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 # Copyright (C) licensed under the  <a href="https://spdx.org/licenses/GFDL-1.2-or-later.html">licensed under the terms of the GNU Free Documentation License 1.2+</a> unless stated otherwise
 # This file is distributed under the same license as the Digikam Manual package.
 # Vit Pelcak <vit@pelcak.org>, 2023.
 #
 msgid ""
 msgstr ""
 "Project-Id-Version: Digikam Manual 8.0.0\n"
 "Report-Msgid-Bugs-To: \n"
 "POT-Creation-Date: 2023-12-02 00:35+0000\n"
 "PO-Revision-Date: 2023-01-31 11:02+0100\n"
 "Last-Translator: Vit Pelcak <vit@pelcak.org>\n"
 "Language-Team: Czech <kde-i18n-doc@kde.org>\n"
 "Language: cs\n"
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 "X-Generator: Lokalize 22.12.1\n"
 
 #: ../../image_editor/colors_tools.rst:1
 msgid "digiKam Image Editor Colors Tools"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:1
 msgid ""
 "digiKam, documentation, user manual, photo management, open source, free, "
 "learn, easy, image, editor, color, depth, space, correction, auto, black, "
 "white, filters, emulation, infrared, invert, negative, balance, curves, "
 "levels, hue, saturation, lightness, channel, mixer"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:14
 msgid "Colors Tools"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:16
 msgid "Contents"
 msgstr "Obsah"
 
 #: ../../image_editor/colors_tools.rst:21
 msgid "Encoding Depth"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:23
 msgid ""
 "Here you can change the encoding depth per color channel of the edited "
 "image. 8 bit encoding is the common JPEG format, 16 bit encoding is better "
 "suited for high quality images, but this format needs more storage space, "
 "calculation time and is currently available with PNG, PGF, TIFF, and "
 "JPEG-2000 formats only."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:27
 msgid ""
 "When you re-encoding an image from 8-bit to 16-bit, uniformly distributed "
 "noise is introduced to prevent histogram holes due to colors range expansion."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:31
 msgid ""
 "HEIF, AVIF, JPX formats can encode as 8 bits or 12 bit. WEBP is limited to 8 "
 "bits. These limitations can change in the future."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:36
 msgid "Color Management"
 msgstr "Správa barev"
 
 #: ../../image_editor/colors_tools.rst:38
 msgid ""
 "This tool allows to convert image from one color space to another one. Its "
 "use is the change and assignment of color profiles to an image. For detailed "
 "instructions on the use of color profiles, please refer to :ref:`Color "
 "Management Rules <color_management>` and :ref:`Color Management Settings "
 "<cm_settings>` sections."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:44
 msgid "The Image Editor to Change Image Color Space"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:49
 msgid "Auto-Correction"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:51
 msgid ""
 "This tool set provides five automatic correction levels that will improve an "
 "image in most cases. Use this tool before going into the more involved "
 "manual adjustments."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:53
 msgid ""
 "The **Auto Levels**, **Normalize**, **Equalize**, **Stretch Contrast**, and "
 "**Auto Exposure** available from :menuselection:`Color --> Auto-Correction..."
 "` menu entry menu will attempt to work out the best color levels "
 "automatically. You will need to experiment with the effects of these "
 "functions to see what works best with your photograph."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:55
 msgid ""
 "**Auto Levels**: This option maximizes the tonal range in the Red, Green, "
 "and Blue channels. It searches the image shadow and highlight limit values "
 "and adjusts the Red, Green, and Blue channels to a full histogram range."
 msgstr ""
 "**Automatické úrovně**: Tato volba maximalizuje barevný rozsah pro červený, "
 "zelený a modrý kanál. Vyhledá světlá a tmavá místa na  obrázku a nastaví "
 "hodnoty červené, zelené a modré tak, aby pokryly celý rozsah na histogramu."
 
 #: ../../image_editor/colors_tools.rst:57
 msgid ""
 "**Normalize**: this method scales brightness values across the selected "
 "image so that the darkest point becomes black, and the brightest point "
 "becomes as bright as possible without altering its hue. This is often a "
 "“magic fix” for images that are dim or washed out."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:59
 msgid ""
 "**Equalize**: this method adjusts the brightness of colors across the "
 "selected image so that the histogram for the Value channel is as flat as "
 "possible, that is, so that each possible brightness value appears at about "
 "the same number of pixels as each other value. Sometimes Equalize works "
 "wonderfully at enhancing the contrasts of an image. Other times it gives "
 "garbage. It is a very powerful operation, which can either work miracles on "
 "an image or destroy it."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:61
 msgid ""
 "**Stretch Contrast**: this method enhances the contrast and brightness of "
 "the RGB values of an image by stretching the lowest and highest values to "
 "their fullest range, adjusting everything in between. This is noticeable "
 "only with washed-out images and can be a good fix-it tool for bad "
 "photographs."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:63
 msgid ""
 "**Auto Exposure**: This option enhances the contrast and brightness of the "
 "RGB values of an image to calculate optimal exposition and black level using "
 "image histogram properties."
 msgstr ""
 "**Automatická korekce závěrky**: Tato funkce zvýší kontrast a světlost RGB "
 "hodnot obrázku k vypočtení optimálních hodnot závěrky a úrovně černé s "
 "použitím histogramu."
 
 #: ../../image_editor/colors_tools.rst:65
 msgid ""
 "The results of any adjustments you make will not be remembered until you "
 "save your photograph."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:71
 msgid "The Image Editor to Process Auto Color Corrections"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:74
 msgid "Black and White Conversions"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:76
 msgid ""
 "Black and White photography has always been fascinating in its abstraction "
 "capability. With the advent of digital photography, Black and White has "
 "almost become a desktop activity, as color images can be easily converted on "
 "the computer into black and white, even providing a set of vintage film roll "
 "profiles. This filter is also able to simulates traditional infrared film "
 "material."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:81
 msgid "Legacy Films Emulation"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:83
 msgid ""
 "digiKam comes with a couple of black & white filters that you can use on "
 "your photographs. Under the :menuselection:`Color --> Black & White...` menu "
 "you will find classic black & white chemical toning used in analog "
 "photography. The controls come on four drop-down items: **Film**, **Lens "
 "Filters**, **Tone** and **Luminosity** as shown on the screenshot below. "
 "Film, filters and color toning can be applied independently of each other "
 "(on top of each other). The filters actually influence the RGB channel "
 "mixing, whereas the toning purely adds a uniform monochromatic tint to the "
 "black & white photograph. In the lightness tab you will find a tonal "
 "adjustment tool (like curve adjust), a contrast tool and an over-exposure "
 "indicator to improve the Black and White rendering."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:89
 msgid "The Image Editor to Emulate Black and White Films"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:91
 msgid ""
 "With **Film** setting, a specific settings allows to emulate a number of "
 "famous Black and White photographic films as:"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:93
 msgid "**Generic**."
 msgstr "**Obecné**."
 
 #: ../../image_editor/colors_tools.rst:94
 msgid "**Agfa**: 200X, Pan 25, Pan 100, Pan 400."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:95
 msgid ""
 "**Ilford**: Delta 100, Delta 400, Delta 400 Pro 3200, FP4 Plus, HP5 Plus, "
 "PanF Plus, XP2 Super."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:96
 msgid "**Kodak**: Tmax 100, Tmax 400, TriX."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:98
 msgid ""
 "With **Lens Filters** setting, a color filter can be simulated as placed on "
 "front of lens:"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:100
 msgid "**No Lens Filter**: simulate black & white neutral film exposure."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:101
 msgid ""
 "**Green Filter**: simulates black & white film exposure with green lens "
 "filter. This comes good with all scenic images, especially suited for "
 "portraits taken against the sky (similar to 004 Cokin(tm) Green filter)."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:102
 msgid ""
 "**Orange Filter**: simulates black & white film exposure with an orange lens "
 "filter. This will enhance landscapes, marine scenes and aerial photography "
 "(similar to 002 Cokin(tm) Orange filter)."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:103
 msgid ""
 "**Red Filter**: simulates black & white film exposure with red lens filter. "
 "Creates dramatic sky effects and can simulate moonlight scenes in daytime "
 "(similar to 003 Cokin(tm) Red filter)."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:104
 msgid ""
 "**Yellow Filter**: simulates black & white film exposure with yellow lens "
 "filter. Most natural tonal correction, improves contrast. Ideal for "
 "landscapes (similar to 001 Cokin(tm) Yellow filter)."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:106
 msgid "With **Tone** setting, a color tint can be applied to the image:"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:108
 msgid ""
 "**Sepia Filter**: gives a warm highlight and mid-tone while adding a bit of "
 "coolness to the shadows - very similar to the process of bleaching a print "
 "and re-developing in a sepia toner (typical for your grandmothers "
 "photographs). Similar to 005 Cokin(tm) Sepia filter."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:109
 msgid "**Brown Filter**: similar to Sepia Tone filter, but less pronounced."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:110
 msgid ""
 "**Cold Filter**: start subtle and replicate printing on a cold tone black & "
 "white paper such as a bromide enlarging paper."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:111
 msgid ""
 "**Selenium Filter**: effect that replicates traditional selenium chemical "
 "toning done in the darkroom."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:112
 msgid ""
 "**Platinum Filter**: effect that replicates traditional platinum chemical "
 "toning done in the darkroom."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:117
 msgid "Simulate Infrared Film"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:119
 msgid ""
 "Simulating classical infrared film material (the effect is rendered in black "
 "and white) is an interesting alienation effect that is even stronger and "
 "more dramatic than pure black and white conversion. Contrast and an abstract "
 "touch are improved, which can underpin the expression of the photographer as "
 "an artist. It is like taking an image in black and white with a red filter "
 "on the camera lense. Areas which reflect little red light, e.g. the sky, "
 "will show as low density, dark areas. Areas which are excellent reflectors "
 "of red light, e.g. most green foliage, will be high density areas. And snow "
 "landscapes are really dramatic."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:125
 msgid "The Image Editor to Emulate Infrared Films"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:127
 msgid ""
 "The filter tries to reproduce the famous Ilford(tm) SFX and Kodak Tmax "
 "infrared film series. These films has a sensitivity range of 200-800 ISO:"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:129
 msgid "**Ilford**: SPX 200, SPX 400, SPX 800."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:130
 msgid "**Kodak**: HIE."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:134
 msgid ""
 "Because the filter mixes color channels to reproduce infrared film (with "
 "emphasis on green channel), one can not simulate infrared effect from Black "
 "and White original photograph, since the color information is missing."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:139
 msgid "Inverting Colors"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:141
 msgid ""
 "In case of digitalize analog film with a scanner, color can appear inverted "
 "compared to the reality. This tool allows to reverse the colors into their "
 "respective `complementary colors <https://en.wikipedia.org/wiki/"
 "Complementary_colors>`_."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:143
 msgid ""
 "Invert color to a complementary color (or opposite color of color on the "
 "color wheel), consist to have cyan as the opposite color of red, yellow as "
 "opposite color for blue, and magenta as the opposite color of green. With :"
 "menuselection:`Color --> Invert` option, we can invert all the pixel colors "
 "and brightness values in the image, as if the image was converted into a "
 "negative. Dark areas become bright and bright areas become dark. Hues are "
 "replaced by their complementary colors."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:148
 msgid "Simulate Negative Film"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:150
 msgid ""
 "While digiKam is first and foremost an application for processing and "
 "organizing digital photos, it also features tools for working with `film "
 "negatives <https://en.wikipedia.org/wiki/Negative_(photography)>`_."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:152
 msgid ""
 "Before you can process negatives in digiKam, you need to digitize them. If "
 "you don’t have access to a film scanner or a lab that offers film scanning "
 "services, you can digitize film using a DSLR camera (there are plenty of "
 "tutorials on how to do that on the Web, as `this one <https://petapixel."
 "com/2013/03/25/digitizing-your-film-using-your-dslr/>`_). The rest of the "
 "process assumes that you are using the latter way to digitize film negatives."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:154
 msgid ""
 "Open a RAW file containing a film negative in the editor. Crop the original "
 "file and apply lens correction if necessary. Choose then :menuselection:"
 "`Color --> Invert` to transform the negative into a positive image. In case "
 "you work with the color negative, the converted image most likely requires "
 "some additional tweaking. First of all, the converted image is likely to "
 "have a strong blue tint. The easiest way to remove it is to use digiKam’s "
 "**Auto-Correction** tool. Choose :menuselection:`Color --> Auto-Correction` "
 "and select one of the presets. In many cases, the **Auto Levels** or "
 "**Equalize** presets do a decent job of correcting the colors. If the colors "
 "still look slightly off, you can adjust them further using the :"
 "menuselection:`Colors --> Color Balance` tool."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:160
 msgid "The Image Editor Tool to Simulate Negative Film"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:162
 msgid ""
 "The **Invert** feature in combination with an **Auto-Correction** preset "
 "provides a quick-and-dirty way of converting negatives, but digiKam has "
 "another tool designed specifically for processing color negatives. To access "
 "it, choose the :menuselection:`Color --> Color Negative` menu entry. The "
 "Color **Negative** Film interface contains several handy features that can "
 "help you to convert the negative and tweak the resulting image. While the "
 "**Invert** tool uses a generic profile for converting negatives, the Color "
 "Negative Film interface offers profiles for many popular film types. So the "
 "first step is to select the appropriate profile. For better results, try to "
 "enable the **Color Balance** option, too. If the used film is not in the "
 "list, you can use the **Neutral** profile as a fall back."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:164
 msgid ""
 "Although choosing the matching film profile may yield a better result, the "
 "converted image may still require some work. In most cases, you may need to "
 "adjust the white point to remove the remaining blue tint. You can do this "
 "either manually or automatically using the appropriate tools. Usually, the "
 "automatic white point adjustment does the job, but the resulting image needs "
 "to be brightened up by adjusting the **Exposure** and the **Gamma** sliders."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:169
 msgid "Colors Balance"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:171
 msgid ""
 "Digital cameras often have problems with lighting conditions and it is not "
 "unusual to want to correct the color contrast and brightness of a "
 "photograph. You can experiment with altering the levels of different aspects "
 "of your photographs using the tools under the **Color** menu. You can see "
 "any adjustments you make reflected in the preview. When you are happy with "
 "the results, press **Ok** and they will take effect."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:177
 msgid "The Image Editor Colors Balance Tool"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:179
 msgid ""
 "If your image is washed out (which can easily happen when you take images in "
 "bright light) try the **Hue/Saturation/Lightness** tool, which gives you "
 "four sliders to manipulate, for **Hue**, **Saturation**, **Vibrance**, and "
 "**Lightness**. Raising the saturation will probably make the image look "
 "better. In some cases, it is useful to adjust the lightness at the same "
 "time. *Lightness* here is similar to *Brightness* in the **Brightness/"
 "Contrast/Gamma** tool, except that they are formed from different "
 "combinations of the red, green, and blue channels."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:181
 msgid ""
 "When you take images in low light conditions, you could get the opposite "
 "problem: too much saturation. In this case the **Hue/Saturation/Lightness** "
 "tool is again a good one to use, only by reducing the saturation instead of "
 "increasing it. You can see any adjustments you make reflected in the preview "
 "image. When you are happy with the results, press Ok and they will take "
 "effect."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:186
 msgid "Adjust Curves"
 msgstr "Úprava křivek"
 
 #: ../../image_editor/colors_tools.rst:188
 msgid ""
 "The digiKam Adjust Curves is a tool to non-linearly adjust luminosity "
 "graduation and color channels."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:190
 msgid ""
 "The Adjust Curves tool is the most sophisticated tool available to adjust "
 "the images' tonality. Start it from the :menuselection:`Color --> Curves "
 "Adjust...` Image Editor menu. It allows you to click and drag control points "
 "on a curve to create a free function mapping input brightness levels to "
 "output brightness levels. The Adjust Curves tool can replicate any effect "
 "you can achieve with **Brightness/Contrast/Gamma** or the **Adjust Levels** "
 "tool, though it is more powerful than either one of them. But this tool can "
 "do more for you, it helps you to improve the tonal quality of your "
 "photographs to very finely stepped gray scales. And do not forget that the "
 "better the photographs are (good exposure, lossless format, 24 or 32 bit "
 "deep) the more you can improve them. Navigate to the \"Achieving ultimate "
 "tonal quality\" section of this instructive page: `Tonal quality and dynamic "
 "range in digital cameras by Norman Koren <http://www.normankoren.com/"
 "digital_tonality.html>`_. Use Adjust Curves tool to do just the same."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:192
 msgid ""
 "This tool provides visual curves to modify the intensity values of the "
 "active layer displayed as a histogram non-linearily. In **Curve smooth "
 "mode**, you change the curves shape by adding new points to the curve or by "
 "moving end point positions. Another way, is to draw all the curve manually "
 "in **Curve free mode**. In both cases the effect is immediately displayed in "
 "the image preview area to the left, where the preview can be configured by "
 "clicking on the top left icons."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:198
 msgid "The Image Editor Adjust Curves Tool"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:200
 msgid ""
 "To the left, half of the original and the target preview image is shown. The "
 "target preview is updated dynamically according to the widget settings. On "
 "the right side the following options are available:"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:202
 msgid ""
 "Modify **Channel**: with this combo box you can select the specific channel "
 "to be modified by the tool:"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:204
 msgid "**Luminosity**: changes the intensity of all pixels."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:206
 msgid "**Red**: changes the Red saturation of all pixels."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:208
 msgid "**Green**: changes the Green saturation of all pixels ."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:210
 msgid "**Blue**: changes the Blue saturation of all pixels."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:212
 msgid "**Alpha**: changes the transparency of all pixels."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:214
 msgid ""
 "Next to this box are two icons to select **Linear** or **Logarithmic** "
 "**Histogram** display. For images taken with a digital camera the linear "
 "mode is usually the most useful. However, for images containing substantial "
 "areas of constant color, a linear histogram will often be dominated by a "
 "single bar. In this case a logarithmic histogram will be more appropriate."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:216
 msgid ""
 "**Main Curves Editing Area**: the horizontal bar (x-axis) represents input "
 "values (they are value levels from 0 to 255). The vertical bar (y-axis) is "
 "only a scale for output colors of the selected channel. The control curve is "
 "drawn on a grid and crosses the histogram diagonally. The pointer x/y "
 "position is permanently displayed above the grid. If you click on the curve, "
 "a control point is created. You can move it to bend the curve. If you click "
 "outside the curve, a control point is also created, and the curve includes "
 "it automatically. So each point of the curve represents an 'x' translated "
 "into a 'y' output level."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:218
 msgid ""
 "Curve **Type** for channel: below the editing area are several icons that "
 "determine whether the curve can be edited using **Curve smooth mode** or "
 "**Curve free mode**. Smooth mode constrains the curve type to a smooth line "
 "with tension and provides a realistic rendering. Free mode lets you draw "
 "your curve free-hand with the mouse. With curve segments scattered all over "
 "the grid, result will be surprising but hardly repeatable. A **Reset to "
 "defaults** button is also available. If, for example, you move a curve "
 "segment to the right, i.e. to highlights, you can see that these highlights "
 "are corresponding to darker output tones and that image pixels corresponding "
 "to this curve segment will go darker. With color channels, moving right will "
 "decrease saturation up to reaching complementary color. To delete all "
 "control points (apart from both end points), click on the **Reset** button. "
 "To delete only one point, move it onto another point. Just ply with the "
 "curves and watch the results. You even can solarize the image on part of its "
 "tonal range. This happens when the curve is inverted in some part. The "
 "original photo preview has a red marker on it. If you place this marker to a "
 "zone you want to modify, a corresponding line will be drawn on the curve "
 "grid indicating the original value. Create a point on that line and move it "
 "up or down to adjust it to your pleasing."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:220
 msgid ""
 "**Save As** and **Load**: these buttons are used to do just that. Any curves "
 "that you have set can be saved to the filesystem and loaded later. The used "
 "file format is The Gimp Curves format."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:222
 msgid "**Reset**: this button resets all curve values for all channels."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:224
 msgid ""
 "The curves tool has several features that facilitate the positioning of "
 "points on the control curves. Clicking the mouse button in the original "
 "image preview area produces a vertical doted bar in the graph area of the "
 "curves tool. The bar position corresponds to the pixel value the mouse "
 "cursor is over in the image window. Clicking and dragging the mouse button "
 "interactively updates the position of the vertical bar. In this way, it is "
 "possible to see where different pixel values in the image are located on the "
 "control curve and helps to discover the locations of shadow, midtone, and "
 "highlight pixels."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:226
 msgid ""
 "Using this way and the three **Tone Color Picker** buttons will "
 "automatically create control points on the curve in all channels for shadow, "
 "middle, and highlight tones. Enable the color picker button that you want to "
 "use, and click on the original image preview area to produce control points "
 "on each of the Red, Green, Blue, and Luminosity control curves."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:231
 msgid "Adjust Levels"
 msgstr "Úprava úrovní"
 
 #: ../../image_editor/colors_tools.rst:233
 msgid ""
 "The digiKam Adjust Levels is a tool to manually adjust the histogram "
 "channels of an image."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:235
 msgid ""
 "Situated between the more sophisticated Adjust Curves tool and the simpler "
 "**Brightness/Contrast/Gamma** Image Editor tool is this Adjust Levels tool "
 "for improving exposure. Although the dialog for this tool looks very "
 "complicated, for the basic usage we have in mind here, the only part you "
 "need to deal with is the **Input Levels** area, concretely the three sliders "
 "that appear below the histogram."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:237
 msgid ""
 "This widget contains a visual graph of the intensity values of the active "
 "layer or selection (histogram). Below the graph are five sliders that can be "
 "clicked into and dragged to constrain and change the intensity level for the "
 "image. The left sliders position represents the dark areas and similarly, "
 "the right position represents the light areas."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:243
 msgid "The Image Editor Adjust Level Tool"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:245
 msgid ""
 "Actually the easiest way to learn how to use it is to experiment by moving "
 "the three sliders around, and watching how the image is affected."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:247
 msgid ""
 "On the right, both an original and a target preview image is available. The "
 "target preview is updated dynamically according to the slider positions. On "
 "the left, the following options are available:"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:249
 msgid ""
 "Modify levels for **Channel**: this combo box allows the selection of the "
 "specific channel that will be modified by the tool:"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:251
 msgid ""
 "**Luminosity**: this option makes intensity changes against all pixels in "
 "the image."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:253
 msgid ""
 "**Red**: this option makes Red saturation changes against all pixels in the "
 "image."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:255
 msgid ""
 "**Green**: this option makes Green saturation changes against all pixels in "
 "the image."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:257
 msgid ""
 "**Blue**: this option makes Blue saturation changes against all pixels in "
 "the image."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:259
 msgid ""
 "**Alpha**: this option makes transparency changes against all pixels in the "
 "image."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:261
 msgid ""
 "Set **Scale** for channel: this combo controls whether the histogram will be "
 "displayed using a linear or logarithmic amplitude. For images taken with a "
 "digital camera, the linear mode is usually the most useful. However, for "
 "images that contain substantial areas of constant color a linear histogram "
 "will often be dominated by a single bar. In this case a logarithmic "
 "histogram will often be more useful."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:263
 msgid ""
 "**Input Levels**: the input levels allow manual adjustments to be selected "
 "for each of the ranges. The main area is a graphic representation of image "
 "dark, mid and light tones content. They are on abscissa from level 0 (black) "
 "to level 255 (white). Pixel number for a level is on ordinate axis. The "
 "curve surface represents all the pixels of the image for the selected "
 "channel (histogram). A well balanced image is an image with levels (tones) "
 "distributed all over the whole range. An image with a predominant blue "
 "color, for example, will produce a histogram shifted to the left in Green "
 "and Red channels, manifested by green and red color lacking on highlights. "
 "The level ranges can be modified in three ways:"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:265
 msgid ""
 "Three sliders: the first on the top for **Dark Tones*, the second one for "
 "**Light Tones*, and the last one on the bottom for **Midtones** (often "
 "called **Gamma** value)."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:267
 msgid "Three input boxes to enter values directly."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:269
 msgid ""
 "Three **Color Picker** buttons using the original photo preview to "
 "automatically adjust inputs levels settings for shadow, midtone and "
 "highlights. There is also a fully automated adjustment button available next "
 "to the reset button."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:271
 msgid ""
 "**Output Levels**: the output levels allow manual selection of a narrowed-"
 "down output level range. There are also two sliders located here that can be "
 "used to interactively change the output levels like Input Levels. This "
 "output level compression may, for example, be used to create a bleached "
 "image as a background for some other subject to put into the foreground."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:273
 msgid ""
 "**Auto**: this button performs an automatic setting of the levels based on "
 "the pixel intensities of the image."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:275
 msgid ""
 "**Save As** and **Load**: these buttons are used to do just that. Any Levels "
 "that you have set can be saved to the filesystem and loaded later. The used "
 "file format is compatible with **The Gimp** Levels format."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:277
 msgid ""
 "**Reset All**: this button reset all Input Levels and Output Levels values "
 "for all channels."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:279
 msgid ""
 "The Adjust Levels tool has several features to facilitate the positioning "
 "input levels sliders. Clicking the mouse button in the original image "
 "preview area produces a vertical doted bar in the graph area of the "
 "histogram. The bar position corresponds to the pixel value under the mouse "
 "cursor in the image window. Clicking and dragging the mouse button "
 "interactively updates the position of the vertical bar. In this way it is "
 "possible to see where different pixel values in the image are located on the "
 "input levels sliders and helps to discover the locations of shadow, midtone, "
 "and highlight pixels."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:281
 msgid ""
 "Using in this mode and the three **Color Picker** buttons will automatically "
 "adjust input levels settings in all channels for shadow, middle, and "
 "highlight tones. Enable the color picker button that you want use, and click "
 "on the original image preview area to set input levels on each of the Red, "
 "Green, Blue, and Luminosity histogram channels."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:283
 msgid ""
 "**Over Exposure Indicator** option checks all color channel to see if more "
 "than one channel in a pixel is over-exposed, and you will see the combined "
 "color resulting of channel level settings. This feature is available as an "
 "indicator in the target preview area and has no effect on final rendering."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:288
 msgid "Correcting Exposure"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:290
 msgid ""
 "The simplest tool to use is the **Brightness/Contrast/Gamma** tool. It is "
 "also the least powerful, but in many cases it does everything you need. This "
 "tool is often useful for images that are overexposed or underexposed; it is "
 "not useful for correcting color casts. The tool gives you three sliders to "
 "adjust, for **Brightness**, **Contrast** and **Gamma**. You can see any "
 "adjustments you make reflected in the preview image. When you are happy with "
 "the results, press **Ok** and they will take effect."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:296
 msgid "The Image Editor Tool Correcting Exposure"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:300
 msgid ""
 "Another important tool called **Levels Adjust** provides also an integrated "
 "way of seeing the results of adjusting multiple levels and also enables you "
 "to save level settings for application to multiple photographs. This can be "
 "useful if your camera or scanner often makes the same mistakes and you want "
 "to apply the same corrections. See the dedicated :ref:`Adjust Levels manual "
 "<color_levels>` for more information. See also a way of correcting exposure "
 "problems using the **Adjust Curves** tool."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:305
 msgid "Correcting Colors"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:307
 msgid ""
 "This tool is used to adjust hue, saturation, and lightness levels on a range "
 "of color weights for the current image. You can access the tool by the menu "
 "entry :menuselection:`Color --> Hue/Saturation/Lightness`"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:309
 msgid "The tool settings are listed below:"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:311
 msgid ""
 "A Hue / Saturation color map to select visually the respective primary color "
 "to adjust. Just move and click with the mouse to set **Hue** and "
 "**Saturation** values in sliders below the map."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:313
 msgid ""
 "**Hue**: The slider allow you to select a hue in the color circle (-180, "
 "180)."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:315
 msgid ""
 "**Saturation**: The slider allow you to select a saturation (-100, 100)."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:317
 msgid ""
 "**Vibrance**: The slider allow you to adjust the vibrance of the image. "
 "Vibrance performs selective saturation on less saturated colors and avoiding "
 "skin tones."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:319
 msgid ""
 "**Lightness**: The slider allows you to select a luminosity value (-100, "
 "100). Lightness changes here concern a color range, while they concern a "
 "color tone with **Curves Adjust** and **Levels Adjust** tools, which work on "
 "color channels. If you change the Red lightness with this tool, all red "
 "pixels will be changed. With **Curves Adjust** and **Levels Adjust** tools, "
 "only dark, bright, or medium pixels luminosity will be changed."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:321
 msgid ""
 "You can see any adjustments you make reflected in the preview image. When "
 "you are happy with the results, press **Ok** and they will take effect."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:327
 msgid "The Image Editor Tool Correcting Colors"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:332
 msgid "Channel Mixer"
 msgstr "Směšovač kanálů"
 
 #: ../../image_editor/colors_tools.rst:334
 msgid ""
 "The digiKam image Channel Mixer is a tool to remix the color channels to "
 "improve or modify the photograph color shades."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:336
 msgid ""
 "The Channel Mixer is an another sophisticated tool to refine the images' "
 "tonality. Start it from the :menuselection:`Color --> Channel Mixer` Image "
 "Editor menu."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:342
 msgid "The Image Editor Channel Mixer Tool"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:344
 msgid ""
 "With the channel combo box you select and display the histogram per color. "
 "It gives a first hint of how to correct the channels by their relative "
 "distribution and amplitude. The left half of the dialog window always shows "
 "a preview of what you are doing. The original for comparison can be seen "
 "when selecting its own window tab."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:346
 msgid ""
 "The target photo preview has a red marker available. If you place this "
 "marker somewhere in the image, a corresponding vertical bar will be drawn in "
 "the histogram indicating the color level value in the current channel "
 "selected."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:348
 msgid ""
 "Now the controls are to the lower right: **Red**, **Green** and **Blue** "
 "slider controls enable you to mix the channels. If you check **Preserve "
 "Luminosity** the image will retain its overall luminosity despite you "
 "changing its color components. This feature is particularly useful when you "
 "also ticked the **Monochrome** box. Because the channel mixer is the tool to "
 "make great Black and White conversions of your photographs. Try to reduce "
 "the green channel for Black and White portraits."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:352
 msgid ""
 "Sometimes, especially when doing **Monochrome** mixing, reducing one color "
 "channel may increase visible noise, which actually originates in the chroma "
 "noise. Chroma noise means that the little noise specs do not appear at the "
 "same location in all the color channels, but the noise patterns looks "
 "different in every channel. If that is the case you can improve the "
 "monochrome conversion by reducing the chroma noise first."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:354
 msgid ""
 "**Save As** and **Load** buttons are used to do just that. Any mixer "
 "settings that you have set can be saved to the filesystem and loaded later. "
 "The used file format is The Gimp channel mixer format."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:356
 msgid ""
 "**Over Exposure Indicator** option adds up the colors if more than one "
 "channel in a pixel is over-exposed, and you will see the combined color "
 "resulting of channel gain settings. This rule is applying to target preview "
 "area and haven't effect to final rendering."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:358
 msgid ""
 "**Reset All** button resets all channel mixer settings to default values."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:363
 msgid "White Balance"
 msgstr "Vyvážení bílé"
 
 #: ../../image_editor/colors_tools.rst:365
 msgid ""
 "The digiKam White Balance is a semi-automatic tool to adjust the white-"
 "balance of a photograph."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:367
 msgid ""
 "White Balance setting is a common hurdle for digital still cameras. In the "
 "'good old time' of film rolls, the white balance was done by the photolab. "
 "Nowadays the poor little camera has to guess what is white and what is "
 "black. Most of the time, what the camera chooses as the white point, is not "
 "of the correct shade or hue. Using this tool it is easy to correct this "
 "problem. It provides a variety of parameters that can be trimmed to obtain a "
 "better result."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:373
 msgid "The Image Editor White Balance Tool"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:377
 msgid ""
 "Even if the White Balance correction is not limited to 8 bit per channel, if "
 "you depart too much from the original, over exposure zones may appear. If "
 "you can adjust the White Balance in RAW conversion mode, the margin for "
 "correction will be greater as it processes correction while demosaicing."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:379
 msgid ""
 "The preview window can be resized. To the left, both an original and a "
 "target preview tab is shown. The target preview is updated dynamically "
 "according to the tool's settings. If you want to see the original White "
 "Balance, just click on that tab."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:381
 msgid ""
 "The target photo preview has a red marker available. The luminosity value of "
 "the pixel under the marker is shown as a vertical line in the histogram ."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:383
 msgid ""
 "To the top right, the widget displays a histogram that is dynamically "
 "updated when changing the parameters. This histogram is very instructive as "
 "it shows that even in well exposed photos, most of the pixels have very "
 "small luminosity. With a button you can select to show either one of the 3 "
 "colors (or the sum of it which is called luminosity)."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:385
 msgid ""
 "With **Exposure** you can digitally change the original photo exposure. "
 "Increasing the exposure is has the risk of making the pixel noise more "
 "visible and to blow out the highlights. Check the **Over exposure "
 "indicator** at the lower right to see if you run into saturation problems. "
 "The **Black Point** adjustment can be used to cut the histogram from the "
 "left. If your photograph looks foggy (histogram has empty space on the left, "
 "black side), you probably need to use this option. The **Exposure** and "
 "**Black Point** adjustments can be automatically estimated by pressing the "
 "**Auto Exposure Adjustments** button. This sets the black point quite "
 "accurately."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:387
 msgid ""
 "The contrast of your output depends on **Shadows**, **Saturation**, and "
 "**Gamma** parameters. The **Shadows** adjustment lets you enhance or "
 "diminish the shadow details in your photo."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:389
 msgid ""
 "Increasing the contrast of your photograph can have the side effect of "
 "reducing the apparent **Saturation** of the photo. Use a value larger than 1 "
 "to increase the saturation and a value of less than 1 to desaturate the "
 "photo. A value of 0 will give you a black and white photo. Don't be shy to "
 "bump up the saturation of your photos a little. The general rule is that for "
 "higher Contrast (lower **Gamma**) you need to apply more **Saturation**."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:391
 msgid ""
 "The next set of options is the mainstay of White Balance settings, which "
 "controls the ratio between the three color channels. Here you can set the "
 "color **Temperature**, making your image warmer or colder. Higher "
 "temperature will result in a warmer tint. Setting the ratio between the "
 "three color channels requires two adjustments. Since the temperature "
 "adjustment mostly controls the ratio between the red and the blue channels, "
 "it is natural that the second adjustment will control the intensity of the "
 "**Green** channel."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:393
 msgid ""
 "Instead of fiddling around with the above controls, you can simply use the "
 "**Temperature Tone Color Picker** button. Press on this button and click "
 "anywhere on the original preview image to get the output color of that area "
 "to calculate the white color balance temperature settings. This way, "
 "**Temperature** and **Green** values are automatically computed."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:395
 msgid ""
 "In addition you can set the White Balance using the preset list. These are "
 "the white color balance temperature presets available:"
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:398
 msgid "Color Temperature"
 msgstr "Teplota barvy"
 
 #: ../../image_editor/colors_tools.rst:398
 msgid "Description"
 msgstr "Popis"
 
 #: ../../image_editor/colors_tools.rst:398
 msgid "Kelvin"
 msgstr "Kelvin"
 
 #: ../../image_editor/colors_tools.rst:400
 msgid "**40W**"
 msgstr "**40W**"
 
 #: ../../image_editor/colors_tools.rst:400
 msgid "40 Watt incandescent lamp."
 msgstr "40 Wattová žárovka."
 
 #: ../../image_editor/colors_tools.rst:400
 msgid "2680"
 msgstr "2680"
 
 #: ../../image_editor/colors_tools.rst:401
 msgid "**200W**"
 msgstr "**200W**"
 
 #: ../../image_editor/colors_tools.rst:401
 msgid "200 Watt incandescent lamp, studio lights, photo floods."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:401
 msgid "3000"
 msgstr "3000"
 
 #: ../../image_editor/colors_tools.rst:402
 msgid "**Sunrise**"
 msgstr "**Východ Slunce**"
 
 #: ../../image_editor/colors_tools.rst:402
 msgid "Sunrise or sunset light."
 msgstr "Světlo při svítání nebo soumraku."
 
 #: ../../image_editor/colors_tools.rst:402
 msgid "3200"
 msgstr "3200"
 
 #: ../../image_editor/colors_tools.rst:403
 msgid "**Tungsten**"
 msgstr "**Wolfram**"
 
 #: ../../image_editor/colors_tools.rst:403
 msgid "Tungsten lamp or light at 1 hour from dusk or dawn."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:403
 msgid "3400"
 msgstr "3400"
 
 #: ../../image_editor/colors_tools.rst:404
 msgid "**Neutral**"
 msgstr "**Neutrální**"
 
 #: ../../image_editor/colors_tools.rst:404
 msgid "Neutral color temperature."
 msgstr "Neutrální teplota barev."
 
 #: ../../image_editor/colors_tools.rst:404
 msgid "4750"
 msgstr "4750"
 
 #: ../../image_editor/colors_tools.rst:405
 msgid "**Xenon**"
 msgstr "**Xenon**"
 
 #: ../../image_editor/colors_tools.rst:405
 msgid "Xenon lamp or light arc."
 msgstr "Xenonová lampa nebo obloukové světlo."
 
 #: ../../image_editor/colors_tools.rst:405
 msgid "5000"
 msgstr "5000"
 
 #: ../../image_editor/colors_tools.rst:406
 msgid "**Sun**"
 msgstr "**Slunce**"
 
 #: ../../image_editor/colors_tools.rst:406
 msgid "Sunny daylight around noon."
 msgstr "Slunečné denní světlo kolem poledne."
 
 #: ../../image_editor/colors_tools.rst:406
 msgid "5500"
 msgstr "5500"
 
 #: ../../image_editor/colors_tools.rst:407
 msgid "**Flash**"
 msgstr "**Blesk**"
 
 #: ../../image_editor/colors_tools.rst:407
 msgid "Electronic photo flash."
 msgstr "Elektronický blesk."
 
 #: ../../image_editor/colors_tools.rst:407
 msgid "5600"
 msgstr "5600"
 
 #: ../../image_editor/colors_tools.rst:408
 msgid "**Sky**"
 msgstr "**Obloha**"
 
 #: ../../image_editor/colors_tools.rst:408
 msgid "Overcast sky light."
 msgstr "Světlo při zatažené obloze."
 
 #: ../../image_editor/colors_tools.rst:408
 msgid "6500"
 msgstr "6500"
 
 #: ../../image_editor/colors_tools.rst:411
 msgid ""
 "**Color Temperature** is a simplified way to characterize the spectral "
 "properties of a light source. While in reality the color of light is "
 "determined by how much each point on the spectral curve contributes to its "
 "output, the result can still be summarized on a linear scale. This value is "
 "useful e.g. for determining the correct white balance in digital "
 "photography, and for specifying the right light source types in "
 "architectural lighting design. Note, however, that light sources of the same "
 "color (metamers) can vary widely in the quality of light emitted."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:413
 msgid ""
 "Low Color Temperature implies more yellow-red light while high color "
 "temperature implies more blue light. Daylight has a rather low color "
 "temperature near dawn, and a higher one during the day. Therefore it can be "
 "useful to install an electrical lighting system that can supply cooler light "
 "to supplement daylight when needed, and fill in with warmer light at night. "
 "This also correlates with human feelings towards the warm colors of light "
 "coming from candles or an open fireplace at night. Standard unit for color "
 "temperature is Kelvin (K)."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:415
 msgid ""
 "**Over Exposure Indicator** option adds up the colors if more than one "
 "channel in a pixel is over-exposed, and you will see the combined color "
 "resulting of White Color Balance controls settings. This rule is applied to "
 "target preview area as an indication only and has no effect on the final "
 "rendering."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:417
 msgid ""
 "**Save As** and **Load** buttons are used to do just that. Any White Color "
 "Balance settings that you have set can be saved to the filesystem in a text "
 "file and loaded later."
 msgstr ""
 
 #: ../../image_editor/colors_tools.rst:419
 msgid ""
 "**Reset All** button resets all filter settings to default values "
 "corresponding to Neutral White Balance color. Attention, even the neutral "
 "setting might be different from your original photograph. If you save it, "
 "the white balance will be changed."
 msgstr ""