139 0330 msgid "Inverting Colors" 0331 msgstr "" 0332 0333 #: ../../image_editor/colors_tools.rst:141 0334 msgid "" 0335 "In case of digitalize analog film with a scanner, color can appear inverted " 0336 "compared to the reality. This tool allows to reverse the colors into their " 0337 "respective `complementary colors <https://en.wikipedia.org/wiki/" 0338 "Complementary_colors>`_." 0339 msgstr "" 0340 0341 #: ../../image_editor/colors_tools.rst:143 0342 msgid "" 0343 "Invert color to a complementary color (or opposite color of color on the " 0344 "color wheel), consist to have cyan as the opposite color of red, yellow as " 0345 "opposite color for blue, and magenta as the opposite color of green. With :" 0346 "menuselection:`Color --> Invert` option, we can invert all the pixel colors " 0347 "and brightness values in the image, as if the image was converted into a " 0348 "negative. Dark areas become bright and bright areas become dark. Hues are " 0349 "replaced by their complementary colors." 0350 msgstr "" 0351 0352 #: ../../image_editor/colors_tools.rst:148 0353 msgid "Simulate Negative Film" 0354 msgstr "" 0355 0356 #: ../../image_editor/colors_tools.rst:150 0357 msgid "" 0358 "While digiKam is first and foremost an application for processing and " 0359 "organizing digital photos, it also features tools for working with `film " 0360 "negatives <https://en.wikipedia.org/wiki/Negative_(photography)>`_." 0361 msgstr "" 0362 0363 #: ../../image_editor/colors_tools.rst:152 0364 msgid "" 0365 "Before you can process negatives in digiKam, you need to digitize them. If " 0366 "you don’t have access to a film scanner or a lab that offers film scanning " 0367 "services, you can digitize film using a DSLR camera (there are plenty of " 0368 "tutorials on how to do that on the Web, as `this one <https://petapixel." 0369 "com/2013/03/25/digitizing-your-film-using-your-dslr/>`_). The rest of the " 0370 "process assumes that you are using the latter way to digitize film negatives." 0371 msgstr "" 0372 0373 #: ../../image_editor/colors_tools.rst:154 0374 msgid "" 0375 "Open a RAW file containing a film negative in the editor. Crop the original " 0376 "file and apply lens correction if necessary. Choose then :menuselection:" 0377 "`Color --> Invert` to transform the negative into a positive image. In case " 0378 "you work with the color negative, the converted image most likely requires " 0379 "some additional tweaking. First of all, the converted image is likely to " 0380 "have a strong blue tint. The easiest way to remove it is to use digiKam’s " 0381 "**Auto-Correction** tool. Choose :menuselection:`Color --> Auto-Correction` " 0382 "and select one of the presets. In many cases, the **Auto Levels** or " 0383 "**Equalize** presets do a decent job of correcting the colors. If the colors " 0384 "still look slightly off, you can adjust them further using the :" 0385 "menuselection:`Colors --> Color Balance` tool." 0386 msgstr "" 0387 0388 #: ../../image_editor/colors_tools.rst:160 0389 msgid "The Image Editor Tool to Simulate Negative Film" 0390 msgstr "" 0391 0392 #: ../../image_editor/colors_tools.rst:162 0393 msgid "" 0394 "The **Invert** feature in combination with an **Auto-Correction** preset " 0395 "provides a quick-and-dirty way of converting negatives, but digiKam has " 0396 "another tool designed specifically for processing color negatives. To access " 0397 "it, choose the :menuselection:`Color --> Color Negative` menu entry. The " 0398 "Color **Negative** Film interface contains several handy features that can " 0399 "help you to convert the negative and tweak the resulting image. While the " 0400 "**Invert** tool uses a generic profile for converting negatives, the Color " 0401 "Negative Film interface offers profiles for many popular film types. So the " 0402 "first step is to select the appropriate profile. For better results, try to " 0403 "enable the **Color Balance** option, too. If the used film is not in the " 0404 "list, you can use the **Neutral** profile as a fall back." 0405 msgstr "" 0406 0407 #: ../../image_editor/colors_tools.rst:164 0408 msgid "" 0409 "Although choosing the matching film profile may yield a better result, the " 0410 "converted image may still require some work. In most cases, you may need to " 0411 "adjust the white point to remove the remaining blue tint. You can do this " 0412 "either manually or automatically using the appropriate tools. Usually, the " 0413 "automatic white point adjustment does the job, but the resulting image needs " 0414 "to be brightened up by adjusting the **Exposure** and the **Gamma** sliders." 0415 msgstr "" 0416 0417 #: ../../image_editor/colors_tools.rst:169 0418 msgid "Colors Balance" 0419 msgstr "" 0420 0421 #: ../../image_editor/colors_tools.rst:171 0422 msgid "" 0423 "Digital cameras often have problems with lighting conditions and it is not " 0424 "unusual to want to correct the color contrast and brightness of a " 0425 "photograph. You can experiment with altering the levels of different aspects " 0426 "of your photographs using the tools under the **Color** menu. You can see " 0427 "any adjustments you make reflected in the preview. When you are happy with " 0428 "the results, press **Ok** and they will take effect." 0429 msgstr "" 0430 0431 #: ../../image_editor/colors_tools.rst:177 0432 msgid "The Image Editor Colors Balance Tool" 0433 msgstr "" 0434 0435 #: ../../image_editor/colors_tools.rst:179 0436 msgid "" 0437 "If your image is washed out (which can easily happen when you take images in " 0438 "bright light) try the **Hue/Saturation/Lightness** tool, which gives you " 0439 "four sliders to manipulate, for **Hue**, **Saturation**, **Vibrance**, and " 0440 "**Lightness**. Raising the saturation will probably make the image look " 0441 "better. In some cases, it is useful to adjust the lightness at the same " 0442 "time. *Lightness* here is similar to *Brightness* in the **Brightness/" 0443 "Contrast/Gamma** tool, except that they are formed from different " 0444 "combinations of the red, green, and blue channels." 0445 msgstr "" 0446 0447 #: ../../image_editor/colors_tools.rst:181 0448 msgid "" 0449 "When you take images in low light conditions, you could get the opposite " 0450 "problem: too much saturation. In this case the **Hue/Saturation/Lightness** " 0451 "tool is again a good one to use, only by reducing the saturation instead of " 0452 "increasing it. You can see any adjustments you make reflected in the preview " 0453 "image. When you are happy with the results, press Ok and they will take " 0454 "effect." 0455 msgstr "" 0456 0457 #: ../../image_editor/colors_tools.rst:186 0458 msgid "Adjust Curves" 0459 msgstr "" 0460 0461 #: ../../image_editor/colors_tools.rst:188 0462 msgid "" 0463 "The digiKam Adjust Curves is a tool to non-linearly adjust luminosity " 0464 "graduation and color channels." 0465 msgstr "" 0466 0467 #: ../../image_editor/colors_tools.rst:190 0468 msgid "" 0469 "The Adjust Curves tool is the most sophisticated tool available to adjust " 0470 "the images' tonality. Start it from the :menuselection:`Color --> Curves " 0471 "Adjust...` Image Editor menu. It allows you to click and drag control points " 0472 "on a curve to create a free function mapping input brightness levels to " 0473 "output brightness levels. The Adjust Curves tool can replicate any effect " 0474 "you can achieve with **Brightness/Contrast/Gamma** or the **Adjust Levels** " 0475 "tool, though it is more powerful than either one of them. But this tool can " 0476 "do more for you, it helps you to improve the tonal quality of your " 0477 "photographs to very finely stepped gray scales. And do not forget that the " 0478 "better the photographs are (good exposure, lossless format, 24 or 32 bit " 0479 "deep) the more you can improve them. Navigate to the \"Achieving ultimate " 0480 "tonal quality\" section of this instructive page: `Tonal quality and dynamic " 0481 "range in digital cameras by Norman Koren <http://www.normankoren.com/" 0482 "digital_tonality.html>`_. Use Adjust Curves tool to do just the same." 0483 msgstr "" 0484 0485 #: ../../image_editor/colors_tools.rst:192 0486 msgid "" 0487 "This tool provides visual curves to modify the intensity values of the " 0488 "active layer displayed as a histogram non-linearily. In **Curve smooth " 0489 "mode**, you change the curves shape by adding new points to the curve or by " 0490 "moving end point positions. Another way, is to draw all the curve manually " 0491 "in **Curve free mode**. In both cases the effect is immediately displayed in " 0492 "the image preview area to the left, where the preview can be configured by " 0493 "clicking on the top left icons." 0494 msgstr "" 0495 0496 #: ../../image_editor/colors_tools.rst:198 0497 msgid "The Image Editor Adjust Curves Tool" 0498 msgstr "" 0499 0500 #: ../../image_editor/colors_tools.rst:200 0501 msgid "" 0502 "To the left, half of the original and the target preview image is shown. The " 0503 "target preview is updated dynamically according to the widget settings. On " 0504 "the right side the following options are available:" 0505 msgstr "" 0506 0507 #: ../../image_editor/colors_tools.rst:202 0508 msgid "" 0509 "Modify **Channel**: with this combo box you can select the specific channel " 0510 "to be modified by the tool:" 0511 msgstr "" 0512 0513 #: ../../image_editor/colors_tools.rst:204 0514 msgid "**Luminosity**: changes the intensity of all pixels." 0515 msgstr "" 0516 0517 #: ../../image_editor/colors_tools.rst:206 0518 msgid "**Red**: changes the Red saturation of all pixels." 0519 msgstr "" 0520 0521 #: ../../image_editor/colors_tools.rst:208 0522 msgid "**Green**: changes the Green saturation of all pixels ." 0523 msgstr "" 0524 0525 #: ../../image_editor/colors_tools.rst:210 0526 msgid "**Blue**: changes the Blue saturation of all pixels." 0527 msgstr "" 0528 0529 #: ../../image_editor/colors_tools.rst:212 0530 msgid "**Alpha**: changes the transparency of all pixels." 0531 msgstr "" 0532 0533 #: ../../image_editor/colors_tools.rst:214 0534 msgid "" 0535 "Next to this box are two icons to select **Linear** or **Logarithmic** " 0536 "**Histogram** display. For images taken with a digital camera the linear " 0537 "mode is usually the most useful. However, for images containing substantial " 0538 "areas of constant color, a linear histogram will often be dominated by a " 0539 "single bar. In this case a logarithmic histogram will be more appropriate." 0540 msgstr "" 0541 0542 #: ../../image_editor/colors_tools.rst:216 0543 msgid "" 0544 "**Main Curves Editing Area**: the horizontal bar (x-axis) represents input " 0545 "values (they are value levels from 0 to 255). The vertical bar (y-axis) is " 0546 "only a scale for output colors of the selected channel. The control curve is " 0547 "drawn on a grid and crosses the histogram diagonally. The pointer x/y " 0548 "position is permanently displayed above the grid. If you click on the curve, " 0549 "a control point is created. You can move it to bend the curve. If you click " 0550 "outside the curve, a control point is also created, and the curve includes " 0551 "it automatically. So each point of the curve represents an 'x' translated " 0552 "into a 'y' output level." 0553 msgstr "" 0554 0555 #: ../../image_editor/colors_tools.rst:218 0556 msgid "" 0557 "Curve **Type** for channel: below the editing area are several icons that " 0558 "determine whether the curve can be edited using **Curve smooth mode** or " 0559 "**Curve free mode**. Smooth mode constrains the curve type to a smooth line " 0560 "with tension and provides a realistic rendering. Free mode lets you draw " 0561 "your curve free-hand with the mouse. With curve segments scattered all over " 0562 "the grid, result will be surprising but hardly repeatable. A **Reset to " 0563 "defaults** button is also available. If, for example, you move a curve " 0564 "segment to the right, i.e. to highlights, you can see that these highlights " 0565 "are corresponding to darker output tones and that image pixels corresponding " 0566 "to this curve segment will go darker. With color channels, moving right will " 0567 "decrease saturation up to reaching complementary color. To delete all " 0568 "control points (apart from both end points), click on the **Reset** button. " 0569 "To delete only one point, move it onto another point. Just ply with the " 0570 "curves and watch the results. You even can solarize the image on part of its " 0571 "tonal range. This happens when the curve is inverted in some part. The " 0572 "original photo preview has a red marker on it. If you place this marker to a " 0573 "zone you want to modify, a corresponding line will be drawn on the curve " 0574 "grid indicating the original value. Create a point on that line and move it " 0575 "up or down to adjust it to your pleasing." 0576 msgstr "" 0577 0578 #: ../../image_editor/colors_tools.rst:220 0579 msgid "" 0580 "**Save As** and **Load**: these buttons are used to do just that. Any curves " 0581 "that you have set can be saved to the filesystem and loaded later. The used " 0582 "file format is The Gimp Curves format." 0583 msgstr "" 0584 0585 #: ../../image_editor/colors_tools.rst:222 0586 msgid "**Reset**: this button resets all curve values for all channels." 0587 msgstr "" 0588 0589 #: ../../image_editor/colors_tools.rst:224 0590 msgid "" 0591 "The curves tool has several features that facilitate the positioning of " 0592 "points on the control curves. Clicking the mouse button in the original " 0593 "image preview area produces a vertical doted bar in the graph area of the " 0594 "curves tool. The bar position corresponds to the pixel value the mouse " 0595 "cursor is over in the image window. Clicking and dragging the mouse button " 0596 "interactively updates the position of the vertical bar. In this way, it is " 0597 "possible to see where different pixel values in the image are located on the " 0598 "control curve and helps to discover the locations of shadow, midtone, and " 0599 "highlight pixels." 0600 msgstr "" 0601 0602 #: ../../image_editor/colors_tools.rst:226 0603 msgid "" 0604 "Using this way and the three **Tone Color Picker** buttons will " 0605 "automatically create control points on the curve in all channels for shadow, " 0606 "middle, and highlight tones. Enable the color picker button that you want to " 0607 "use, and click on the original image preview area to produce control points " 0608 "on each of the Red, Green, Blue, and Luminosity control curves." 0609 msgstr "" 0610 0611 #: ../../image_editor/colors_tools.rst:231 0612 msgid "Adjust Levels" 0613 msgstr "" 0614 0615 #: ../../image_editor/colors_tools.rst:233 0616 msgid "" 0617 "The digiKam Adjust Levels is a tool to manually adjust the histogram " 0618 "channels of an image." 0619 msgstr "" 0620 0621 #: ../../image_editor/colors_tools.rst:235 0622 msgid "" 0623 "Situated between the more sophisticated Adjust Curves tool and the simpler " 0624 "**Brightness/Contrast/Gamma** Image Editor tool is this Adjust Levels tool " 0625 "for improving exposure. Although the dialog for this tool looks very " 0626 "complicated, for the basic usage we have in mind here, the only part you " 0627 "need to deal with is the **Input Levels** area, concretely the three sliders " 0628 "that appear below the histogram." 0629 msgstr "" 0630 0631 #: ../../image_editor/colors_tools.rst:237 0632 msgid "" 0633 "This widget contains a visual graph of the intensity values of the active " 0634 "layer or selection (histogram). Below the graph are five sliders that can be " 0635 "clicked into and dragged to constrain and change the intensity level for the " 0636 "image. The left sliders position represents the dark areas and similarly, " 0637 "the right position represents the light areas." 0638 msgstr "" 0639 0640 #: ../../image_editor/colors_tools.rst:243 0641 msgid "The Image Editor Adjust Level Tool" 0642 msgstr "" 0643 0644 #: ../../image_editor/colors_tools.rst:245 0645 msgid "" 0646 "Actually the easiest way to learn how to use it is to experiment by moving " 0647 "the three sliders around, and watching how the image is affected." 0648 msgstr "" 0649 0650 #: ../../image_editor/colors_tools.rst:247 0651 msgid "" 0652 "On the right, both an original and a target preview image is available. The " 0653 "target preview is updated dynamically according to the slider positions. On " 0654 "the left, the following options are available:" 0655 msgstr "" 0656 0657 #: ../../image_editor/colors_tools.rst:249 0658 msgid "" 0659 "Modify levels for **Channel**: this combo box allows the selection of the " 0660 "specific channel that will be modified by the tool:" 0661 msgstr "" 0662 0663 #: ../../image_editor/colors_tools.rst:251 0664 msgid "" 0665 "**Luminosity**: this option makes intensity changes against all pixels in " 0666 "the image." 0667 msgstr "" 0668 0669 #: ../../image_editor/colors_tools.rst:253 0670 msgid "" 0671 "**Red**: this option makes Red saturation changes against all pixels in the " 0672 "image." 0673 msgstr "" 0674 0675 #: ../../image_editor/colors_tools.rst:255 0676 msgid "" 0677 "**Green**: this option makes Green saturation changes against all pixels in " 0678 "the image." 0679 msgstr "" 0680 0681 #: ../../image_editor/colors_tools.rst:257 0682 msgid "" 0683 "**Blue**: this option makes Blue saturation changes against all pixels in " 0684 "the image." 0685 msgstr "" 0686 0687 #: ../../image_editor/colors_tools.rst:259 0688 msgid "" 0689 "**Alpha**: this option makes transparency changes against all pixels in the " 0690 "image." 0691 msgstr "" 0692 0693 #: ../../image_editor/colors_tools.rst:261 0694 msgid "" 0695 "Set **Scale** for channel: this combo controls whether the histogram will be " 0696 "displayed using a linear or logarithmic amplitude. For images taken with a " 0697 "digital camera, the linear mode is usually the most useful. However, for " 0698 "images that contain substantial areas of constant color a linear histogram " 0699 "will often be dominated by a single bar. In this case a logarithmic " 0700 "histogram will often be more useful." 0701 msgstr "" 0702 0703 #: ../../image_editor/colors_tools.rst:263 0704 msgid "" 0705 "**Input Levels**: the input levels allow manual adjustments to be selected " 0706 "for each of the ranges. The main area is a graphic representation of image " 0707 "dark, mid and light tones content. They are on abscissa from level 0 (black) " 0708 "to level 255 (white). Pixel number for a level is on ordinate axis. The " 0709 "curve surface represents all the pixels of the image for the selected " 0710 "channel (histogram). A well balanced image is an image with levels (tones) " 0711 "distributed all over the whole range. An image with a predominant blue " 0712 "color, for example, will produce a histogram shifted to the left in Green " 0713 "and Red channels, manifested by green and red color lacking on highlights. " 0714 "The level ranges can be modified in three ways:" 0715 msgstr "" 0716 0717 #: ../../image_editor/colors_tools.rst:265 0718 msgid "" 0719 "Three sliders: the first on the top for **Dark Tones*, the second one for " 0720 "**Light Tones*, and the last one on the bottom for **Midtones** (often " 0721 "called **Gamma** value)." 0722 msgstr "" 0723 0724 #: ../../image_editor/colors_tools.rst:267 0725 msgid "Three input boxes to enter values directly." 0726 msgstr "" 0727 0728 #: ../../image_editor/colors_tools.rst:269 0729 msgid "" 0730 "Three **Color Picker** buttons using the original photo preview to " 0731 "automatically adjust inputs levels settings for shadow, midtone and " 0732 "highlights. There is also a fully automated adjustment button available next " 0733 "to the reset button." 0734 msgstr "" 0735 0736 #: ../../image_editor/colors_tools.rst:271 0737 msgid "" 0738 "**Output Levels**: the output levels allow manual selection of a narrowed-" 0739 "down output level range. There are also two sliders located here that can be " 0740 "used to interactively change the output levels like Input Levels. This " 0741 "output level compression may, for example, be used to create a bleached " 0742 "image as a background for some other subject to put into the foreground." 0743 msgstr "" 0744 0745 #: ../../image_editor/colors_tools.rst:273 0746 msgid "" 0747 "**Auto**: this button performs an automatic setting of the levels based on " 0748 "the pixel intensities of the image." 0749 msgstr "" 0750 0751 #: ../../image_editor/colors_tools.rst:275 0752 msgid "" 0753 "**Save As** and **Load**: these buttons are used to do just that. Any Levels " 0754 "that you have set can be saved to the filesystem and loaded later. The used " 0755 "file format is compatible with **The Gimp** Levels format." 0756 msgstr "" 0757 0758 #: ../../image_editor/colors_tools.rst:277 0759 msgid "" 0760 "**Reset All**: this button reset all Input Levels and Output Levels values " 0761 "for all channels." 0762 msgstr "" 0763 0764 #: ../../image_editor/colors_tools.rst:279 0765 msgid "" 0766 "The Adjust Levels tool has several features to facilitate the positioning " 0767 "input levels sliders. Clicking the mouse button in the original image " 0768 "preview area produces a vertical doted bar in the graph area of the " 0769 "histogram. The bar position corresponds to the pixel value under the mouse " 0770 "cursor in the image window. Clicking and dragging the mouse button " 0771 "interactively updates the position of the vertical bar. In this way it is " 0772 "possible to see where different pixel values in the image are located on the " 0773 "input levels sliders and helps to discover the locations of shadow, midtone, " 0774 "and highlight pixels." 0775 msgstr "" 0776 0777 #: ../../image_editor/colors_tools.rst:281 0778 msgid "" 0779 "Using in this mode and the three **Color Picker** buttons will automatically " 0780 "adjust input levels settings in all channels for shadow, middle, and " 0781 "highlight tones. Enable the color picker button that you want use, and click " 0782 "on the original image preview area to set input levels on each of the Red, " 0783 "Green, Blue, and Luminosity histogram channels." 0784 msgstr "" 0785 0786 #: ../../image_editor/colors_tools.rst:283 0787 msgid "" 0788 "**Over Exposure Indicator** option checks all color channel to see if more " 0789 "than one channel in a pixel is over-exposed, and you will see the combined " 0790 "color resulting of channel level settings. This feature is available as an " 0791 "indicator in the target preview area and has no effect on final rendering." 0792 msgstr "" 0793 0794 #: ../../image_editor/colors_tools.rst:288 0795 msgid "Correcting Exposure" 0796 msgstr "" 0797 0798 #: ../../image_editor/colors_tools.rst:290 0799 msgid "" 0800 "The simplest tool to use is the **Brightness/Contrast/Gamma** tool. It is " 0801 "also the least powerful, but in many cases it does everything you need. This " 0802 "tool is often useful for images that are overexposed or underexposed; it is " 0803 "not useful for correcting color casts. The tool gives you three sliders to " 0804 "adjust, for **Brightness**, **Contrast** and **Gamma**. You can see any " 0805 "adjustments you make reflected in the preview image. When you are happy with " 0806 "the results, press **Ok** and they will take effect." 0807 msgstr "" 0808 0809 #: ../../image_editor/colors_tools.rst:296 0810 msgid "The Image Editor Tool Correcting Exposure" 0811 msgstr "" 0812 0813 #: ../../image_editor/colors_tools.rst:300 0814 msgid "" 0815 "Another important tool called **Levels Adjust** provides also an integrated " 0816 "way of seeing the results of adjusting multiple levels and also enables you " 0817 "to save level settings for application to multiple photographs. This can be " 0818 "useful if your camera or scanner often makes the same mistakes and you want " 0819 "to apply the same corrections. See the dedicated :ref:`Adjust Levels manual " 0820 "<color_levels>` for more information. See also a way of correcting exposure " 0821 "problems using the **Adjust Curves** tool." 0822 msgstr "" 0823 0824 #: ../../image_editor/colors_tools.rst:305 0825 msgid "Correcting Colors" 0826 msgstr "" 0827 0828 #: ../../image_editor/colors_tools.rst:307 0829 msgid "" 0830 "This tool is used to adjust hue, saturation, and lightness levels on a range " 0831 "of color weights for the current image. You can access the tool by the menu " 0832 "entry :menuselection:`Color --> Hue/Saturation/Lightness`" 0833 msgstr "" 0834 0835 #: ../../image_editor/colors_tools.rst:309 0836 msgid "The tool settings are listed below:" 0837 msgstr "" 0838 0839 #: ../../image_editor/colors_tools.rst:311 0840 msgid "" 0841 "A Hue / Saturation color map to select visually the respective primary color " 0842 "to adjust. Just move and click with the mouse to set **Hue** and " 0843 "**Saturation** values in sliders below the map." 0844 msgstr "" 0845 0846 #: ../../image_editor/colors_tools.rst:313 0847 msgid "" 0848 "**Hue**: The slider allow you to select a hue in the color circle (-180, " 0849 "180)." 0850 msgstr "" 0851 0852 #: ../../image_editor/colors_tools.rst:315 0853 msgid "" 0854 "**Saturation**: The slider allow you to select a saturation (-100, 100)." 0855 msgstr "" 0856 0857 #: ../../image_editor/colors_tools.rst:317 0858 msgid "" 0859 "**Vibrance**: The slider allow you to adjust the vibrance of the image. " 0860 "Vibrance performs selective saturation on less saturated colors and avoiding " 0861 "skin tones." 0862 msgstr "" 0863 0864 #: ../../image_editor/colors_tools.rst:319 0865 msgid "" 0866 "**Lightness**: The slider allows you to select a luminosity value (-100, " 0867 "100). Lightness changes here concern a color range, while they concern a " 0868 "color tone with **Curves Adjust** and **Levels Adjust** tools, which work on " 0869 "color channels. If you change the Red lightness with this tool, all red " 0870 "pixels will be changed. With **Curves Adjust** and **Levels Adjust** tools, " 0871 "only dark, bright, or medium pixels luminosity will be changed." 0872 msgstr "" 0873 0874 #: ../../image_editor/colors_tools.rst:321 0875 msgid "" 0876 "You can see any adjustments you make reflected in the preview image. When " 0877 "you are happy with the results, press **Ok** and they will take effect." 0878 msgstr "" 0879 0880 #: ../../image_editor/colors_tools.rst:327 0881 msgid "The Image Editor Tool Correcting Colors" 0882 msgstr "" 0883 0884 #: ../../image_editor/colors_tools.rst:332 0885 msgid "Channel Mixer" 0886 msgstr "" 0887 0888 #: ../../image_editor/colors_tools.rst:334 0889 msgid "" 0890 "The digiKam image Channel Mixer is a tool to remix the color channels to " 0891 "improve or modify the photograph color shades." 0892 msgstr "" 0893 0894 #: ../../image_editor/colors_tools.rst:336 0895 msgid "" 0896 "The Channel Mixer is an another sophisticated tool to refine the images' " 0897 "tonality. Start it from the :menuselection:`Color --> Channel Mixer` Image " 0898 "Editor menu." 0899 msgstr "" 0900 0901 #: ../../image_editor/colors_tools.rst:342 0902 msgid "The Image Editor Channel Mixer Tool" 0903 msgstr "" 0904 0905 #: ../../image_editor/colors_tools.rst:344 0906 msgid "" 0907 "With the channel combo box you select and display the histogram per color. " 0908 "It gives a first hint of how to correct the channels by their relative " 0909 "distribution and amplitude. The left half of the dialog window always shows " 0910 "a preview of what you are doing. The original for comparison can be seen " 0911 "when selecting its own window tab." 0912 msgstr "" 0913 0914 #: ../../image_editor/colors_tools.rst:346 0915 msgid "" 0916 "The target photo preview has a red marker available. If you place this " 0917 "marker somewhere in the image, a corresponding vertical bar will be drawn in " 0918 "the histogram indicating the color level value in the current channel " 0919 "selected." 0920 msgstr "" 0921 0922 #: ../../image_editor/colors_tools.rst:348 0923 msgid "" 0924 "Now the controls are to the lower right: **Red**, **Green** and **Blue** " 0925 "slider controls enable you to mix the channels. If you check **Preserve " 0926 "Luminosity** the image will retain its overall luminosity despite you " 0927 "changing its color components. This feature is particularly useful when you " 0928 "also ticked the **Monochrome** box. Because the channel mixer is the tool to " 0929 "make great Black and White conversions of your photographs. Try to reduce " 0930 "the green channel for Black and White portraits." 0931 msgstr "" 0932 0933 #: ../../image_editor/colors_tools.rst:352 0934 msgid "" 0935 "Sometimes, especially when doing **Monochrome** mixing, reducing one color " 0936 "channel may increase visible noise, which actually originates in the chroma " 0937 "noise. Chroma noise means that the little noise specs do not appear at the " 0938 "same location in all the color channels, but the noise patterns looks " 0939 "different in every channel. If that is the case you can improve the " 0940 "monochrome conversion by reducing the chroma noise first." 0941 msgstr "" 0942 0943 #: ../../image_editor/colors_tools.rst:354 0944 msgid "" 0945 "**Save As** and **Load** buttons are used to do just that. Any mixer " 0946 "settings that you have set can be saved to the filesystem and loaded later. " 0947 "The used file format is The Gimp channel mixer format." 0948 msgstr "" 0949 0950 #: ../../image_editor/colors_tools.rst:356 0951 msgid "" 0952 "**Over Exposure Indicator** option adds up the colors if more than one " 0953 "channel in a pixel is over-exposed, and you will see the combined color " 0954 "resulting of channel gain settings. This rule is applying to target preview " 0955 "area and haven't effect to final rendering." 0956 msgstr "" 0957 0958 #: ../../image_editor/colors_tools.rst:358 0959 msgid "" 0960 "**Reset All** button resets all channel mixer settings to default values." 0961 msgstr "" 0962 0963 #: ../../image_editor/colors_tools.rst:363 0964 msgid "White Balance" 0965 msgstr "" 0966 0967 #: ../../image_editor/colors_tools.rst:365 0968 msgid "" 0969 "The digiKam White Balance is a semi-automatic tool to adjust the white-" 0970 "balance of a photograph." 0971 msgstr "" 0972 0973 #: ../../image_editor/colors_tools.rst:367 0974 msgid "" 0975 "White Balance setting is a common hurdle for digital still cameras. In the " 0976 "'good old time' of film rolls, the white balance was done by the photolab. " 0977 "Nowadays the poor little camera has to guess what is white and what is " 0978 "black. Most of the time, what the camera chooses as the white point, is not " 0979 "of the correct shade or hue. Using this tool it is easy to correct this " 0980 "problem. It provides a variety of parameters that can be trimmed to obtain a " 0981 "better result." 0982 msgstr "" 0983 0984 #: ../../image_editor/colors_tools.rst:373 0985 msgid "The Image Editor White Balance Tool" 0986 msgstr "" 0987 0988 #: ../../image_editor/colors_tools.rst:377 0989 msgid "" 0990 "Even if the White Balance correction is not limited to 8 bit per channel, if " 0991 "you depart too much from the original, over exposure zones may appear. If " 0992 "you can adjust the White Balance in RAW conversion mode, the margin for " 0993 "correction will be greater as it processes correction while demosaicing." 0994 msgstr "" 0995 0996 #: ../../image_editor/colors_tools.rst:379 0997 msgid "" 0998 "The preview window can be resized. To the left, both an original and a " 0999 "target preview tab is shown. The target preview is updated dynamically " 1000 "according to the tool's settings. If you want to see the original White " 1001 "Balance, just click on that tab." 1002 msgstr "" 1003 1004 #: ../../image_editor/colors_tools.rst:381 1005 msgid "" 1006 "The target photo preview has a red marker available. The luminosity value of " 1007 "the pixel under the marker is shown as a vertical line in the histogram ." 1008 msgstr "" 1009 1010 #: ../../image_editor/colors_tools.rst:383 1011 msgid "" 1012 "To the top right, the widget displays a histogram that is dynamically " 1013 "updated when changing the parameters. This histogram is very instructive as " 1014 "it shows that even in well exposed photos, most of the pixels have very " 1015 "small luminosity. With a button you can select to show either one of the 3 " 1016 "colors (or the sum of it which is called luminosity)." 1017 msgstr "" 1018 1019 #: ../../image_editor/colors_tools.rst:385 1020 msgid "" 1021 "With **Exposure** you can digitally change the original photo exposure. " 1022 "Increasing the exposure is has the risk of making the pixel noise more " 1023 "visible and to blow out the highlights. Check the **Over exposure " 1024 "indicator** at the lower right to see if you run into saturation problems. " 1025 "The **Black Point** adjustment can be used to cut the histogram from the " 1026 "left. If your photograph looks foggy (histogram has empty space on the left, " 1027 "black side), you probably need to use this option. The **Exposure** and " 1028 "**Black Point** adjustments can be automatically estimated by pressing the " 1029 "**Auto Exposure Adjustments** button. This sets the black point quite " 1030 "accurately." 1031 msgstr "" 1032 1033 #: ../../image_editor/colors_tools.rst:387 1034 msgid "" 1035 "The contrast of your output depends on **Shadows**, **Saturation**, and " 1036 "**Gamma** parameters. The **Shadows** adjustment lets you enhance or " 1037 "diminish the shadow details in your photo." 1038 msgstr "" 1039 1040 #: ../../image_editor/colors_tools.rst:389 1041 msgid "" 1042 "Increasing the contrast of your photograph can have the side effect of " 1043 "reducing the apparent **Saturation** of the photo. Use a value larger than 1 " 1044 "to increase the saturation and a value of less than 1 to desaturate the " 1045 "photo. A value of 0 will give you a black and white photo. Don't be shy to " 1046 "bump up the saturation of your photos a little. The general rule is that for " 1047 "higher Contrast (lower **Gamma**) you need to apply more **Saturation**." 1048 msgstr "" 1049 1050 #: ../../image_editor/colors_tools.rst:391 1051 msgid "" 1052 "The next set of options is the mainstay of White Balance settings, which " 1053 "controls the ratio between the three color channels. Here you can set the " 1054 "color **Temperature**, making your image warmer or colder. Higher " 1055 "temperature will result in a warmer tint. Setting the ratio between the " 1056 "three color channels requires two adjustments. Since the temperature " 1057 "adjustment mostly controls the ratio between the red and the blue channels, " 1058 "it is natural that the second adjustment will control the intensity of the " 1059 "**Green** channel." 1060 msgstr "" 1061 1062 #: ../../image_editor/colors_tools.rst:393 1063 msgid "" 1064 "Instead of fiddling around with the above controls, you can simply use the " 1065 "**Temperature Tone Color Picker** button. Press on this button and click " 1066 "anywhere on the original preview image to get the output color of that area " 1067 "to calculate the white color balance temperature settings. This way, " 1068 "**Temperature** and **Green** values are automatically computed." 1069 msgstr "" 1070 1071 #: ../../image_editor/colors_tools.rst:395 1072 msgid "" 1073 "In addition you can set the White Balance using the preset list. These are " 1074 "the white color balance temperature presets available:" 1075 msgstr "" 1076 1077 #: ../../image_editor/colors_tools.rst:398 1078 msgid "Color Temperature" 1079 msgstr "" 1080 1081 #: ../../image_editor/colors_tools.rst:398 1082 msgid "Description" 1083 msgstr "" 1084 1085 #: ../../image_editor/colors_tools.rst:398 1086 msgid "Kelvin" 1087 msgstr "" 1088 1089 #: ../../image_editor/colors_tools.rst:400 1090 msgid "**40W**" 1091 msgstr "" 1092 1093 #: ../../image_editor/colors_tools.rst:400 1094 msgid "40 Watt incandescent lamp." 1095 msgstr "" 1096 1097 #: ../../image_editor/colors_tools.rst:400 1098 msgid "2680" 1099 msgstr "" 1100 1101 #: ../../image_editor/colors_tools.rst:401 1102 msgid "**200W**" 1103 msgstr "" 1104 1105 #: ../../image_editor/colors_tools.rst:401 1106 msgid "200 Watt incandescent lamp, studio lights, photo floods." 1107 msgstr "" 1108 1109 #: ../../image_editor/colors_tools.rst:401 1110 msgid "3000" 1111 msgstr "" 1112 1113 #: ../../image_editor/colors_tools.rst:402 1114 msgid "**Sunrise**" 1115 msgstr "" 1116 1117 #: ../../image_editor/colors_tools.rst:402 1118 msgid "Sunrise or sunset light." 1119 msgstr "" 1120 1121 #: ../../image_editor/colors_tools.rst:402 1122 msgid "3200" 1123 msgstr "" 1124 1125 #: ../../image_editor/colors_tools.rst:403 1126 msgid "**Tungsten**" 1127 msgstr "" 1128 1129 #: ../../image_editor/colors_tools.rst:403 1130 msgid "Tungsten lamp or light at 1 hour from dusk or dawn." 1131 msgstr "" 1132 1133 #: ../../image_editor/colors_tools.rst:403 1134 msgid "3400" 1135 msgstr "" 1136 1137 #: ../../image_editor/colors_tools.rst:404 1138 msgid "**Neutral**" 1139 msgstr "" 1140 1141 #: ../../image_editor/colors_tools.rst:404 1142 msgid "Neutral color temperature." 1143 msgstr "" 1144 1145 #: ../../image_editor/colors_tools.rst:404 1146 msgid "4750" 1147 msgstr "" 1148 1149 #: ../../image_editor/colors_tools.rst:405 1150 msgid "**Xenon**" 1151 msgstr "" 1152 1153 #: ../../image_editor/colors_tools.rst:405 1154 msgid "Xenon lamp or light arc." 1155 msgstr "" 1156 1157 #: ../../image_editor/colors_tools.rst:405 1158 msgid "5000" 1159 msgstr "" 1160 1161 #: ../../image_editor/colors_tools.rst:406 1162 msgid "**Sun**" 1163 msgstr "" 1164 1165 #: ../../image_editor/colors_tools.rst:406 1166 msgid "Sunny daylight around noon." 1167 msgstr "" 1168 1169 #: ../../image_editor/colors_tools.rst:406 1170 msgid "5500" 1171 msgstr "" 1172 1173 #: ../../image_editor/colors_tools.rst:407 1174 msgid "**Flash**" 1175 msgstr "" 1176 1177 #: ../../image_editor/colors_tools.rst:407 1178 msgid "Electronic photo flash." 1179 msgstr "" 1180 1181 #: ../../image_editor/colors_tools.rst:407 1182 msgid "5600" 1183 msgstr "" 1184 1185 #: ../../image_editor/colors_tools.rst:408 1186 msgid "**Sky**" 1187 msgstr "" 1188 1189 #: ../../image_editor/colors_tools.rst:408 1190 msgid "Overcast sky light." 1191 msgstr "" 1192 1193 #: ../../image_editor/colors_tools.rst:408 1194 msgid "6500" 1195 msgstr "" 1196 1197 #: ../../image_editor/colors_tools.rst:411 1198 msgid "" 1199 "**Color Temperature** is a simplified way to characterize the spectral " 1200 "properties of a light source. While in reality the color of light is " 1201 "determined by how much each point on the spectral curve contributes to its " 1202 "output, the result can still be summarized on a linear scale. This value is " 1203 "useful e.g. for determining the correct white balance in digital " 1204 "photography, and for specifying the right light source types in " 1205 "architectural lighting design. Note, however, that light sources of the same " 1206 "color (metamers) can vary widely in the quality of light emitted." 1207 msgstr "" 1208 1209 #: ../../image_editor/colors_tools.rst:413 1210 msgid "" 1211 "Low Color Temperature implies more yellow-red light while high color " 1212 "temperature implies more blue light. Daylight has a rather low color " 1213 "temperature near dawn, and a higher one during the day. Therefore it can be " 1214 "useful to install an electrical lighting system that can supply cooler light " 1215 "to supplement daylight when needed, and fill in with warmer light at night. " 1216 "This also correlates with human feelings towards the warm colors of light " 1217 "coming from candles or an open fireplace at night. Standard unit for color " 1218 "temperature is Kelvin (K)." 1219 msgstr "" 1220 1221 #: ../../image_editor/colors_tools.rst:415 1222 msgid "" 1223 "**Over Exposure Indicator** option adds up the colors if more than one " 1224 "channel in a pixel is over-exposed, and you will see the combined color " 1225 "resulting of White Color Balance controls settings. This rule is applied to " 1226 "target preview area as an indication only and has no effect on the final " 1227 "rendering." 1228 msgstr "" 1229 1230 #: ../../image_editor/colors_tools.rst:417 1231 msgid "" 1232 "**Save As** and **Load** buttons are used to do just that. Any White Color " 1233 "Balance settings that you have set can be saved to the filesystem in a text " 1234 "file and loaded later." 1235 msgstr "" 1236 1237 #: ../../image_editor/colors_tools.rst:419 1238 msgid "" 1239 "**Reset All** button resets all filter settings to default values " 1240 "corresponding to Neutral White Balance color. Attention, even the neutral " 1241 "setting might be different from your original photograph. If you save it, " 1242 "the white balance will be changed." 1243 msgstr ""